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Sculpture   /skˈəlptʃər/   Listen
Sculpture

noun
1.
A three-dimensional work of plastic art.
2.
Creating figures or designs in three dimensions.  Synonym: carving.



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"Sculpture" Quotes from Famous Books



... type, cast, mold; fashion; contour &c. (outline) 230; structure &c. 329; plasmature[obs3]. feature, lineament, turn; phase &c. (aspect) 448; posture, attitude, pose. [Science of form] morphism. [Similarity of form] isomorphism. forming &c. v.; formation, figuration, efformation[obs3]; sculpture; plasmation[obs3]. V. form, shape, figure, fashion, efform[obs3], carve, cut, chisel, hew, cast; rough hew, rough cast; sketch; block out, hammer out; trim; lick into shape, put into shape; model, ...
— Roget's Thesaurus

... Duchesses, &c., but Commoners largely preponderated, and the hour of commencing was changed from 9 to 7 1/2 P. M. The apartment devoted to the performance is a very fine one, and the whole mansion, though common-place enough in its exterior, is fitted up with a wealth of carving, gilding, sculpture, &c., which can hardly be imagined. The scenes were painted expressly in aid of the "Guild," and admirably done. The Duke's private band played before and between the acts, and nothing had been spared on his part to render the entertainment a pleasant one. Every ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley

... belvedere, or open gallery, of the Vatican at Rome, where it was placed by Pope Julius II. It shows the conception which the ancients had of this benign deity, and also the high degree of perfection to which they had attained in sculpture. A modern writer gives the ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson

... scarcely even interesting for the most part, massive, orderly, excessively bare, but with two features which will ever make it notable; its Romanesque cloisters with the highly variegated capitals, and the sculptured western portal. This is regarded as one of the earliest works of sculpture in Spain, and certainly it has some very primitive, one may even say Iberian, traits, for the large toro-like animals recall Iberian sculpture. Yet it is a great work, largely and systematically planned, full of imaginative variety; at innumerable points it anticipates ...
— Impressions And Comments • Havelock Ellis

... of the lotus in every part of the empire, bloomed the grander flowers of sculpture, of painting and of temple architecture. It was because of the carpenter's craft in building temples that he won his name of Dai-ku, or the great workman. The artificers of the sunny islands cultivated an ambition, not only ...
— The Religions of Japan - From the Dawn of History to the Era of Meiji • William Elliot Griffis

... faculties of man, especially the faculty of mimicry, yet that particular form of mimicry which shows itself in the imitation of form, either by modelling or by drawing, is not to be met with. As far as I know, there is no sculpture or modelling, and decidedly no painting or drawing, of animal origin, I mention the fact, in order that such comfort may be derived therefrom as artists may feel inclined ...
— American Addresses, with a Lecture on the Study of Biology • Tomas Henry Huxley

... thy language, Sculpture. Thine to reach Beneath all thoughts, all feelings, all desires, To that which thinks and lives and loves, and teach The world the primal selfhood of its sires, Its heroes and its lovers and its gods. So shall Apollo flame in marble fires, The mien ...
— More Songs From Vagabondia • Bliss Carman and Richard Hovey

... first simplicity,—finding them gentlemanly in manners, passably educated, and only tempted a little beyond their means by a laudable desire of improving and refining themselves, or, perhaps for the sake of getting better artistic instruction in music, painting, or sculpture than our country could supply,—I sometimes took charge of them on my private responsibility, since our government gives itself no trouble about its stray children, except the seafaring class. But, after a few such experiments, discovering that none of these estimable and ingenuous young ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne

... undertaken together. Winckelmann, with his unerring perception, soon found that this was the axis on which the entire knowledge of art revolves. He confined himself at first to the most sublime works, which he intended to present in a treatise, Concerning the Style of Sculpture in the Age of Phidias, but he soon rose above these details to the idea of a history of art, and discovered a new Columbus, a land long surmised, hinted at and discussed—yea, a land, we might say, that had formerly ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke

... have done enough for one day," she said at last. "The watercolors and the sculpture must wait ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw

... forgiving offenses, in dealing punishments and in receiving gifts. They would become makers of laws and moral codes. They would wear special costumes to distinguish them, they would go through elaborate ceremonies to impress their followers, employing all sensuous effects, architecture and sculpture and painting, music and poetry and dancing, candles and incense and ...
— The Profits of Religion, Fifth Edition • Upton Sinclair

... of heaven Where there is none to know them from the rocks And sand-grass of his own monotony That makes earth less than earth. He could see that, And he could see no more. The captured light That may have been or not, for all he cared, The song that is in sculpture was not his, But only, to his God-forgotten eyes, One more immortal nonsense in a world Where all was mortal, or had best be so, And so be done with. 'Art,' he would have said, 'Is not life, and must therefore be a lie;' And with a few profundities like that He would ...
— The Three Taverns • Edwin Arlington Robinson

... pressed through the doors, and, disdaining the exhibition of sculpture, hastened upstairs to the picture gallery. Even while mounting the steps they raised their eyes to the canvases displayed on the walls of the staircase, where they hang the special category of decorative painters who have sent canvases of unusual ...
— Strong as Death • Guy de Maupassant

... The bedroom was large, but with a low ceiling. By way of decoration there were enormous fish bones arranged in garlands caught up by the heads of fish. By half shutting one's eyes this decoration might be taken for delicate sculpture of ancient times. In reality, however, it was ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt

... characteristics of modern fiction is its so-called truth to nature. For fiction is an art, as painting is, as sculpture is, as acting is. A photograph of a natural object is not art; nor is the plaster cast of a man's face, nor is the bare setting on the stage of an actual occurrence. Art requires an idealization of nature. ...
— Widger's Quotations of Charles D. Warner • David Widger

... notwithstanding the fact that he is not a native of Ireland, in an earlier age representations of him appear in profusion among the symbols of that country. It has been said that there is scarcely an Egyptian sculpture known in which this reptile does not figure. The serpent whenever it appears as a religious emblem always typifies desire—creative energy—which, proceeding from the sun, is manifested in man and in animals. Whether it be a veritable snake in a box, a serpent connected with the ...
— The God-Idea of the Ancients - or Sex in Religion • Eliza Burt Gamble

... left to the Academy of Venice the choice of the form of the monument, and of the site on which it should be erected. The Academy, after a discussion pro forma, confided the monument to one of its members, M. Zandomeni, professor of sculpture. The monument is to be placed in the church of St. Mary of Frari, near that of Canova. It will be inaugurated in about a year's time with great pomp. Shortly after the monument was commenced, Zandomeni died, but his son has ...
— Harper's New Monthly Magazine, Vol. 2, No. 8, January, 1851 • Various

... traditions of classic art during the Dark Ages; that from them were developed in direct descent the various styles of Italian architecture; and that, finally, they carried the knowledge and practice of architecture and sculpture into France, Spain, Germany, and England. Such a thesis is difficult, and, from its nature, not susceptible of absolute proof, but the writer makes it as certain as ...
— The Builders - A Story and Study of Masonry • Joseph Fort Newton

... these are the nations that furnish the most profitable agencies to the industry of the Phoenicians, and a variety of advantages which are incalculable. They possess themselves every profusion of luxury, in articles of plate and sculpture, in furniture of beds, tripods, and other household embellishments, far superior in degree to any thing that is seen in Europe: their expence of living rivals the magnificence of princes: their houses are decorated with ...
— Robert Kerr's General History and Collection of Voyages and Travels, Volume 18 • William Stevenson

