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Rembrandt   /rˈɛmbrˌænt/   Listen
Rembrandt

noun
1.
Influential Dutch artist (1606-1669).  Synonyms: Rembrandt Harmensz van Rijn, Rembrandt van Rijn, Rembrandt van Ryn.






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"Rembrandt" Quotes from Famous Books



... contained in six small rooms, of which the first three contain the Flemish and Dutch schools, the next two the Italian and Spanish schools, and the sixth the French school. They are all carefully labelled. Among the pictures which represent the Flemish school are works by Rembrandt, Rubens, Teniers, Van Dyck, Holbein, Stein, Dietrich, Breughel, Wouvermans, and Ruysdael. The Italian and Spanish schools are represented by Canaletto, Sasso Ferrati, Guercino, Zucharo, Murillo, Ribera, Zurbaran, etc. On the floor of the fourth room is a remarkably perfect mosaic pavement, ...
— The South of France—East Half • Charles Bertram Black

... Baireuth that summer, she told him, and spoke intelligently of the music, the technique and the beauty of it, and what it stood for. She was surprised to hear he had got no further than Holland, and more surprised still that he had not even seen Rembrandt's masterpiece while he was there. Her voice was smooth and even, a little loud, perhaps, from her spending much time out of doors, not in the least given to those subtle changes of tone which express what is not said; but ...
— The Good Comrade • Una L. Silberrad

... satisfied with a triumph so complete, the trees overhung the lake itself, shooting out towards the light; and there were miles along its eastern shore, where a boat might have pulled beneath the branches of dark Rembrandt-looking hemlocks, "quivering aspens," and melancholy pines. In a word, the hand of man had never yet defaced or deformed any part of this native scene, which lay bathed in the sunlight, a glorious picture of affluent forest grandeur, softened by ...
— The Deerslayer • James Fenimore Cooper

... drawings fared even worse than the printed books. One hundred and three prints by Albert Duerer, in two lots, sold for one pound, ten shillings and sixpence, and a large collection of woodcuts by the same artist for half a crown. Twenty-four etchings by Rembrandt, in four lots, realised but three pounds, five shillings; while eleven shillings and sixpence was all that could be got for thirty-four heads and ...
— English Book Collectors • William Younger Fletcher

... they lay. One orderly with soap and razors shaved every hair from each; and several plied clippers on the matted heads. Outside was one electric lamp which threw strong lights and darker shadows, making a veritable Rembrandt of the scene, lighting up the white clad forms of the assistants who were drawing out the stretchers, the big square end of the ambulance car, and picking out from the gloom of the garden a rose tree which bore ...
— The Luck of Thirteen - Wanderings and Flight through Montenegro and Serbia • Jan Gordon

... behind the tremulous screen of honeysuckle, with the night very dark and quiet beyond the warm nimbus of our candle-light, the faces of my two companions clear-obscure in a mellow shadow like the middle tones of a Rembrandt, and the professor, good man, talking wonderfully of everything under the stars and over them,—while Oliver Saffren and I sat under the spell of the big, kind voice, the young man listening with the same eagerness which marked him when he spoke. It was an eagerness to understand, ...
— The Guest of Quesnay • Booth Tarkington

... the friendly screens of more prudent, more conventional talent. Even among men of genius up on the heights it is the personality of each that enters largely into the equation of their work. No one can confuse Whistler the etcher with the etcher Rembrandt; the profounder is the Dutchman. Yet what individuality there is in the plates of the American! What personality! Now, Felicien Rops, the Belgian etcher, lithographer, engraver, designer, and painter, occupies about the same relative position to Honore Daumier ...
— Promenades of an Impressionist • James Huneker

... valued the very happening. He was always like a strange, wonderful creature from another planet, taking notes with unstaled delight but never losing his heart to any particular. Sex itself seems hardly to exist for him, or at least for his mind. Often the people in his drawings are of no sex. Rembrandt draws every one, Leonardo no one, as if he were his own relation. Women and youths were as much a subject of his impassioned curiosity as flowers, and no more. He is always the spectator, but a spectator who can exercise every faculty of the human mind and every passion in contemplation; ...
— Essays on Art • A. Clutton-Brock

... daguerreotype: he saw the flowing line from brow to chin, drawn with something of austere classic beauty, the arched lips and the faint indication of a gently-rounded cheek. The rest was in shadow, and the contrast of light and gloom was like a Rembrandt picture. Then the enameled spoons rattled as Lister put down the tray. He knew the picture. When he last saw the girl, her face was lighted like that by the blaze of a ...
— Lister's Great Adventure • Harold Bindloss

... heavy debt. To repair his fortunes, he studied alchemy for a time, in the hope of discovering the philosopher's stone. But towards the end of his life he was enabled to retrieve his position, and to leave a comfortable competency to his widow. Rembrandt, on the other hand, involved himself in debt through his love of art. He was an insatiable collector of drawings, armour, and articles of vertu, and thus became involved in such difficulties that he was declared a bankrupt. His property remained ...
— Thrift • Samuel Smiles

... her dark eyebrows are penciled with unequaled purity on her forehead, white and reposeful as if in deep thought, and the bright, silky hair, somewhat tossed, throws a shadow on it, of which, not only Master Harvey, but a certain other painter, named Rembrandt, would not have been ashamed. The girl at once reminds you of Cinderella and Gretchen, and the leaning posture which she now maintains suggests timidity and the ...
— Sielanka: An Idyll • Henryk Sienkiewicz

... subjects, executed with wonderful power, have given him permanent rank among the best artists of his time; and of Henry Inman, whose versatile genius readily took up portrait, historical, or landscape painting at will, served to carry American art yet another grade higher. Rembrandt Peale sustained the tradition of his father's ability by his own works; Sully came from England to win fame here as a portrait-painter; Vanderlyn and many others rapidly rose to establish art as a profession and adornment in this country. It is worthy of note that two of the greatest of American ...
— The Nation in a Nutshell • George Makepeace Towle

