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Rococo   /rəkˈoʊkˌoʊ/   Listen
Rococo

adjective
1.
Having excessive asymmetrical ornamentation.






WordNet 3.0 © 2010 Princeton University








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"Rococo" Quotes from Famous Books



... of the favorite. Fashions and modes were slaves to her caprice, every new creation being dependent upon her approbation for its survival—the carriage, the cheminee, sofa, bed, chair, fan, and even the etui and toothpick, were fashioned after her ideas. "She is the godmother and queen of the rococo." Such a eulogy, given by the De Goncourt brothers, is not shared by all critics. Guizot wrote: "As frivolous as she was deeply depraved and base-minded in her calculating easiness of virtue, she had more ambition than comported with her ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme

... chattering, gurgling women. Women showing their ankles to policemen, chauffeurs, street-cleaners. Women with slim-shanked, whining, sticky-fingered children dragging after them. Women marching like grenadiers. Yellow women. Women with red hands. Women with asymmetrical eyes. Women with rococo ears. Stoop-shouldered women. Women with huge hips. Bow-legged women. Appetizing women. ...
— A Book of Burlesques • H. L. Mencken

... he went to the little grey rococo parish church. There were two Masses, one at eight o'clock, one at ten—and the church was quite a mile from Villa Floriano, and up a hill; and the Italian sun was hot—but the devoted young man went ...
— The Cardinal's Snuff-Box • Henry Harland

... people of that land were once moved by the impulses of their religion (which might be, and certainly was, a thing very different from purity and goodness): the Renaissance temples remind us of a studious period passionately enamored of the classic past; in the rococo architecture and sculpture of a later time, we have the idle swagger, the unmeaning splendor, the lawless luxury, of an age corrupted by its own opulence, and proud of its licentious slavery. Had anything come of the aesthetic sensation immediately following the war, and the ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various

... after the six-o'clock stampede, settled back into a sort of lamplit quiet, dark figures, the dregs of a city day, here and there on its benches. The back-drop of office-lights began to blink out then, all except the tallest tower in the world, rising in the glory of its own spotlight into a rococo pinnacle ...
— Gaslight Sonatas • Fannie Hurst

... girders of the vault in a dense mat of leaves and woven twigs, while underfoot the carpet was soft inches deep with fern and moss. As for the flowers—Jacqueline wanted to pluck them all, to wreathe the wondering fawns, as ladies with picture hats do in the old frivolous rococo fantasies. And as to that, she might have been one of those Watteau ladies herself, so rich was the coloring there, and she in the foreground so white, so soft of skin, so sylvan and aristocratic ...
— The Missourian • Eugene P. (Eugene Percy) Lyle

... Brazilian, Roman, Rococo, Dresden, Festoon, College Stripe, Marie Antoinette, Indian, Calcutta, Bombay, ...
— Gov. Bob. Taylor's Tales • Robert L. Taylor

... bridge, the dark facade of the palace comes in view, with its balustraded terrace; the carvings around the main entrance are in that old, exaggerated German rococo which I have seen before and have admired in the palace in Dresden. This kind of barbaric taste has something charming about it, and entertains the eye, satiated with chefs d'oeuvre. It has invention, fancy, originality; and tho I may be censured for the opinion, I confess I prefer this exuberance ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various

... little shop with monsieur sitting complacently at the door and madame, fat and voluble, at the money-drawer, and on the floor above, a still more expensive suite of rooms to let—rooms panelled in white and gold, resplendent with rococo mouldings, and crowded with abominable furniture, intended to be coquettish—gilt chairs, scalloped tables, embroidered lambrequins, ottomans smothered in plush and fringe, beds draped with curtains until ...
— Affairs of State • Burton E. Stevenson

... less autocratic and abrupt than usual. Her shrewd eyes saw at once that she had no common adventuress to deal with. She was woman of the world enough, too, to know that 'birth' was not what it had been in her young days, that even money was rather rococo, and that good looks, manners, and a knowledge of literature, art, and music (and this woman looked like one of that sort), were often considered socially more valuable. She was therefore both wary ...
— Forsyte Saga • John Galsworthy