... and healing that traitor lung of his—to be a writer. He didn't so decide entirely because that was what he had always wanted to be, but for many reasons. First place, he could say things to her through prose and verse that could not be expressed in sculpture, music, painting, groceries, or dry-goods. Second place, where she was, there his heart was sure to be; and where the heart is, there the best work is done. And, third place, he knew that the chances were against his ever living in dusty cities or in the places ...
— IT and Other Stories • Gouverneur Morris

... were stored up the remains of all sorts of fine old furniture and sculpture, but these could only be seen through the chinks, for the cells were carefully locked, and the sacristan would not open them to anyone. The second cloister, although of more recent date, was likewise ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... in sight, were spread Banners of yellow hue, bestrip'd with red, Whereon, in golden characters, were seen: THE ANNIVERSARY OF FOLLY'S QUEEN! Strange motley ornaments the Building grac'd, With every emblem of corrupted Taste. No stately Column rose to meet the Dome, No Sculpture borrow'd from the Arts of Rome; No well-wrought Frieze crept graceful on the walls, Th' Acanthus weav'd no splendid Capitals; Nor did the Attic elegance supply One simple foliage for the judging eye. But, in their stead, Confusion void ...
— The First of April - Or, The Triumphs of Folly: A Poem Dedicated to a Celebrated - Duchess. By the author of The Diaboliad. • William Combe

... head of real hair, which is cut twice a year, and always grows again! This faculty of reproduction is as profitable as it is wonderful; for, besides the resort of pious visitors, drawn by the capillary attractions of such a miraculous piece of sculpture, the locks that are cut off are stated, by the ecclesiastical functionaries in charge of the statue, to be a sure preservative against all harm to the wearer, and are of course in request as an article of commerce. My object in ...
— Notes and Queries, Number 78, April 26, 1851 • Various

... in that respect," said Dalgetty. For a moment he had a sense of loss. His thought processes had become too far removed from the ordinary human for him to find much in fiction or poetry. But music, sculpture, painting—there was something else. He looked over the broad glimmering water, at the stations dark against the first stars, and savored the many symmetries and harmonies with a real pleasure. You needed ...
— The Sensitive Man • Poul William Anderson

... period.[7] At this earlier period {17} various breeds, namely hounds, house-dogs, lapdogs, &c., existed; but as Dr. Walther has remarked it is impossible to recognise the greater number with any certainty. Youatt, however, gives a drawing of a beautiful sculpture of two greyhound puppies from the Villa of Antoninus. On an Assyrian monument, about 640 B.C., an enormous mastiff[8] is figured; and according to Sir H. Rawlinson (as I was informed at the British Museum), ...
— The Variation of Animals and Plants Under Domestication, Vol. I. • Charles Darwin

... them in his pockets, and turned to the window beside which he had been sitting. It looked out over the sweet green peace of the Luxembourg Gardens, with their winding paths and their clumps of trees and shrubbery, their flaming flower-beds, their groups of weather-stained sculpture. A youth in laborer's corduroys and an unclean beret strolled along under the high palings; one arm was about the ample waist of a woman somewhat the youth's senior, but, as ever, love was blind. The youth ...
— Jason • Justus Miles Forman

... clutch of monster's tactile organs, which grew from the barrel's crown. It was like a powerful man struggling to uproot a rock, or a bear or an octopus crushing an enemy. It was dark-hole drama, like something from another galaxy. Like some horribly effective piece of sculpture, the tableau in the box preserved the last gasp of an incautious ...
— The Planet Strappers • Raymond Zinke Gallun

... this respect to any capital in Europe. Every art that wealth or taste could devise seems to have been spent in its decoration. Broad, spacious streets and squares have been laid out; churches, halls, and colleges erected, and schools of painting and sculpture established which drew artists from ...
— Composition-Rhetoric • Stratton D. Brooks

... should "give a future to their past." This delightful work may illustrate an allegory now grown dark or some misconception of a Grecian story; but though the relation between the items that compose it should remain for ever unexplained, its beauty, like that of some Greek sculpture that has been admired under many names, continues its spell, and speaks of how the simplicity, austerity and noble proportions of classical art were potent with the spirit of the great Nuremberg artist, ...
— Albert Durer • T. Sturge Moore

... in his shop, and for two months he came with no epitaphs for the Cure, and no new tombstones were set up in the graveyard. The influence of the lady at the Seigneury was upon him, and he himself believed it was for his salvation. She had told him of great pieces of sculpture she had seen, had sent and got from Quebec City, where he had never been, pictures of some of the world's masterpieces in sculpture, and he had lost himself in the study of them and in the depths of the girl's eyes. She meant no harm; the man interested ...
— The Judgment House • Gilbert Parker

... can you not see? It is a huge sarcophagus. Come here, Lawrence. Look at the sculpture and ornamentation all along this side, and at the two ends as well. The cover ought to ...
— Yussuf the Guide - The Mountain Bandits; Strange Adventure in Asia Minor • George Manville Fenn

... possibly, of confusion of name. However, before long your oblivious friend was willing to agree that he studied with you at the college of Tours and also that hew as the same Monsieur Dorlange who, in 1831 and under quite exceptional circumstances, carried off the grand prize for sculpture. No doubt remained in my mind as to his identity. I attributed his want of memory to the long interruption (of which you yourself told me) in your intercourse. I think that that interruption wounded him more than you are aware, and when he seemed to have forgotten ...
— The Deputy of Arcis • Honore de Balzac

... Pernicious effects of the Ava. Numbers. Disposition and Manners. Reasons for supposing them not Cannibals. Dress and Ornaments. Villages and Houses. Food. Occupations and Amusements. Addicted to Gaming. Their extraordinary Dexterity in Swimming. Arts and Manufactures. Curious Specimens of their Sculpture. Kipparee, or Method of Painting Cloth. Mats. Fishing Hooks. Cordage. ...
— A General History and Collection of Voyages and Travels, Volume 17 • Robert Kerr

... Bronze and marble busts shone here and there, and where the panels of the wall were divided by representations of columns, metal brackets and wooden consoles sustained delicate figures and groups of sculpture. ...
— Infelice • Augusta Jane Evans Wilson

... accurately is all but impossible, and analogies can only remotely suggest what such expressions mean. But it is as if it were said that the same thought might be expressed in an infinite variety of languages; and not in words only, but in action, in painting, in sculpture, in music, in any form of any kind which can be employed as a means of spiritual embodiment. Of all these infinite attributes, two only, as we said, are known to us—extension and thought. Material phenomena are phenomena of extension; and to every modification of extension ...
— Short Studies on Great Subjects • James Anthony Froude

... to be a sculptor? Yes, yes; the art of sculpture is a nice, pretty art in its way. I fancy I've seen you in the street once or twice. Have you been staying ...
— The Lady From The Sea • Henrik Ibsen

... active and creates new images by the *combination of existing or only imagined conditions. It does not matter whether these consist of the idea only, or whether they are the product of word, manuscript, picture, sculpture, music, etc. We have to deal only with their occurrence and their results. Of course there is no sharp boundary between imaginative ideas and sense-perception, etc. Many phenomena are difficult to classify and even language ...
— Robin Hood • J. Walker McSpadden

... ensemble a vagrant multitude of rose, honeysuckle, clematis, and wistaria vines, all blooming in full rivalry of perfume and color; insert in some of the corners and beneath some of the older casements archaic bits of sculpture—strange barbaric features with beards of Assyrian correctness and forms clad in the rigid draperies of the early Jumieges period of the sculptor's art; lance above the roof ridges the quaint polychrome ...
— In and Out of Three Normady Inns • Anna Bowman Dodd