... nature, at the mere mention of which modernists become so furious, it is worth recalling that the earliest story about painting relates to Zeuxis, who is said to have painted a bunch of grapes with such skill that the birds ignored the fruit and pecked at the picture. In later times we hear of Rembrandt being the butt of his pupils, who, knowing his love of money, used to paint coins on the floor; and there are plenty of stories of people painting flies and other objects so naturally as to deceive the unwary ...
— Six Centuries of Painting • Randall Davies

... Some inlaid work and some kinds of porcelain will never be made again, just as there will never be another Raphael, nor Titian, nor Rembrandt, nor Van Eyck, nor Cranach.... Well, now! there are the Chinese; they are very ingenious, very clever; they make modern copies of their 'grand mandarin' porcelain, as it is called. But a pair of vases of genuine 'grand mandarin' ...
— Cousin Pons • Honore de Balzac

... over it to an iron gate. I looked back with affectionate contempt to the art I had known in my youth, to the Rogers group, Lady Washington's ball, Lincoln and his cabinet, the lambrequin and the worsted motto. On my walls there would be a Colosseum, Rembrandt's portrait of himself, a smattering of Madonnas, a Winged Victory, and a Venus de Milo. To preside with me over such a house, to sit at the piano of an evening and play accompaniments while I sang sentimental songs, ...
— David Malcolm • Nelson Lloyd

... like manner, Modeste, who knew nothing of the painter's art except what she had seen her sister do in the way of water-color, would have stood subdued and fascinated before the pictures of Raphael, Titian, Rubens, Murillo, Rembrandt, Albert Durer, Holbein,—in other words, before the great ideals of many lands. Lately, for at least a month, Modeste had warbled the songs of nightingales, musical rhapsodies whose poetry and meaning had roused the attention of her mother, already surprised by her sudden ...
— Modeste Mignon • Honore de Balzac

... old master himself look like? Well, painters have always been fond of reproducing their own lineaments. Have we not the familiar young Raffael, painted by himself, and the Rembrandt, and the Titian, and the Rubens, and a hundred other self-drawn portraits, all flattering and all famous? Even so primitive man has drawn himself many times over, not indeed on this particular piece of reindeer horn, but on several other media to be seen elsewhere, ...
— Falling in Love - With Other Essays on More Exact Branches of Science • Grant Allen

... something innately picturesque about all furnaces and those who work about them. Whether it is the Rembrandt effects produced by the strong light and shade, or whether it is that the necessary use of the long iron instruments, such as all furnace workers employ, compels a certain dignity and grace of poise and action, we know not; but certain it is that the grace ...
— Scientific American Supplement, No. 841, February 13, 1892 • Various

... brilliant gleams on parts of his frame, while the rest of him was thrown into shadow, so deep that it would have appeared black, but for the deeper shade by which it was surrounded—the whole scene presenting a grand Rembrandt effect. ...
— Deep Down, a Tale of the Cornish Mines • R.M. Ballantyne

... means of two glass doors opened directly from the room behind it. Here two men sat, or rather half reclined in easy-cushioned lounge chairs, their faces turned towards the Mall, so that the illumination from the apartment in the background created a Rembrandt-like effect in partially concealing the expression of the one from the other's observation. Outwardly, and at a first causal glance, there was nothing very remarkable about either of them. One was old; the other more than middle-aged. Both were in evening-dress,—both smoked ...
— The Treasure of Heaven - A Romance of Riches • Marie Corelli

... beauty, that made those men great artists. It was the hampering of individuality, the exhaustion and disappearance of material and the degeneration of a love of beauty to a love of effect, that put an end to the great artistic cycle in Italy, and soon afterwards in the rest of the world, with Rembrandt and Van Dyck, the last of the really ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford

... I ought not to have any souvenirs. Have you seen the picture gallery? No? Then I shall have the pleasure of showing it to you. Monseigneur is very proud of his gallery. He has a Leonardo, a Botticelli, a Murillo, and a Rembrandt. And they really show better in artificial light, which softens ...
— The Puppet Crown • Harold MacGrath

... the local legends and poetical associations, the sympathy with the Indian, and the seraphic delight which he took in the play of light upon the New Hampshire hills. Not more did Daniel Webster study with eager eyes the glowing and the paling of the light on the hilltops, no more rapturously did Rembrandt unweave the mazes of darkness, conjure the shadows, and win by study the mysteries of light and shade, than did Whittier. To Carleton, a true son of New Hampshire, who had himself so often in boyhood watched and discriminated the mystery-play of ...
— Charles Carleton Coffin - War Correspondent, Traveller, Author, and Statesman • William Elliot Griffis

... have been a study for a Rembrandt to depict the craggy, strongly lined face of the old merchant, and the beautiful pleading one which looked across at him, with the light throwing strange shadows over both. As he spoke she brushed the tears from her eyes and an angry ...
— The Firm of Girdlestone • Arthur Conan Doyle

... he said, rumpling his hair with an air of boredom. "An old society woman! What's the good of that to me? What have I to do with dowagers? Bow wow dowagers! Even Rembrandt—" ...
— December Love • Robert Hichens

... Knight—of Una—of Error—of Archimago. 11. Is Spenser's character drawing objective or subjective? 12. Is the description of the wood in vii true to nature? Could so many trees grow together in a thick wood? 13. Study the Rembrandt-like effects of light and shade in xiv. 14. What infernal deities ...
— Spenser's The Faerie Queene, Book I • Edmund Spenser

... copy from a Rembrandt, which if anything, was finer than the original. In spite of all he swore that the work he got barely supported him, but I did not believe what he said. He was a weak genius who preferred a ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt

... spoils of his bow and spear to decorate his triumph of the Louvre. If I were a conquering prince, I would have this picture certainly, and the Raphael "Madonna" from Dresden, and the Titian "Assumption" from Venice, and that matchless Rembrandt of the "Dissection." The prostrate nations would howl with rage as my gendarmes took off the pictures, nicely packed, and addressed to "Mr. the Director of my Imperial Palace of the Louvre, at Paris. This side ...
— Roundabout Papers • William Makepeace Thackeray