... a woman masturbating also occur in eighteenth century engravings. Thus, in France, Baudouin's "Le Midi" (reproduced in Fuchs's Das Erotische Element in der Karikatur, Fig. 92), represents an elegant young lady in a rococo garden-bower; she has been reading a book she has now just dropped, together with her sunshade; she leans languorously back, and her hand begins to find ...
— Studies in the Psychology of Sex, Volume 1 (of 6) • Havelock Ellis

... so much a culture as a temperament, and Bladery—if the thing may have the name—a code of sentiments rather than a ritual. It is the rococo school of behaviour, the flamboyant gentleman, the gargoyle life. The Blade is the tribute innocence pays to vice. He may look like a devil and belong to a church. And the clothing of the Blade, being symbolical, is a very important part ...
— Certain Personal Matters • H. G. Wells

... and was tactful enough to let Cupid hold the mirror in which she tests her majestic allure with cold satisfaction. He looks as though his task were becoming burdensome enough. The picture is painted flattery. Later an 'expert' in the Rococo period baptized the lady with the name of Venus. The furs of the despot in which Titian's fair model wrapped herself, probably more for fear of a cold than out of modesty, have become a symbol of the tyranny and cruelty ...
— Venus in Furs • Leopold von Sacher-Masoch

... nod that seemed unconcerned enough, in response to Jimmy's suggestion, and followed him out to the sidewalk. The sort of florid rococo chivalry that would have "vindicated his wife's honor" by knocking little Alec down was an inconceivable thing to him. But the thing cut deep. He felt bemired. He wouldn't have minded that, of course, except that the miry way he'd trodden since ...
— The Real Adventure • Henry Kitchell Webster

... by-product of the gay, animated, beautifully gowned throngs: people she had heard of, people more important still of whom she had never heard, people important only to themselves of whom nobody had ever heard thronged the great rococo rooms. The best hotel orchestra in America played there; the loveliest flowers, the most magnificent jewels, the most celebrated cuisine in the entire Republic—all were there for Athalie Greensleeve to wonder at and to enjoy. There were other things for her to wonder ...
— Athalie • Robert W. Chambers

... begin the year of 1869 in wishing to you and to yours "Happy New Year and many of them"? It is rococo, but it pleases me. Now, let ...
— The George Sand-Gustave Flaubert Letters • George Sand, Gustave Flaubert

... lamp that burned within, but along the passage and up the stairs. I followed them, resolutely beating down shyness, unwillingness, timidity. My reluctant steps took me to the window of the antiquity shop, and I stood looking in before I could make up my mind to enter. Bits of rococo ware stood in the window, majolica jugs, chased metal dishes and bowls, bits of Renaissance work, tapestry, carpet, a helm with the vizor up, gaping at me as if tired of being there. I slowly drew ...
— The First Violin - A Novel • Jessie Fothergill

... crowds are indeed good things, like violets and geraniums; but they do not go together. A billycock is a beautiful object (it may be eagerly urged), but it is not in the same style of architecture as Ely Cathedral; it is a dome, a small rococo dome in the Renaissance manner, and does not go with the pointed arches that assault heaven like spears. A char-a-banc is lovely (it may be said) if placed upon a pedestal and worshipped for its own sweet sake; but it does not harmonize with the ...
— Alarms and Discursions • G. K. Chesterton

... belief in the marketable value of Danish ballads, Welsh triads, Russian folk-songs, and the like in rococo English translations after the Bowring pattern led Borrow to exchange an attorney's office for a garret in Grub-street. His immediate ambition was something between Goldsmith's and Chatterton's ballads, Homeric odes, epics, plays; he was, at all hazards, to write something grand—"to ...
— George Borrow - Times Literary Supplement, 10th July 1903 • Thomas Seccombe



Words linked to "Rococo" :   artistic style, idiom, fancy



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