... few clubs of any kind and had no common place of meeting for those who cultivated the fine arts, Taft's studio became, naturally, our center of esthetic exchange. Painting and sculpture were not greatly encouraged anywhere in the West, but Lorado and his brave colleagues, hardy frontiersmen of art, laughed in the face of ...
— A Daughter of the Middle Border • Hamlin Garland

... course of the day I picked up a nodular mass of blue limestone, and laid it open by a stroke of the hammer. Wonderful to relate, it contained inside a beautifully finished piece of sculpture, one of the volutes, apparently, of an Ionic capital. Was there another such curiosity in the whole world? I broke open a few other nodules of similar appearance, and found that there might be. In one of these there were what seemed ...
— The World's Greatest Books - Volume 15 - Science • Various

... discovered. It is a series of mounds on the Western bank of the Tigris river between Nineveh and Bagdad. All the treasures of Darius were taken and Alexander erected a great palace. Bronze swords, cups and pieces of sculpture have been unearthed and it is supposed there are vast stores of other remains awaiting the tool and patience of the excavator. The famous Sultan Saladin took up his residence here in 1184 and doubtless many relics of his royal time ...
— Marvels of Modern Science • Paul Severing

... window? Several clothes-horses, a pillion, a spinning-wheel, and an old box wide open and stuffed full of coloured rags. At the edge of this box there lies a great wooden doll, which, so far as mutilation is concerned, bears a strong resemblance to the finest Greek sculpture, and especially in the total loss of its nose. Near it there is a little chair, and the butt end of a boy's leather ...
— Adam Bede • George Eliot

... lead us too far, if in the separate arts of architecture, music, and painting (for the moderns have never had a sculpture of their own), we should endeavour to point out the distinctions which we have here announced, to show the contrast observable in the character of the same arts among the ancients and moderns, and at the same time to demonstrate ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black

... Halevy, and among contemporary performers Rubinstein, Joachim, Hermann Levy, and Lucca. A Jewess is the most popular tragic actress on the contemporary stage, and another Jewess was probably the greatest tragic actress of the century. M. Leroy-Beaulieu notices that in painting and sculpture the Jews have been less conspicuous, and he attributes this to their horror of idolatry. I should rather ascribe it to the fact that European art in its best period was mainly devoted to depicting Christian subjects for Christian churches. ...
— Historical and Political Essays • William Edward Hartpole Lecky

... heaps of debris, to sink itself in the weeds of some stagnant pool. The head of the dog was thrust forward and rested upon the fore-paws as if the brute were sleeping; but its half-open eyes seemed to watch the approaches to the doorway in the wall. As a piece of sculpture, the animal was simply marvellous. In its gathered limbs, though relaxed and perfectly at rest, a capacity for swift and terrible action seemed to hold itself in reserve, and a breath almost appeared to come from the half-opened jaws, momentarily ...
— Earth's Enigmas - A Volume of Stories • Charles G. D. Roberts

... at least, the recent Queen Anne revival has made this generation familiar. It may be said of it, as Thackeray said of {185} Gay's pastorals: "It is to poetry what charming little Dresden china figures are to sculpture, graceful, minikin, fantastic, with a certain beauty always accompanying them." The Rape of the Lock, perhaps, stops short of beauty, but it attains elegance and prettiness in a supreme degree. In imitation of the gods and goddesses in the Iliad, ...
— Brief History of English and American Literature • Henry A. Beers

... the pedantry of letters to limit the word art, a little narrowly, to certain manifestations of the artistic spirit, or, at all events, to set up a comparative estimate of the values of the several arts, a little unnecessarily? Literature, painting, sculpture, music, these we admit as art, and the persons who work in them as artists; but dancing, for instance, in which the performer is at once creator and interpreter, and those methods of interpretation, such as the playing ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons

... child is! The rosy lips are parted, showing the pearly teeth, the face is a little flushed with warmth, one pale, pink-tinted ear is like a bit of sculpture, the dimpled shoulder, the one dainty bare foot outside the spread, seem parts of a cherub. He presses it softly; he kisses the sweet lips that smile. Is it really the sense of ownership ...
— Floyd Grandon's Honor • Amanda Minnie Douglas

... sciences. In spite of their liberal purposes and capabilities, however, there is a blight hanging over them. Pupils enlist cautiously and reluctantly. Among other schools there is a Royal Seminary for girls, scarcely more than a name, a free school of sculpture and painting, and a mercantile school, with a few private institutions of learning. There is a fairly good museum of natural history, and just outside the city a botanical garden. Still the means of education are very limited in Cuba, an evidence of which is the fact ...
— Due South or Cuba Past and Present • Maturin M. Ballou

... the shady side of the street to the number indicated upon the precious letter. The house presented an imposing chocolate-colored expanse, relieved by facings and window cornices of florid sculpture, and by a couple of dusty rose trees which clambered over the balconies and the portico. This last-mentioned feature was approached by a monumental ...
— An International Episode • Henry James

... to paint pictures, and art to make sculpture, and mind to write books, and genius to carry on war, but I tell you, my girl," said Uncle, "that it takes brains to ...
— The Adventures of Uncle Jeremiah and Family at the Great Fair - Their Observations and Triumphs • Charles McCellan Stevens (AKA 'Quondam')

... arch supported by pillars; the roof exquisitely carved in stone; over the fountain is the legend of St Wenefrid on a pendent projection, with the arms of England at the bottom. Numbers of fine ribs secure the arch, whose intersections are coupled with some sculpture. To this place the resort of pilgrims was formerly very great; and, though considerably diminished, there are still to be seen in the summer a few in the water, in deep devotion, up to their chins for hours, sending up their prayers, or performing a number of evolutions round ...
— A Select Collection of Old English Plays, Volume I. • R. Dodsley

... at least, the classic Renaissance gave fresh life to anatomy as to all other sciences. Especially did the improvements in painting and sculpture stir men up to a closer study of the human frame. Leonardo da Vinci wrote a treatise on muscular anatomy: the artist and the sculptor often worked together, and realised that sketch of Michael Angelo's in which he himself is assisting Fallopius, Vesalius' ...
— Health and Education • Charles Kingsley

... led to the bronze horse. He loved to look at its noble contour silhouetted against the sky or illumined by the street-lamps, and was seldom too tired to be inspired by it. He had never seen any work in sculpture to be compared to it, and for the first few days after his arrival, he was never content to end the day's tramping until he stood beneath it, following its outlines, his heart swelling with pride at the thought that one of his own nationality ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith

... centuries. The interior of the old temples and palaces was profusely decorated. In the Hoodo temple at Uji, dating from the tenth century, we can still see the elaborate canopy and gilded baldachinos, many-coloured and inlaid with mirrors and mother-of-pearl, as well as remains of the paintings and sculpture which formerly covered the walls. Later, at Nikko and in the Nijo castle in Kyoto, we see structural beauty sacrificed to a wealth of ornamentation which in colour and exquisite detail equals the utmost gorgeousness of Arabian ...
— The Book of Tea • Kakuzo Okakura

... of irreplaceable values, other than human life, caused by the war, is summed up, as far as France is concerned, in this West Front of Rheims; so marred in all its beautiful detail, whether of glass or sculpture, yet still so grand, so instinct still with the pleading powers of the spirit. The "pity of it!" and at the same time, the tenacious undying life of France—all the long past behind her, the unconquerable future ...
— Fields of Victory • Mrs. Humphry Ward

... by some one of the Master's Paduan models, or of Albert Duerer's Saxons. And the locks of his reddish hair, crinkled by nature, but glued to his head by brilliantine, were treated broadly as they are in that Greek sculpture which the Mantuan painter never ceased to study, and which, if in its creator's purpose it represents but man, manages at least to extract from man's simple outlines such a variety of richness, borrowed, as it were, from the whole of animated nature, that a head of hair, by the glossy undulation ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust

... lost sight of the individual, and the respect due him, in her lover. Rose, in the heart of New England, bred after the precepts of orthodoxy, was a pagan, and she worshipped Love himself. Barney was simply the statue that represented the divinity; another might have done as well had the sculpture been as fine. ...
— Pembroke - A Novel • Mary E. Wilkins Freeman

... cannot believe that Mozart is powerful because he is so Beautiful: in the same way as it requires a very practised eye (more than I possess) to recognize the consummate power predominating in the tranquil Beauty of Greek Sculpture. I think Beethoven is rather ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald

... make a brief reference to a native of this parish, who, although born and brought up in humble life, yet attained to great eminence in his profession. I refer to Laurence Macdonald, who for some time wrought as a common mason, but who showed a strong genius for sculpture. The first piece of work of that kind that he did was the family coat-of-arms of Garvock House. Mrs Oliphant discerning his rising genius in this direction, took him to the Continent when the Gask family removed there in 1822, to afford him better opportunity for the cultivation ...
— Chronicles of Strathearn • Various

... Walking from Fifth Avenue, he was surprised at the cheap appearance of the houses on Fourth, only one block away. He had expected to find Adolph's brother in such a great stone building as those he had just passed, with their show windows empty save for one piece of tapestry or sculpture, or a fine painting brilliant against its background of dull velvet. Instead, the number on Fourth Avenue proved a tumbledown house of two stories, with tattered awnings flapping above its shop-window, which was ...
— The Nest Builder • Beatrice Forbes-Robertson Hale

... a charm about this last resting-place in spite of its mournfulness, and the many flowers load the air with a delicious perfume. The marble statue of a Russian lady in fashionable costume, over her tomb, is considered a fine piece of sculpture, and many people go there ...
— Twixt France and Spain • E. Ernest Bilbrough

... it would now be called, her "mission" was to teach an impulse not only given by her education, but belonging to her nature. She had a constitutional tendency toward it—indeed, a genius for it; like that which impels one to painting, another to sculpture—this to a learned profession, that to a mechanical trade. And so perfectly was she adapted to it, that "the ignorant people of the west" not recognising her "divine appointment," were often at a loss to conjecture, who, or whether anybody, could ...
— Western Characters - or Types of Border Life in the Western States • J. L. McConnel

... Schools of art and science stood along the banks of the Nile. From Thebes Pythagoras carried mathematics into Greece. From Memphis Solon derived his wise political precepts. In Luxor, architecture and sculpture took their rise. From Cleopatra's kingdom men stole the obelisks now in New York and London. Moses' opportunities were fully equaled by his energy and ambition to excel. Even in his youth he must have been ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis

... complicated accounts, a steady back-drag of debt and the rest, must be added the very delightful, and to the novelist not useless, but very expensive mania for the collector. Balzac had a genuine taste for, and thought himself a genuine connoisseur in, pictures, sculpture, and objects of art of all kinds, old and new; and though prices in his day were not what they are in these, a great deal of money must have run through his hands in this way. He calculated the value of the contents of the ...
— The Human Comedy - Introductions and Appendix • Honore de Balzac

... Renaissance to any one cause or circumstance, or limit them within the field of any one department of human knowledge. If we ask the students of art what they mean by the Renaissance, they will reply that it was the revolution effected in architecture, painting, and sculpture by the recovery of antique monuments. Students of literature, philosophy, and theology see in the Renaissance that discovery of manuscripts, that passion for antiquity, that progress in philology and criticism, which led to a correct knowledge of the classics, to a fresh taste ...
— The Great Events by Famous Historians, Volume 07 • Various

... almost every branch of science made a beginning, thus rendering it comparatively easy for other nations to proceed with the superstructure.... It was from the East, not from Egypt, that Greece derived her architecture, her sculpture, her science, her philosophy, her mathematical knowledge—in a word, her intellectual life. And Babylon was the source to which the entire stream of Eastern civilization may be traced. It is scarcely too much to ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams

... She knew how much hung on the possibility of his whining the competition which for weeks past had engrossed him. It was a design for the new museum of sculpture, for which the city had recently voted half a million. Dick's taste ran naturally to the grandiose, and the erection of public buildings had always been the object of his ambition. Here was an unmatched opportunity, and he knew that, in a competition ...
— Sanctuary • Edith Wharton

... first place," said I, "come the professions requiring natural genius,—authorship, painting, sculpture, with the subordinate arts of photographing, coloring, and finishing; but when all is told, these furnish employment to a very limited number,—almost as nothing to the whole. Then there is teaching, which is profitable in its higher branches, and perhaps the very pleasantest of all the callings ...
— Household Papers and Stories • Harriet Beecher Stowe

... and his kind are doing for art what the Jews did for prize-fighting—they ruin it. They make art the laughing-stock of all refined and educated people. Art applied solely to sculpture and painting is dead; it will not rise again in these our times. But art, the fairy-fingered beautifier of all that surrounds our homes and daily walks, save paintings and statuary, never breathed so fully, clearly, nobly as now, and her pathway amid the lowly and homely things ...
— Continental Monthly, Vol. I., No. IV., April, 1862 - Devoted To Literature And National Policy • Various

... childhood, there are certain individuals with excessive thymus action, foreshadowing a continued thymus predominance throughout life. The "angel child" is the type: regularly proportioned and perfectly made, like a fine piece of sculpture, with delicately chiselled features, transparent skin changing color easily, long silky hair, with an exceptional grace of movement and an alertness of mind. They seem the embodiment of beauty, but somehow unfit for the coarse conflicts of life. In English ...
— The Glands Regulating Personality • Louis Berman, M.D.

... and antiquity Singhalese gamut Painting.—Imagination discouraged Similarity of Singhalese to Egyptian art Rigid rules for religious design Similar trammels on art in Modern Greece (note) And in Italy in the 15th century (n.) Celebrated Singhalese painters Sculpture.—Statues of Buddha Built statues Painted statues Statues formed of gems Ivory and sandal-wood carved Architecture, its ruins exclusively religious Domestic architecture mean at all times Stone quarried by wedges Immense slabs thus prepared Columns at Anarajapoora Materials ...
— Ceylon; an Account of the Island Physical, Historical, and • James Emerson Tennent

... train going into Germany he thought of certain things that Reveillaud had said: "Nous avons trempe la poesie dans la peinture et la musique. Il faut la delivrer par la sculpture. Chaque ligne, chaque vers, chaque poeme taille en bloc, sans couleur, sans decor, sans rime."... "La sainte pauvresse du style depouille."... "Il faut de la ...
— The Tree of Heaven • May Sinclair

... Romans by their first acquaintance with Greek civilisation. The debt incurred by English theology, philosophy, and music, to Germany, offers but a faint parallel. If we add to this our obligations to Italy for painting and sculpture, to France for mathematical science, popular comedy, and the culture of the salon, to the Jews for finance, and to other nations for those town amusements which we are so slow to invent for ourselves, we shall still not have ...
— A History of Roman Literature - From the Earliest Period to the Death of Marcus Aurelius • Charles Thomas Cruttwell

... the door and put key into his pocket, and during the more than forty years since elapsed the room had remained shut. It guarded neither treasure nor dire secret; the hidden contents were merely certain essays in the art of sculpture, sundry shapes in clay and in marble, the work of Sir Quentin himself when a very young man. Only one of these efforts had an abiding interest; it was a marble bust representing a girl, or young woman, of remarkable beauty, the head proudly poised, the eyes disdainfully direct, on the lips a ...
— Our Friend the Charlatan • George Gissing