... de Garde' is a quadrilateral jewel of Flemish architecture of the end of the sixteenth century. It was of old the central point of the city, where the armed citizens met who patrolled the streets like the burghers of Rembrandt's magnificent 'Ronde de Nuit.' A gallery runs round it of arcades, and brickwork supported by monolithic columns. Above these arcades runs a frieze of trophies of arms with the attributes of St. James—the mayor of the city in whose time it was ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert

... revolutionist; but to be an ant, one of millions and millions, to perish in a bottomless ditch—that was something a man could hardly bring himself to face! He looked at the bowed figure of this white haired toiler, vague in the feeble lamplight, and found himself thinking of Rembrandt's painting, the Visit of Emmaus: the ill-lighted room in the dirty tavern, and the two ragged men, struck dumb by the glow of light about the forehead of their table-companion. It was not fantastic to imagine a glow of light about the forehead ...
— King Coal - A Novel • Upton Sinclair

... unintelligible, and yet he would be thought to understand them; he hates prose; he hates all poetry but his own; he hates the dialogues in Shakespeare; he hates music, dancing, and painting; he hates Rubens, he hates Rembrandt; he hates Raphael, he hates Titian; he hates Vandyke; he hates the antique; he hates the Apollo Belvidere; he hates the Venus of Medicis. This is the reason that so few people take an interest in his writings, ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt

... with smoke of pipes, and is stifling with the reeking breath of its inmates. A single flaring gas jet dimly lights the scene, which is one Rembrandt or Moreland and Keisel would have ...
— Rolling Stones • O. Henry

... darker hours, will save the sex: All are massed in one common sentence: all bad. There may be Delilahs: there are many Ruths. We should not lightly give them up. Napoleon lost France when he lost Josephine. The one light in Rembrandt's gloomy ...
— Friends and Neighbors - or Two Ways of Living in the World • Anonymous

... reasons for this; my evening excursions to meet her would require a horse, and mine was an Arab which Lady Hester Stanhope had sent to the marchioness, and which she had lately exchanged with me for that famous picture of Rembrandt which I obtained in so singular a way, and which now hangs in her drawing-room in London. I took the road I had traversed on foot six years earlier and stopped beneath my walnut-tree. From there I saw Madame de Mortsauf ...
— The Lily of the Valley • Honore de Balzac

... big black-oak table in his big stately library. The large lamps on either end of the table stood in old cloisonne vases of dull rich reds and bronzes, and their shades were of thick yellow silk. The light they cast on the six anxious faces grouped about them was like the light in Rembrandt's ...
— The Militants - Stories of Some Parsons, Soldiers, and Other Fighters in the World • Mary Raymond Shipman Andrews

... women of the century Holbach was most intimate with Mme. d'Epinay, who became a very good friend of Mme. Holbach's and was present at the birth of her first son, and, in her will, left her a portrait by Rembrandt. He was also a friend of Mme. Geoffrin, attended her salon, and knew Mlle. de Lespinasse, Mme. Houderot and most of the important women ...
— Baron d'Holbach - A Study of Eighteenth Century Radicalism in France • Max Pearson Cushing

... has left a dark deposit over all the building, except the upper and more exposed parts, where the original silvery whiteness of the stone shows through, the effect of the whole thus being like one of those graphic Rembrandt photographs or carbons, the prominences in a strong light, and the rest in deepest shadow. I was never tired of looking at this noble building, and of going out of my way to walk around it; but I am at a loss to know whether ...
— Winter Sunshine • John Burroughs

... compensates him in its presage of future opportunities. How plainly that consolatory look appears between our eyes and the printed page! Then Hawthorne describes the grand march of a thunder-storm,—as in Rembrandt's "Three Trees,"—with its rolling masses of dark vapor, preceded by a skirmish-line of white feathery clouds. The militia company is defeated at the first onset of this, its meteoric enemy, and driven under cover. The artillery of the skies booms and flashes about Hawthorne himself, until ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns

... front house, as well as some fifty others placed about the salons, were the product of the patient researches of three centuries. Among them were choice specimens of Rubens, Ruysdael, Vandyke, Terburg, Gerard Dow, Teniers, Mieris, Paul Potter, Wouvermans, Rembrandt, Hobbema, Cranach, and Holbein. French and Italian pictures were in a minority, but all ...
— The Alkahest • Honore de Balzac

... than he was aware of. Not only to his ears, but to his eyes also, the Mangan Quartet brought artistic satisfaction. The Big Doctor, with his sombre face and overhanging brow, looking, in the lamplight, like a Rembrandt burgomaster; Barty and his mother, pale and dark-eyed, recalling Southern Italy rather than Southern Ireland; and Tishy—Larry's eyes used to dwell longest on Tishy, her face lit by her most genuine ...
— Mount Music • E. Oe. Somerville and Martin Ross

... am familiar with Rembrandt's work, through photographs and black and white reproductions, I invariably experience a shock from the colour standpoint whenever I come in touch with one of his pictures. I was especially struck with that ...
— Rembrandt • Mortimer Menpes

... be cared for, and by the women more than the men. The mind feels itself contracted on entering the circle of this well-to-do domestic life; such is the impression of Corinne when from liberal Italy she passes to rigid and dreary Scotland. And yet there is a certain picture, a large landscape by Rembrandt, which equals and surpasses all; a dark sky bursting with showers among flocks of screaming crows; beneath, is an infinite stretch of country as desolate as a cemetery; on the right a mass of barren rocks of so mournful and ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various

... and Rome, masterpieces that had been torn from the ruins of antiquity by the hand of the untiring and enterprising excavator. Among the paintings were fine specimens of the skill of Albert Duerer, Murillo, Rubens, Van Dyck, Rembrandt, Sir Joshua Reynolds and other votaries of the brush whose names are immortal. These paintings did not hang on the walls, for they were covered with rich tapestry from the looms of Benares and the Gobelins, but rested on delicately fashioned ...
— Edmond Dantes • Edmund Flagg

... wooden bench plane can be followed from the early 17th century through its standardization at the end of the 18th century. Examine first the planes as drawn in the 1630's by the Dutchman Jan Van Vliet (fig. 28), an etcher of Rembrandt's school at Leiden, and also the examples illustrated by Porzelius (fig. 29) and by Jost Amman (fig. 30). Compare them to Moxon's plate (fig. 31) from the Mechanick Exercises (3rd ed., 1703) and to the ...
— Woodworking Tools 1600-1900 • Peter C. Welsh