... great hall of Egyptian antiquities, in the British Museum, is a wonderful piece of sculpture known as the Rosetta Stone. A glance at its graven surface suffices to show that three sets of inscriptions are recorded there. The upper one, occupying about one-fourth of the surface, is a pictured scroll, made up of chains of those strange outlines of serpents, ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport

... Presbyterian choir. And leaning cross-legged beneath the station eaves, giving the effect of supporting the low roof, were half a dozen slowly masticating, soberly contemplative gentlemen—loose-jointed caryatides, whose lank sculpture forms the sole and invariable ornamentation of the facades of all Western stations. But nowhere did the young woman's expectant eyes alight upon the ...
— Counsel for the Defense • Leroy Scott

... every branch of artistic effort the desire for beauty is apparent, while at many points the achievement is remarkable and inspiriting. I speak, of course, mainly of material beauty; but it is hard to believe that so marked an impulse toward the good as one notes in architecture, painting, sculpture, and literature, can be unaccompanied by a cognate impulse toward moral beauty, even in relation to civic life. The New Yorker's pride in New York is much more alert and active than the Londoner's pride in London; and this feeling must ere long make itself effective and dominant. For the ...
— America To-day, Observations and Reflections • William Archer

... nothing blameworthy. His piety stands high, even when estimated by the standards of the thirteenth century. He was well educated and had a touch of the artist's temperament, loving fair churches, beautiful sculpture, delicate goldsmith's work, and richly illuminated books. He had a horror of violence, and never wept more bitter tears than when he learned how treacherously his name had been used to lure Richard Marshal to his doom. But he was extraordinarily deficient in stability ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout

... the junior subaltern was the leading figure. It was he—let me insist upon it anew—whose spirit made the new armies. If the tender figure of the "Lady of the Lamp" has become for many of us the chief symbol of the Crimean struggle, when Britain comes to embody in sculpture or in painting that which has touched her most deeply in this war, she will choose—surely—the figure of a boy of nineteen, laughing, eager, undaunted, as quick to die as to live, carrying in his young hands the "Luck" ...
— Towards The Goal • Mrs. Humphry Ward

... real, vivid, practical, abiding... ingrained in the very fiber of one's brain and thought.... He will read deeper meaning thenceforward in every picture, every building, every book, every newspaper.... If you want to know the origin of the art of building, the art of painting, the art of sculpture, as you find them to-day in contemporary America, you must look them up in the churches, and the galleries of early Europe. If you want to know the origin of American institutions, American law, American thought, and American language, you must go to England; you must go farther still to ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy

... turned out for the new Christians. Others were obviously the work of heathen artists employed for Christian service; and others exhibit, even more plainly than the later paintings, some of the special doctrines of the Church. The whole character of this sculpture deserves fuller investigation than we can give to it here. The collection of these first Christian works in marble that has recently been made in the Lateran Museum affords opportunity for its careful study,—a study interesting not only ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various

... expression. Let me try to model a nose for the poor lamb!" begged Ethel Blue. "Stick on this arm, Roger, while I sculpture these ...
— Ethel Morton's Enterprise • Mabell S.C. Smith

... the room; and here and there, on shelves and tables, lay fragments of classical sculpture-torsos of antique goddesses, worn smooth as though all the years of the centuries that had passed over them had been lovers' kisses. The walls were covered, from floor to ceiling, with countless sketches in charcoal, red chalk, or pen and ink. Amid the litter and confusion of color boxes, overturned ...
— The Unknown Masterpiece - 1845 • Honore De Balzac

... published some remarks, of which the most reasonable is, that some of the lines represent motion, as exhibited by sculpture[115]. ...
— The Works of Samuel Johnson, LL.D. in Nine Volumes - Volume the Eighth: The Lives of the Poets, Volume II • Samuel Johnson

... directly or indirectly, any existing Institution for the promotion of the Fine Arts, but have uniformly sought to go hand in hand with whatever tended to their general advancement." It appears likewise, that works in Painting, Sculpture, Architecture, and Engraving, to the amount of L18,000. and upwards, have been sold from the walls of the Exhibition, since the formation of the Society, and numerous commissions given in consequence of the talent thus displayed; and that all future ...
— The Mirror of Literature, Amusement, and Instruction - Vol. XIX. No. 540, Saturday, March 31, 1832 • Various

... objects: some buildings have lately been discovered at Pompe'ii, remarkable for the richness of their architecture. At Paggo'ia, another town buried by the lava from Vesuvius, some sepulchres have been found, which are stated to be magnificently adorned with sculpture of the finest kind. ...
— Pinnock's Improved Edition of Dr. Goldsmith's History of Rome • Oliver Goldsmith

... more sharp than "Salome," though it oftentimes is, the musical equivalent for the massive and violent forms of archaic Greek sculpture that Strauss intended it be. Elektra herself is perhaps more truly incarnate fury than Salome is incarnate luxury; ugliness and demoniacal brooding, madness and cruelty are here more sheerly powerfully expressed than in the earlier ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld

... I told you of is just above us," said the Princess then, addressing herself to the Doctor; "would you like to examine it? One of the servants shall bring you a lighted taper, and by passing it in front of the sculpture you will be able to see the design better. Ah, Mr. Murray!" and she smiled as she greeted Denzil, who just then approached. "You are in time to give us your opinion. I want Dr. Dean to see that very old piece of stone carving on the wall above us,—it will serve ...
— Ziska - The Problem of a Wicked Soul • Marie Corelli

... of his dependents behind would have been to leave them to starvation. We must suppose a numerous caravan organized, with asses and camels to carry provisions and household stuff, and with the women and the little ones conveyed as we see them in the sculpture representing the arrival of Abusha from the same quarter, albeit with a smaller entourage. The desert journey would be trying, and probably entail much loss, especially of the cattle and beasts; ...
— Ancient Egypt • George Rawlinson

... of the design are prescribed, as in the representation of objects in nature, he soon tires of mere mechanical repetition of the same things in a given sequence, and strives to convey some ulterior idea by the manner of joining these parts. This gives life and language to sculpture and painting, and gives character to handwriting. Tracing signatures is one of the most common and dangerous methods of forgery. Some specimens of traced signatures are illustrated and explained in an Appendix at ...
— Disputed Handwriting • Jerome B. Lavay

... results. In architecture, sculpture, and painting there was, no doubt, a more and more general diffusion of a dilettante interest, but the exercise of native art retrograded rather than advanced. It became more and more customary for those sojourning in Grecian lands personally to inspect the works of art; ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen

... of a little immagination and an oblique view at a distance, are made to represent eligant ranges of lofty freestone buildings, having their parapets well stocked with statuary; collumns of various sculpture both grooved and plain, are also seen supporting long galleries in front of those buildings; in other places on a much nearer approach and with the help of less immagination we see the remains or ruins of eligant buildings; some collumns standing and almost ...
— The Journals of Lewis and Clark • Meriwether Lewis et al

... musician nor poet; although no man lived more profoundly enamored both of Music and the Muse. Under other circumstances than those which invested him, it is not impossible that he would have become a painter. The field of sculpture, although in its nature rigidly poetical, was too limited in its extent and in its consequences, to have occupied, at any time, much of his attention. And I have now mentioned all the provinces in which even ...
— The Works of Edgar Allan Poe - Volume 4 (of 5) of the Raven Edition • Edgar Allan Poe

... power which generates the intentional subjectivity of the phenomenon, and the entification of images, ideas, and numerous normal and abnormal appearances, also unconsciously impels man to project the image into a design, a sculpture, or a monument. Since an idea or emotion naturally tends, as we have seen, to take an external form in speech, gesture, or some other outward fact; so also it tends to manifest itself materially and by means of various arts, and to take the permanent form ...
— Myth and Science - An Essay • Tito Vignoli

... aisles and nave of the church, stopping, however, every few minutes to gaze at some gorgeously decorated altar, or large and beautiful painting, or quaint old effigy, or at some monument, or inscription, or antique and time-worn sculpture. There were a great many other parties of visitors, consisting of ladies and gentlemen, and sometimes children, rambling about the church at the same time. Rollo observed, as he passed these groups, that some were ...
— Rollo on the Rhine • Jacob Abbott

... sure The heaven that made them must be pure; We love them not in earthly fashion, But with a beatific passion. I chanced to, yesterday, behold A maiden child of beauty's mould; 'Twas near, more sacred was the scene, The palace of our patriot Queen. The little charmer to my view Was sculpture brought to life anew. Her eyes had a poetic glow, Her pouting mouth was Cupid's bow: And through her frock I could descry Her neck and shoulders' symmetry. 'Twas obvious from her walk and gait Her limbs were beautifully straight; I stopp'd th' enchantress and was told, Though tall, ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson

... of those lands Whence painting, sculpture and the drama sprung; See starved Trinacria's outstretched, empty hands, And all the classic shores by ...
— Poems • John L. Stoddard

... given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. This sculpture in the memory is not without preestablished harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves,[155] and are ashamed of that divine idea which each ...
— Essays • Ralph Waldo Emerson

... see a naked babe without experiencing a feeling of irritation against those who had failed to provide it with suitable clothing. Possibly this was why she had hurriedly looked the other way if her eye chanced to fall upon the beautiful sculpture in the ...
— The White Ladies of Worcester - A Romance of the Twelfth Century • Florence L. Barclay

... has so ably managed the execution of the sculpture, and to the vast body of sculptors and their workmen who have given the world such inspiration with their splendid work, this ...
— Sculpture of the Exposition Palaces and Courts • Juliet James

... while everything around has changed, helps the imagination to span the interval. And the common headstone, the memorial of some dead and gone farmer or labourer who lived and died in the village hard by, is still more intimate and suggestive. The rustic, childish sculpture of the village mason and the artless doggerel of the village schoolmaster, bring back the time and place and the conditions of life much more vividly than the more scholarly inscriptions and the more artistic enrichments of monuments of greater pretensions. ...
— The Vanishing Man • R. Austin Freeman

... her in the Boulevard de Strasbourg, and then Tom suggested a visit to the Luxembourg Gallery. It was true: a life-sized statue of Sappho, signed 'Dolbiac,' did in feet occupy a prominent place in the sculpture-room. Henry was impressed; so also was Tom, who explained to his young cousin all ...
— A Great Man - A Frolic • Arnold Bennett

... connected with a wide range of experience, each art has certain emotions belonging to the particular sense perceptions connected with it. That is to say, there are some that only music can convey: those connected with sound; others that only painting, sculpture, or architecture can convey: those connected with the form and colour that ...
— The Practice and Science Of Drawing • Harold Speed

... import or export, a good head for figures, and an average quantity of shrewd common sense, are all that is necessary in order to win a fair share of success. But in the finer occupations, whose results are found in sculpture, painting, music and poetry, demands are made upon the imagination, the emotions, the entire spiritual susceptibility of man. The most delicate fibres of the brain are taxed; the subtle inner workings of thought are brought into ...
— A Romance of Two Worlds • Marie Corelli

... Paris a work of high value to the architect and antiquary. Many years spent in travels and special studies, and an extensive collection of interesting documents, qualify him beyond all contemporaries for such an undertaking. He treats not merely the architecture of the middle ages, but sculpture, mural painting, painting on glass, mosaic work, bronzes, iron work, the furniture of churches, &c. The book is to be published in fifteen parts, quarto, with engravings on steel, or colored lithographs. Eight parts are already published, containing remarkable specimens ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various

... their intrepid march up Holborn Hill? Nor didst thou shine less in thy theological capacity, when thou gavest ghostly counsels to dying felons, and didst record the guilty pangs of Sabbath-breakers. How will the noble arts of John Overton's[170] painting and sculpture now languish? where rich invention, proper expression, correct design, divine attitudes, and artful contrast, heightened with the beauties of clar. obscur., embellished thy celebrated pieces, to the delight and astonishment of the judicious multitude! ...
— English Satires • Various

... poor stone to tell thy name, Or make thy virtues known: But what avails to me—to thee, The sculpture of ...
— Poems And Songs Of Robert Burns • Robert Burns

... blurred that he was perforce retired. Aside from the tree-planting efforts of '58, the first class memorial was the reproduction of the Laocooen group, now in Alumni Memorial Hall, presented by '59. Reproductions of painting and sculpture were for many years the favored forms of class memorials, of which the most unique and valuable was the complete set of casts from the arch of Trajan at Beneventum, presented by '96. In recent years many classes have left portraits of members of the various Faculties, while others have ...
— The University of Michigan • Wilfred Shaw

... the fifth Earl, commenced the compilation of his wonderful Household Book. The Great Chamber, or Dining Room, the Drawing Chamber, the Chapel, and other apartments, still retained their richly-carved ceilings, and the sides of the rooms were ornamented with a 'great profusion of ancient sculpture, finely executed in wood, exhibiting the bearings, crests, badges, and devises, of the Percy family, in a great variety of forms, set off with all the advantages ...
— Yorkshire Painted And Described • Gordon Home

... materials. In modern art our mechanical advantages and facilities are so great that we are always carrying the method and manner of one art over the frontier of another. Our poetry aims at producing the effects of music; our prose at producing the effects of poetry. Our sculpture tries to vie with painting in the representation of action, or with lace- making in the production of reticulated surfaces, and so forth. But the savage, in his art, has sense enough to confine himself to the sort of work for which his materials are fitted. ...
— Custom and Myth • Andrew Lang

... wall; so steep that, in greasy winter weather, the pavement is almost as treacherous as ice. Washing dangles above washing from the windows; the houses bulge outwards upon flimsy brackets; you see a bit of sculpture in a dark corner; at the top of all, a gable and a few crowsteps are printed on the sky. Here, you come into a court where the children are at play and the grown people sit upon their doorsteps, and perhaps a church spire shows ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 1 (of 25) • Robert Louis Stevenson

... vanity, the learning thine: Touched by thy hand, again Rome's glories shine; Her gods and god-like heroes rise to view, And all her faded garlands bloom anew. Nor blush, these studies thy regard engage; These pleased the fathers of poetic rage; The verse and sculpture bore an equal part, And art reflected images to art. Oh, when shall Britain, conscious of her claim, Stand emulous of Greek and Roman fame? In living medals see her wars enrolled, And vanquished realms supply recording gold? Here, rising bold, the patriot's honest face; There ...
— Essay on Man - Moral Essays and Satires • Alexander Pope

... have been visited by more distinguished poets, authors, politicians, wits, scholars and artists than any other house in Surrey. Wordsworth came there, and Scott, Coleridge, Campbell, Southey and Moore; he talked painting with Lawrence, and sculpture with Chantrey; Macaulay talked with him "about everything and everybody," and so did Grote and Mill and Lockhart and Jeffrey; Porson was there, and perhaps had his favourite porter for breakfast; and the politicians were without number—Brougham, Sheridan, Grattan, ...
— Highways and Byways in Surrey • Eric Parker