... No. 19, in the collection of photographs lately published from drawings in the Florence Gallery; the standard of pen drawing with a wash, fixed by Titian's sketch, No. 30 in the same collection; that of etching, fixed by Rembrandt's spotted shell; and that of point work with the pure line, by Duerer's crest with the cock; every effort of the pupil, whatever the instrument in his hand, would infallibly tend in a right direction, and the ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin

... bright oil portrait, but recently painted by Mr. Rembrandt Peale, was taking the sunlight upon its warm brunette cheeks, in full sight of the bridegroom, and the thick rag carpet warmed the floor, and Virgie had made a second errand to Teackle Hall, and brought back ...
— The Entailed Hat - Or, Patty Cannon's Times • George Alfred Townsend

... before him: the faces of the Madonnas are beyond the discomposure of passion, and their very draperies betoken an Elysian atmosphere where wind never blew. The best painter of the unideal Christ is, I think, Rembrandt: as one may see in his picture at the National Gallery, and that most wonderful one of our Saviour and the Disciples at Emmaus in the Louvre: there they sit at supper as they might have sat. Rubens and the Venetian Painters did neither one thing nor the other: their ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald

... calculating machine; Mozart, executing a sonata on the pianoforte with four-years-old fingers, and composing an opera at the age of eight; Theresa Milanollo, playing the violin at four years, with such eminent skill that Baillot said she must have played it before she was born; Rembrandt, drawing with masterly power before he could read." The same authority says, in reference to the fact that some of these prodigies do not become famous in their after years, and that their genius often seems to flicker out, leaving them as ordinary children: "That is ...
— Reincarnation and the Law of Karma - A Study of the Old-New World-Doctrine of Rebirth, and Spiritual Cause and Effect • William Walker Atkinson

... trot out their bag of tricks: even for a passer-by from whom they can expect only a glance of amazement. Christophe often came across these young strutting peacocks: budding painters, and musicians, art-students who modeled their appearance on some famous portrait: Van Dyck, Rembrandt, Velasquez, Beethoven; or fitted it to the parts they wish to play: painter, musician, workman, the profound thinker, the jolly fellow, the Danubian peasant, the natural man.... They were always on the lookout to see if they were attracting attention. When Christophe met ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland

... of constant amazement in studying the works of Reynolds to observe his "inexhaustible inventiveness in pose and attitude." For each new picture he seemed always to have ready some new compositional motive. Claude Phillips goes so far as to say that in the whole range of art Rembrandt alone is his equal in this respect. This versatility was due in a measure to his story-telling instinct. His imagination seemed to weave some story about each sitter which the picture was intended, as it were, to illustrate. From Lord Heathfield, ...
— Sir Joshua Reynolds - A Collection of Fifteen Pictures and a Portrait of the - Painter with Introduction and Interpretation • Estelle M. Hurll

... and portraits, made three or four years later, possess almost a Rembrandt strength, unfortunately passion for the grotesque and the fanciful often lending a touch of caricature. Downright ugliness must have had an especial charm for the future illustrator of the Inferno, his unconscious models sketched by the way being uncomely ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... crescent of the Heeren Gracht sprang up, on the east, the labyrinthine quarter where for more than three centuries the large Jewish population has been located, and in the middle of which the painter Rembrandt lived (1640-1656) and the philosopher Spinoza was born (1632). Beyond the Heeren Gracht lie the Keizers Gracht and the Prinsen Gracht respectively, and these three celebrated canals, with their tree-bordered quays and ...
— Project Gutenberg Encyclopedia

... life!' Yes! and the same man, when he was in a better spirit, said, and a great deal more truly, 'The God that fed me all my life long, the Angel which redeemed me from all evil.' Do not paint like Rembrandt, even if you do not paint like Turner. Do not dip your brush only in the blackness, even if you cannot always ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren

... thy power of imagination and description, Darsie, I could make out a fine, dark, mysterious, Rembrandt-looking portrait of this same stranger, which should be as far superior to thy fisherman as a shirt of chain-mail is to a herring-net. I can assure you there is some matter for description about him; but knowing my own imperfections, ...
— Redgauntlet • Sir Walter Scott

... the execution of the engravings should be as perfect as possible, I invited M. Jules Jacquemart, of Paris, to undertake the whole of them. M. Jacquemart needs no praise. All amateurs know his etchings from Van der Meer, Franz Hals, Rembrandt, etc., and his plates for the "History of Porcelain," by M. Albert Jacquemart, his father, for the "Gems and Jewels of the Crown," published by M. Barbet de Jouy, and for the "Collection of Arms" of Count de Nieuwerkerke. The American public has had, ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat

... and tender soul, under whatever conventional disguise it wanders here on earth, whether as poorhouse orphan or lawyer's clerk, architect's pupil at Salisbury or cheerful little guide to graves at Bologna; and there is another memorable description in his Rembrandt sketch, in form of a dream, of the silent, unearthly, watery wonders of Venice. This last, though not written until after his London visit, had been prefigured so vividly in what he wrote at once from the spot, ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster

... Professor Schmidt a small but excellent copy of one of the world's most famous pictures, "The Night Watch," painted by Rembrandt, in 1642. ...
— Mary at the Farm and Book of Recipes Compiled during Her Visit - among the "Pennsylvania Germans" • Edith M. Thomas

... century, painting had declined south of the Alps, Dutch and Flemish masters,—above all, Rubens and Rembrandt,—developed a new and admirable school of painting. To Van Dyck, another Flemish master, we owe many noble portraits of historically important persons.[244] Spain gave to the world in the seventeenth century a painter whom ...
— An Introduction to the History of Western Europe • James Harvey Robinson

... on the Hebrew, and Middle Age prose excites within me a whole world of ideas, like Wagner's music, canto-fermo, and Beethoven. Certain things form a link for me from one order of ideas to another. For example, Michaelangelo and the Bible, Rembrandt and Balzac, Puvis de ...
— Essay on the Creative Imagination • Th. Ribot

... the fire. You must consider these doors as open as the woods so long as your are in this neighbourhood. I have some things I should like to show you that you might not find wholly uninteresting—a Raphael, a Rembrandt (so reputed), and several Venetians—not much, in faith, but regarding which I should value ...
— Doom Castle • Neil Munro

... one pursuit rather than another, I should wish you to be a good painter, if such a thing could be hoped. I have failed in this myself, and should wish you to be able to do what I have not—to paint like Claude, or Rembrandt, or Guido, or Vandyke, if it were possible. Artists, I think, who have succeeded in their chief object, live to be old, and are agreeable old men. Their minds keep alive to the last. Cosway's spirits ...
— Selected English Letters (XV - XIX Centuries) • Various

... somehow succeeded in making her carelessness seem picturesque. The long, rather vague cloak that she wore might pass—at any rate, in a picture-gallery—as artistic, and the flat hat with its long brown feather suggested a Rembrandt, and must have been chosen for her against her will, no doubt by her husband. She really looked particularly plain this afternoon, but at the first glance Cecil admired her as much ...
— Love's Shadow • Ada Leverson

... The Never-Ending Prayer. Nicholas Maes (Ryks) From a Photograph by Franz Hanfstaengl A Lady. Paulus Moreelse (Ryks) Pilgrims to Jerusalem. Jan van Scorel (Kunstliefde Museum, Utrecht) View of Delft. Jan Vermeer (Mauritshuis) From a Photograph by Franz Hanfstaengl The School of Anatomy. Rembrandt (Mauritshuis) From a Photograph by Franz Hanfstaengl A Young Woman. Rembrandt (Mauritshuis) The Steen Family. Jan Steen (Mauritshuis) From a Photograph by Franz Hanfstaengl The Menagerie. Jan Steen (Mauritshuis) From a Photograph by Franz Hanfstaengl Portrait of G. Bicker, Landrichter of Muiden. ...
— A Wanderer in Holland • E. V. Lucas

... the only original form of painting that modern times can boast. It has not exhausted itself yet; it is capable of infinite development. Ruysdael, Rembrandt, and the rest, did great scenes, it is true, but it has been left to our painters to put soul into the sunshine of a cornfield, and suggest a whole life of labour in a dull evening sky hanging over a brown ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida

... see the great Van Eyck, the 'Adoration of the Lamb,' you know—that magnificent panel picture. And then we went to Brussels, where we had Dierick Bouts and all the later Flemings; and to Antwerp for Rubens and Vandyck and Quentin Matsys; and the Hague, after that, for Rembrandt and Paul Potter; and Amsterdam, in the end, for Van der Heist and Gerard Dow and the late Dutch painters. So, you see, we had quite an artistic tour; we followed up the development of Netherlandish art from beginning ...
— Stories by English Authors: The Sea • Various

... described in one of Young's Tours[453]. There is a printed catalogue of them which the housekeeper put into my hand; I should like to view them at leisure. I was much struck with Daniel interpreting Nebuchadnezzar's dream by Rembrandt. We were shown a pretty large library. In his Lordship's dressing-room lay Johnson's small Dictionary: he shewed it to me, with some eagerness, saying, 'Look 'ye! Quae terra nostri non plena laboris[454].' He observed, also, Goldsmith's Animated ...
— Life Of Johnson, Vol. 3 • Boswell, Edited by Birkbeck Hill

... knocked at the door to say the carriage was waiting, Jeanne, with mock humility, begged Noemi to allow her to wear a certain large Rembrandt hat of which she was very fond. The black, feather-laden brim, drooping over her pale face, above the sombre light in her eyes, above the tall figure wrapped in a dark cloak, seemed to partake of her feelings, ...
— The Saint • Antonio Fogazzaro

... an eagle's nest, where his only associates were bonzes in yellow robes, and the stillness was only broken by the deep-toned temple bell, booming for vespers. Then, somehow, his thoughts turned back to Europe, and he began a disquisition upon the great old masters—Tintoretto, Rembrandt, Velasquez, Tiziano, and Peter Paul—with whose immortal works he seemed as familiar as he subsequently showed himself with the pictures in his own house. He described the Memlings at Bruges, the Botticellis at Florence and the Velasquezes in Spain—averring in humorous exaggeration ...
— Austin and His Friends • Frederic H. Balfour

... estimation in which I have ever held the works of Rembrandt has been greatly increased by my going through this examination of his various excellencies, and such will ever be the case when the emanations of genius are investigated; like the lustre of precious stones, their luminous colour shines from the centre, not from ...
— Rembrandt and His Works • John Burnet

... remote receive only a faint and subdued gleam. The silvery effulgence of the moon, the sombre and deserted look of the buildings around, and the general stillness that pervades every object, save the scene of action, might inspire the mind of a Rembrandt, or introduce to the mere casual beholder feelings at ...
— The Mirror of Literature, Amusement, and Instruction. - Volume XII, No. 347, Saturday, December 20, 1828. • Various

... appeal to the eye was constant—the color and form of scenes unfamiliar offering views of compelling attraction and delight. Each unadorned car window and door became the frame of pictures not a Millet nor a Rembrandt could depict. ...
— The Greater Love • George T. McCarthy

... any detail the end of the slope, from the beginning of the seventeenth to the middle of the nineteenth century. The seventeenth century is rich in individual geniuses; but they are individual. The level of art is very low. The big names of El Greco, Rembrandt, Velasquez, Vermeer, Rubens, Jordaens, Poussin, and Claude, Wren and Bernini (as architects) stand out; had they lived in the eleventh century they might all have been lost in a crowd of anonymous equals. Rembrandt, indeed, perhaps the greatest genius of them all, ...
— Art • Clive Bell

... forward a little; her face was etched in Rembrandt lights by the glare from some ...
— One Wonderful Night - A Romance of New York • Louis Tracy

... THE DEVIL. Ay, Rembrandt. There a something unnatural about these fellows. Do not listen to their gospel, Senor Commander: it is dangerous. Beware of the pursuit of the Superhuman: it leads to an indiscriminate contempt for the Human. To a man, horses ...
— Man And Superman • George Bernard Shaw