... sturdy Northmen. Art, to be perfect, requires a distinctness of conception, and an assimilation to human nature in its subjects, entirely at variance with the dim, mysterious character of the Scandinavian imagination. Painting is a thing utterly unknown, and sculpture, where found, deals in shapeless blocks and huge, massive, ill-proportioned forms, analogous to the primitive Egyptian art. In the Northern mythology and legendary history, minstrels play an important part. They are as indispensable as the Welsh bards, though not invested ...
— The Continental Monthly, Vol. 2, No. 2, August, 1862 - Devoted to Literature and National Policy • Various

... it—from that tomtom up to the instruments we have today, which make the common air blossom with melody. I saw, too, the paintings, from the daub of yellow mud up to the pieces which adorn the galleries of the world. And the sculpture, from the rude gods, with six legs and a half dozen arms, and the rows of ears, up to the sculpture of now, wherein the marble is clad with such loveliness that it seems almost a sacrilege to touch it; and in addition ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll

... species was thought to be a native, not of our prairies, but of Mexico and Peru, because the Spanish conquerors found it employed there as a mystic and sacred symbol, much as the Egyptians employed the lotus in their sculpture. In the temples the handmaidens wore upon their breasts plates of gold beaten into the likeness of the sunflower. But none of the eighteen species of helianthus found south of our borders produces under cultivation the great plants ...
— Wild Flowers, An Aid to Knowledge of Our Wild Flowers and - Their Insect Visitors - - Title: Nature's Garden • Neltje Blanchan

... easily be recognized by her large, graceful wings and flowing drapery, which is negligently fastened on the right shoulder, and only partially conceals her lovely form. In her left hand, she holds aloft a crown of laurel, and in the right, a palm-branch. In ancient sculpture, Nike is usually represented in connection with colossal statues of Zeus or Pallas-Athene, in which case she is life-sized, and stands on a ball, held in the open palm of the deity she accompanies. Sometimes she is represented engaged in inscribing ...
— Myths and Legends of Ancient Greece and Rome • E.M. Berens

... religious impulse has always developed a symbology through which its truths are expressed and handed down. These symbols, woven into the very texture of the life of the people, are embodied by them in their ornamental mode. The sculpture of a Greek temple is a picture-book of Greek religion; the ornamentation of a Gothic cathedral is a veritable bible of the Christian faith. Almost all of the most beautiful and enduring ornaments have first been sacred symbols; ...
— Architecture and Democracy • Claude Fayette Bragdon

... like a lamp-post bent by collision with a motor omnibus. It was advanced some three paces from the wall, and was described in his catalogue as "Jupiter." He examined it with curiosity, having recently turned some of his attention to sculpture. 'If that's Jupiter,' he thought, 'I wonder what Juno's like.' And suddenly he saw her, opposite. She appeared to him like nothing so much as a pump with two handles, lightly clad in snow. He was still ...
— Forsyte Saga • John Galsworthy

... London a statue in marble of George III., placed in the council-chamber of Guildhall, and in 1817 he produced the exquisite monument—not to be surpassed for tenderness of sentiment and poetic beauty—of the two children whose death this piece of sculpture now commemorates in Lichfield cathedral. With this achievement the race was won. In 1818 he was elected an associate of the Royal Academy, and as soon after as the practice of the Academy admitted he was elevated to ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various

... sauntered, observing the people who thronged it, and the shops with their varieties which lined it. I could easily gather from the conversation which now and then fell upon my ear—sometimes as I mingled with those who were observing a fine piece of sculpture or a new picture exposed for sale, or examining the articles which some hawker with much vociferation thrust upon the attention of those who were passing along, or waiting at a fountain, while slaves in attendance served round in vessels of glass, water cooled with ...
— Zenobia - or, The Fall of Palmyra • William Ware

... substance for a very splendid memorial. Already in it were gathered paintings of all the important schools; to say nothing of collections of jade, illumined missals, porcelains, rugs, draperies, mirror frames, and a beginning at rare originals of sculpture. The beauty of these strange things, the patient laborings of inspired souls of various times and places, moved him, on occasion, to a gentle awe. Of all individuals he respected, indeed revered, the ...
— The Titan • Theodore Dreiser

... palace to cash a cheque. We pass through a vestibule between polished granite monoliths, or adorned with choice marble sculpture in alto-relievo. We enter vast halls fit for the audience chambers of a monarch, and embellished with everything that the skill of the architect can devise. We stand at counters of the choicest polished mahogany, behind which we see scores of busy clerks, the whole thing having ...
— Personal Recollections of Birmingham and Birmingham Men • E. Edwards

... We stake our blood as the Germans stake theirs; and in that ganz besonderes Saft alone should we [missing text]r accept payment. We had better **[missing text]y to the Kaiser at the end of the **[missing text] "Scoundrel: you can never replace **[missing text] Louvain library, nor the sculpture of Rheims; and it follows logically that you shall empty your pockets into ours." Much better say: "God forgive us all!" If we cannot rise to this, and must soil our hands with plunder, at least let us call it plunder, ...
— New York Times, Current History, Vol 1, Issue 1 - From the Beginning to March, 1915 With Index • Various

... right this time. There are several large columns standing among the ruins of Rome, and among them are two with spiral lines of sculpture around them, which are extremely similar to each other, and it is not at all surprising that Rollo was at first deceived ...
— Rollo in Rome • Jacob Abbott

... of Christendom, according to the degree of art-power it possessed, a series of illustrations of the Bible were produced as time went on; beginning with vignetted illustrations of manuscript, advancing into life-size sculpture, and concluding in perfect power of realistic painting. These teachings and preachings of the Church, by means of art, are not only a most important part of the general Apostolic Acts of Christianity; but their study is a ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin

... sitting in the picture palace we know that we see a flat screen and that the object which we see has only two dimensions, right-left, and up-down, but not the third dimension of depth, of distance toward us or away from us. It is flat like a picture and never plastic like a work of sculpture or architecture or like a stage. Yet this is knowledge and not immediate impression. We have no right whatever to say that the scenes which we see on the screen appear ...
— The Photoplay - A Psychological Study • Hugo Muensterberg

... theology at Leipsic, then turned his attention to the stage, and later to criticism. His greatest critical work (1766) is a treatise on Art, the famous Greek statuary group, the Laocooen, which gives the work its name, forming the basis for a comparative discussion of Sculpture, ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold

... use of the yard, comfortable apartments to live in, and be invested with a sort of foremanship over his fellow criminals; in consideration of which it is stipulated on the part of Nicholas that he do work at the more desirable profession of stucco-making, together with the execution of orders for sculpture, the proceeds of which were to be considered the property of Fladge, he allowing the generous stipend of one shilling a week to the artist. Here, then, Mr. Fladge becomes sensible of the fact that some good always come of great evils, for indeed his ...
— Our World, or, The Slaveholders Daughter • F. Colburn Adams

... but also those quiet heights to which man's spirit turns for rest and faith in this bewildering maze of a world. And to this art about to come—art inevitably moves slowly—into its own, to American drama, poetry, fiction, music, painting, sculpture—sincerity, an unswerving fidelity to self, alone will bring the dignity worthy of a great and ...
— Another Sheaf • John Galsworthy

... a gallery of art is not in my opinion in good taste. The associations which are suggested by sculpture are not festive. Repose is the characteristic of sculpture. Do not you ...
— Sybil - or the Two Nations • Benjamin Disraeli

... monotonous plains. The Olympian mythology of the Greek was far superior to the beastly worship on the banks of the Nile. And yet at the very feet of glorious Chimborazo and Pichincha we see a nation bowing down to little images of the rudest sculpture with a devotion that reminds ...
— The Andes and the Amazon - Across the Continent of South America • James Orton