... search for the truth. It is not always realised how depth and complexity may exist in a work of clear design and strong contrasts—in the obvious genius of some great Italian of the Renaissance as much as in the troubled heart of a Rembrandt and the ...
— Musicians of To-Day • Romain Rolland

... nearer to reality by the perfection of their execution." The translator thinks his "author has stated this too broadly;" and instances, as pictures of this kind to be admired for their truth, The Lesson of Anatomy, by Rembrandt; Prometheus Devoured by the Vulture, by Salvator Rosa; Raising of Lazarus, by Sebastian del Piombo. Of the two first subjects, we think they are to be condemned, if, in the Prometheus, the enduring mind of Prometheus be not the subject. But surely the grand picture ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various

... attitudes. We know that one of the most distinguished of his partisans often complained that he could never obtain admittance to Lord Chatham's room till everything was ready for the representation, till the dresses and properties were all correctly disposed, till the light was thrown with Rembrandt-like effect on the head of the illustrious performer, till the flannels had been arranged with the air of a Grecian drapery, and the crutch placed as gracefully as ...
— Critical and Historical Essays Volume 1 • Thomas Babington Macaulay

... you didn't 'particularly look' at the man, you've given us a very good idea of his appearance. We'll call him Michael Angelo, and he shall be your idol. I prefer stout old Rembrandt myself, and Larkie adores that dandified Raphael," said the lively Cutter, slapping away at Homer's bald pate energetically, ...
— Kitty's Class Day And Other Stories • Louisa M. Alcott

... here; but then I expect that the lady should be, in a manner, thrown into the bargain with the man; and, in this state of affairs, the woman being worth little or nothing, I will not go above fourscore Louis for the two together. As for the Rembrandt you mention, though it is very cheap, if good, I do not care for it. I love 'la belle nature'; Rembrandt paints caricatures. Now for your own commissions, which you seem to have forgotten. You mention nothing of the patterns which you received by Monsieur Tollot, though I told you in a former ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield

... which I am at present about will consist, if I live to finish it, of a series of Rembrandt pictures, interspersed here and there with a Claude. I shall tell the world of my parentage, my early thoughts and habits, how I become a sap-engro, or viper-catcher: my wanderings with the regiment in England, Scotland, and Ireland, in which last place ...
— A Publisher and His Friends • Samuel Smiles

... touched it, and the other paintings, of which there are a great number, are all in much the same state—black, defaced and destroyed beyond recognition or hope of restoration. If there are originals of Salvator Rosa, Rubens or Rembrandt here, they are lost to the world ...
— Lippincott's Magazine, Vol. 20, August 1877 • Various

... Duchess has summoned over. By the dim lucency of Putter, faint to most of us as a rushlight in the act of going out, the available part of our imagination must try to figure, in a kind of Obliterated-Rembrandt way, this glorious Evening; for there was but one,—December 3d-4th,—Friedrich having to leave early on the 4th. Here is Putter's record, given in ...
— History of Friedrich II. of Prussia, Vol. XX. (of XXI.) • Thomas Carlyle

... now and then a single pointed summit rising above and behind the rest. The roads are made up of innumerable loops and curves, every twist and turn of which unfolds a picture worthy of an Innes or a Rembrandt. ...
— See America First • Orville O. Hiestand

... inspection, and tried to make the vast array surrender to his imagination. And across his vision of reality shot strange beams and shafts of romantic illumination—sometimes vulgar theatrical lights, sometimes gleams like those which add a new reality of wonder to the etchings of Rembrandt. What he saw with the eyes of the senses or those of the imagination he could evoke without the loss of any fragment of its life, and could transfer it to the brain of his reader as a vision ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden

... kind. For even the most determined realist has more than a streak in him of the romanticist, and the most resolute romanticist finds it impossible at times to be quite unreal. Guido Reni, Watteau, Leighton were they not perhaps somewhat pure romanticists; Rembrandt, Hogarth, Manet mainly realists; Botticelli, Titian, Raphael, a blend. Dumas pere, and Scott, surely romantic; Flaubert and Tolstoy as surely realists; Dickens and Cervantes, blended. Keats and Swinburne romantic; ...
— Forsyte Saga • John Galsworthy

... exactly which famous painters had married their cooks, and which had only married their models; and otherwise showed himself a most diverting talker. Among other things, however, he happened to mention once that he had recently discovered a genuine Rembrandt—a quite undoubted Rembrandt, which had remained for years in the keeping of a certain obscure Dutch family. It had always been allowed to be a masterpiece of the painter, but it had seldom been seen for the last half-century save by a few intimate acquaintances. It was a portrait ...
— An African Millionaire - Episodes in the Life of the Illustrious Colonel Clay • Grant Allen

... contains a very interesting Museum of natural history; Egyptian, Grecian, Etruscan, and Roman antiquities; and a fine gallery of paintings, including some of the best works of Vandyke, Raphael, Paul Veronese, Guido, Titian, Rembrandt, Guercino, Carlo Dolci, and other of ...
— Fair Italy, the Riviera and Monte Carlo • W. Cope Devereux

... Byzantine look, and on the floor were several magnificent bear skins, while around the walls low bookcases with quantities of books stood. And above them many arms were crossed. Over the mantlepiece a famous Rembrandt frowned, and another from the opposite wall. But it was strange there were no photographs of dancers or actresses about ...
— His Hour • Elinor Glyn

... gradually abstracted to adorn those Palaces which Royalty still condescends to inhabit, while worse and worst are removed from those and deposited here; yet it was interesting to me to gaze at undoubted originals by Raphael, Titian, Poussin, Rembrandt, Teniers, Albert Durer, Leonardo da Vinci, Tintoretto, Kneller, Lely, &c., though not their master-pieces. The whole number of pictures, &c. here exhibited is something over One Thousand, probably five-sixths Portraits. Some of these have a strong Historical interest apart from ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley

... bass-violinists had the rough-hewn figure and the divinely chiseled, sorrow-lighted face of Lincoln, the others were children of the everyday. The clarionettist, with his dark beard and high temples, might have sat for Rembrandt's picture of "The Philosopher." The rotund kettle-drummer, with his smooth head and sparkling eyes, restlessly turning his little keys and bending down to listen to the tuning of his grotesque music-pots, seemed impatient for the part in the score when he was to build ...
— The Unknown Quantity - A Book of Romance and Some Half-Told Tales • Henry van Dyke

... books on open shelves edged with leather; not to mention engravings of distinguished men and old portraits in heavy gilt frames: one of his grandfather who fought in the Revolution, and another of his mother—this last by Rembrandt Peale—a dear old lady with the face of a saint framed in a head of gray hair, the whole surmounted by a cluster of silvery curls. There were quaint brass candelabra with square marble bases on each ...
— Peter - A Novel of Which He is Not the Hero • F. Hopkinson Smith

... his position, leaning his weight against the tall pillar of the gallery. He could see her plainly. In the light from the hall half her features were now thrown into Rembrandt lighting. The roll of dark hair framed her face, highbred, aristocratic, yet wholly human and sweet. Gravity sat on all her features; a woman for thought, said they. A woman for dreams; so declared the fineness ...
— The Purchase Price • Emerson Hough

... be contented, did something to make her so. Advancing womanhood had tempered her plainness, which was of a good human sort, such as the mothers of our race have very commonly worn in all latitudes under a more or less becoming headgear. Rembrandt would have painted her with pleasure, and would have made her broad features look out of the canvas with intelligent honesty. For honesty, truth-telling fairness, was Mary's reigning virtue: she neither tried to create illusions, ...
— Middlemarch • George Eliot

... days! When o'er each deed, with sweet self-praise, Narcissus-like I hung! When great Rembrandt but little seemed, And such Old Masters all were deemed ...
— The Poetical Works of Thomas Hood • Thomas Hood

... 1: The purist's attitude was pungently expressed by Whistler. Pennell records this remark: "Black ink on white paper was good enough for Rembrandt; it ought to be good enough for you." (Joseph Pennell, The Graphic ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen

... little sentiment and a very cultivated taste; he has become awake to what is elemental, normal, in Nature,—such, for instance, as one sees in the working of water on the sea-shore. He tries to represent these primitive forms. In the drawings of Piranesi, in the pictures of Rembrandt, one sees this grand language exhibited more truly. It is not picture, but certain primitive and leading effects of light and shadow, or lines and contours, that captivate the attention. I saw a picture of Rembrandt's at the Louvre, whose subject I do not know and have ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli

... describe this incident. I hated the beast because I had been so weak as to accept his services. The beauty of Rembrandt and Franz Hals was lost on me; all I could see was the dirty face of that guide. Rembrandt's Night Watch made me forget the creature for a moment, but when he began to describe it I fled in horror. We finished up in the modern section, ...
— A Dominie in Doubt • A. S. Neill

... at the top of his voice; 'I should think so! Such beggars as he are not to be met with every day. A trouvaille, mon cher; a living Velasquez! My stars! what an etching Rembrandt ...
— Lord Arthur Savile's Crime and Other Stories • Oscar Wilde

... with their faces intent upon the center of the old black sea chest, where glowed and glittered the gold and jewels in the band of light that shone upon some of the faces of the intent group, while others were in the shadow. It was a scene such as Rembrandt—pardon, kind reader, I forgot for a moment, this is a simple ...
— Frontier Boys on the Coast - or in the Pirate's Power • Capt. Wyn Roosevelt

... a Wells's light. Priam Farll glanced timidly within. The interior was immense. In a sort of court of honour a group of muscular, hairy males, silhouetted against an illuminated latticework of scaffolding, were chipping and paring at huge blocks of stone. It was a subject for a Rembrandt. ...
— Buried Alive: A Tale of These Days • Arnold Bennett

... funds to buy a neat black dress; he insisted that she wear a white turnover collar and white cuffs. The plain severity of this costume set off the bright coloring of her face and hair to wonderful advantage. In the dingy, ill-lighted restaurant she was like that serene, golden, glowing light that Rembrandt alone has known how to place among shadows. And her temper was so sweet, and her disposition so childlike and gentle, that one by one the waitresses who hated her for her popularity and her quick success ...
— IT and Other Stories • Gouverneur Morris

... no one would look at, much less admire, a modern master. He published a pretended collection, or a set of prints, from the designs of the great painters; in which he imitated the etchings and engravings of the various masters, and much were these prints admired as the works of Guido, Rembrandt, and others. Having had his joke, they were published under the title of Imposteurs Innocentes. The connoisseurs, however, are strangely divided in their opinion of the merit of this collection. Gilpin classes these ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli

... space for any penitents who came to confess their sins and receive absolution, or some catechumen who wished to be admitted to the sacrament. Carmichael used to say that a meeting of Session affected his imagination, and would have made an interior for Rembrandt. On one side of the table sat the men who represented the piety of the district, and were supposed to be "far ben" in the Divine fellowship, and on the other some young girl in her loneliness, who wrung her handkerchief in ...
— Beside the Bonnie Brier Bush • Ian Maclaren

... scheme of, let us say, Michelangelo, is due to his modes of aesthetic perceiving, feeling, living, added to those of all the other artists whose peculiarities have been averaged in what we call the school whence Michelangelo issued. He can no more depart from these shapes than he can paint Rembrandt's Pilgrims of Emmaus without Rembrandt's science of light and shade and Rembrandt's oil-and-canvas technique. There is no alternative, hence no choice, hence no feeling of a problem to resolve, in this question of shapes to employ. But there ...
— The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee

... of which their own Authors are everywhere produced as Vouchers," 1777. One is tempted to think that this O'Brien M'Mahon, after all, is only a wag, and has copied the horrid pictures of his masters, as Hogarth did the School of Rembrandt by his "Paul before Felix, designed and scratched in the true Dutch taste." These works seem, however, to have their use. To have carried the conclusions of the Anti-social Philosophy to as great lengths as this writer has, is to display their ...
— Calamities and Quarrels of Authors • Isaac D'Israeli