... dropping his hour-glass and scythe to throw a dart at the fleshless figure of Death. This last image seems to me about the equivalent in mortuary poetry of Roubiliac's monument to Mrs. Nightingale in mortuary sculpture,—poor conceits both of them, without the suggestion of a tear in the verses or in the marble; but the rhetorical exaggeration does not prevent us from feeling that we are standing by the resting-place of ...
— Our Hundred Days in Europe • Oliver Wendell Holmes

... incision in the breast, no doubt in the great pectoral artery; while the third, who was depicted as standing straddle-legged over the corpse, held a kind of large jug high in his hand, and poured from it some steaming fluid which fell accurately into the funnel. The most curious part of this sculpture is that both the man with the funnel and the man who pours the fluid are drawn holding their noses, either I suppose because of the stench arising from the body, or more probably to keep out the aromatic ...
— She • H. Rider Haggard

... the dawn of history, however, distribute the power of flight with less of prejudice. Egyptian sculpture gives the figure of winged men; the British Museum has made the winged Assyrian bulls familiar to many, and both the cuneiform records of Assyria and the hieroglyphs of Egypt record flights that in reality ...
— A History of Aeronautics • E. Charles Vivian

... things which we call reality. It is of the inspired and ideal kind, and seems to have been conceived and executed in a similar state of feeling to that which produced among the ancients those perfect specimens of poetry and sculpture which are the baffling models of succeeding generations. There is a unity and a perfection in it of an incommunicable kind. The central figure, St. Cecilia, seems rapt in such inspiration as produced her image in the painter's mind; ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury

... Creator, which are far the most impressive, it is difficult to conceive of the influences which even the works of His creatures exercise over the mind of one who lingers amidst their master productions. Well do I remember the influence of sculpture upon me during my short stay in Florence, and how there I began to realise the sentiment of the Florentine: "Take from me my liberty, take what you will, but leave me my statuary, leave me these entrancing productions of art." And similar to this ...
— Stonewall Jackson And The American Civil War • G. F. R. Henderson

... event became my own, I was overpaid.Whose patriotism would not grow warmer, as old Johnson says, on the plains of Marathon? I began to trench the ground, to see what might be discovered; and the third day, sir, we found a stone, which I have transported to Monkbarns, in order to have the sculpture taken off with plaster of Paris; it bears a sacrificing vessel, and the letters A. D. L. L. which may stand, without much violence, for ...
— The Antiquary, Complete • Sir Walter Scott

... seemed at those times so dreary for them to be alive,—or for her. Other things her eyes were quicker to see than ours: delicate or grand lines, which she perpetually sought for unconsciously,—in the homeliest things, the very soft curling of the woollen yarn in her fingers, as in the eternal sculpture of the mountains. Was it the disease of her injured brain that made all things alive to her,—that made her watch, in her ignorant way, the grave hills, the flashing, victorious rivers, look pitifully into the face of some starved hound, or dingy mushroom trodden in the ...
— Margret Howth, A Story of To-day • Rebecca Harding Davis

... for a moment with an expression of profound sympathy; he then looked around the room with searching glances, which seemed to pierce every niche, every fold of the curtains, and every piece of furniture and sculpture. "Is your majesty sure that no one can hear and watch us here?" he asked ...
— NAPOLEON AND BLUCHER • L. Muhlbach

... London, on a visit to the author, was taken to the British Museum. With some of the objects there he was much gratified. The antiquities, sculpture, and specimens of art and science, had not such charms in his sight as had the life-like forms of stuffed animals in that great national collection. With the seals, reindeer, and a gigantic walrus, with bright ...
— Kalli, the Esquimaux Christian - A Memoir • Thomas Boyles Murray

... upon the wrought or polished metal and the thickly strewed diamonds, caused it to blaze with a splendor which the eyes could hardly bear, and, till accustomed to it, prevented us from minutely examining the sculpture, that, with lavish profusion and consummate art, glowed and burned upon the pedestal, the swelling sides, the rim and handles of the vase, and covered the broad and golden plain upon which it stood. I, happily, was near it, being seated opposite Aurelian, and on the inner side of the ...
— Aurelian - or, Rome in the Third Century • William Ware

... experience? Shapes that seem alive, Wrought in hard mountain marble, will survive Their maker, whom the years to dust return! Thus to effect, cause yields. Art hath her turn, And triumphs over Nature. I, who strive with sculpture, Know this well: her wonders live In spite of time and death, those tyrants stern. So I can give long life to both of us In either way, by color or by stone, Making the semblance of thy face and mine. Centuries hence when both are ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard

... Over its massive lower structure, and its rez-de chaussee of red granite, sparkling in the sun with its play of many colors, arose bold and steep its light and graceful facade. The interior of this beautiful palace of the Dukes of Serbelloni was adorned with all the splendors which sculpture and painting gathered into the palaces of the ...
— The Empress Josephine • Louise Muhlbach

... visage directed toward Constantinople (where once he had been potent in intrigue), the left hand holding a map of the canal, while the right is raised in graceful invitation to the maritime world to enter. This piece of sculpture is the only material evidence that such a person as Ferdinand de Lesseps ever lived. The legacy to his family was that of a man outliving his importance ...
— East of Suez - Ceylon, India, China and Japan • Frederic Courtland Penfield

... scene is preserved in a beautiful piece of sculpture over the western door of the Rotundo of the Capitol at Washington. The group consists of five figures, representing the precise moment when Pocahontas, by her interposition, saved Smith from being executed. It is the work of Capellano, a pupil of Canova's."—Thatcher's ...
— The Conquest of Canada (Vol. 1 of 2) • George Warburton

... and round London, of nineteen in England generally, and of seven in Scotland, not contained in his former work. And as the Doctor has bestowed much pains in obtaining precise information regarding the art of painting in England since the time of Hogarth, and of sculpture since the time of Flaxman; and also devoted much time to the study of English miniatures contained in MSS. from the earliest time down to the sixteenth century; of miniatures of other nations preserved in England; of drawings by the old masters, engravings and woodcuts; he is fully justified ...
— Notes and Queries, Number 236, May 6, 1854 • Various

... whole society of such. They keep each other up to any high point. Especially women: it requires a great many cultivated women,—saloons of bright, elegant, reading women, accustomed to ease and refinement, to spectacles, pictures, sculpture, poetry, and to elegant society,—in order that you should have one Madame de Stael. The head of a commercial house, or a leading lawyer or politician, is brought into daily contact with troops of men from all parts of the country,—and those, ...
— Atlantic Monthly, Volume 6, Issue 35, September, 1860 • Various

... surrounded; when I call to mind the long streets of palaces, the towers and oriels, the venerable cloisters, the trim gardens, the organs, the altar pieces, the solemn light of the stained windows, the libraries, the museums, the galleries of painting and sculpture; when I call to mind also the physical comforts which are provided both for instructors and for pupils; when I reflect that the very sizars and servitors are far better lodged and fed than those students who are to be, a few years hence, the priests and bishops of ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay

... most poetry of the Southwest is as mediocre as American poetry in the mass is as compared with the great body of English poetry between Chaucer and Masefield. Yet mediocre poetry is not so bad as mediocre sculpture. The mediocre in poetry is merely fatuous; in sculpture, it is ugly. Generations to come will have to look at Coppini's monstrosity in front of the Alamo; it can't rot down or burn up. Volumes of worthless verse, most of it printed at the expense of the versifiers, hardly come to ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie

... arts of painting and sculpture, I did not know we had any sculptors until this month, except one clever young artist who models heads in clay. But this month we have had a great deal of snow, and two men who have hitherto been resting came forward, and, like Michael Angelo on a famous occasion began to model in snow. ...
— The Better Germany in War Time - Being some Facts towards Fellowship • Harold Picton



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