... painters who can claim the first rank is he who is in some respects the greatest of all from a painter's standpoint, Rembrandt van Ryn. There is little of the primitive Italian here, little of the painter who worships his Madonna through the medium of his craft as some great lady, "empress of heaven and of earth." Rembrandt's picture, lacking this mysticism, gains, however, in humanity; and however far even from our ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell

... the young ladies through several galleries, now consulting the guidebook, which I carried in my right hand, now pointing with my left to this or that conspicuous example of the genius of a Rubens, a Rembrandt or a Titian, and, I presume, had been thus engaged for the better part of two hours, when a sudden subconscious instinct subtly warned me that I was alone. Astonished, I spun on my heel. My youthful ...
— Fibble, D. D. • Irvin Shrewsbury Cobb

... opposite directions—one from the Lion's Den, the other from the seaward opening in the rocks—and falling together, in cross directions on the black rugged walls of the cave and the beautiful marine ferns growing from them, is supernaturally striking and grand. Here, Rembrandt would have loved to study; for here, even his sublime perception of the poetry of light and shade might have received a new impulse, and learned from the teaching of ...
— Rambles Beyond Railways; - or, Notes in Cornwall taken A-foot • Wilkie Collins

... them. He knew he knew nothing, and had not the trained eye or the keen instinct that trusted itself; but he was curious, as he went on, to find out how much others knew. He took Palgrave's word as final about a drawing of Rembrandt or Michael Angelo, and he trusted Woolner implicitly about a Turner; but when he quoted their authority to any dealer, the dealer pooh-poohed it, and declared that it had no weight in the trade. If he went to a sale of drawings or paintings, at Sotheby's or Christie's, an hour afterwards, ...
— The Education of Henry Adams • Henry Adams

... spread a landscape of Lorraine; There Rembrandt made his darkness equal light, Or gloomy Caravaggio's gloomier stain Bronzed o'er some lean and stoic anchorite:— But, lo! a Teniers woos, and not in vain, Your eyes to revel in a livelier sight: His bell-mouthed goblet makes me feel quite Danish[676] Or Dutch with thirst—What, ...
— The Works of Lord Byron, Volume 6 • Lord Byron

... In Rembrandt Peale's picture of the Court of Death a cadaverous shape lies for judgment at the foot of the throne, touching at either extremity the waters of Lethe. There is something similar in the history of the greatest of Spanish writers. No ...
— Castilian Days • John Hay

... declined to pursue further anatomical illustration, but for years afterwards was quite unable to touch a kidney, although I believe that had I selected a calf's head or a sucking-pig for my maiden effort in this direction, I might by now have blossomed into a Rembrandt or ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss

... observed Colley Cibber. And they all looked, and, having looked, wagged their heads in assent—as the fat, white lords at Christie's waggle fifty pounds more out for a copy of Rembrandt, a brown levitical Dutchman, visible in the pitch-dark by some sleight of sun Newton had ...
— Peg Woffington • Charles Reade

... treasure-house to my boyhood which has not lost its value for me in later years. But where to look for what I wanted? I wished to know, for instance, what Dr. Burney had to say about singing. Who would have looked for it under the Italian word cantare? I was curious to learn something of the etchings of Rembrandt, and where should I find it but under the head "Low Countries, Engravers of the,"—an elaborate and most valuable article of a hundred double-columned close-printed quarto pages, to which no reference, even, is made under the ...
— Medical Essays • Oliver Wendell Holmes, Sr.

... as light from the heart of God, is for our heart, that we may brighten and distinguish individual things; if it is to transfigure for us the round, dusk world as by an inner radiance; if it is to present human life and history as Rembrandt pictures, in which darkness serves and glorifies light; if, like light, formless in its essence, all things shapen towards the perfection of their forms under its influence; if, entering as through crevices in single beams, it makes dimmest places cheerful ...
— A Dish Of Orts • George MacDonald

... inharmonious color; so he never used them. But as he ran upstairs, three steps at a time, after his kind, off-hand words to Marty, he said to himself, "Good heavens! I do believe Marty gets uglier every day. What a picture Rembrandt would have made of her old face peering out into the darkness there to-night! She would have done for the witch of Endor, watching to see if Samuel were coming up." And as he went down more slowly, revolving ...
— Mercy Philbrick's Choice • Helen Hunt Jackson

... above should show. But in some strange way Manchester—foggiest and rainiest of all our industrial hells,[299] except Sheffield—seems to have made his brain clear and his sight dry, even in drawing a sort of half-Rembrandt, half-Callot picture. He takes, it is true, some time in freeing himself from that obsession by one of our not-prettiest institutions, "street-walking," which has always beset the French.[300] But he does get clear, and makes a striking picture of the great thoroughfares of Market Street and Piccadilly; ...
— A History of the French Novel, Vol. 2 - To the Close of the 19th Century • George Saintsbury

... not the mighty master's power In yon devoted Saint's uplifted eye? That clouds the brow and bids already lour O'er the First Charles the shades of sorrows nigh? That now on furrow'd front of Rembrandt gleams, Now breathes the rose of life and beauty there, In the soft eye of Henrietta dreams, And fills with fire the glance ...
— The Mirror of Literature, Amusement, and Instruction, No. 366 - Vol. XIII, No. 366., Saturday, April 18, 1829 • Various

... dark line of this rag the body was so completely hidden in shadow that a man of imagination might have supposed the old head was due to some chance play of light and shade, or have taken it for a portrait by Rembrandt, without a frame. The brim of the hat which covered the old man's brow cast a black line of shadow on the upper part of the face. This grotesque effect, though natural, threw into relief by contrast the white furrows, the cold ...
— Colonel Chabert • Honore de Balzac

... that had veiled the earth when the country was first settled, had already disappeared; but, agreeably to one of the mysterious laws by which nature is governed, a rich second growth, that included nearly every variety of American wood, had shot up in their places. The rich Rembrandt-like hemlocks, in particular, were perfectly beautiful, contrasting admirably with the livelier tints of the various deciduous trees. Here and there, some flowering shrub rendered the picture gay, while masses of the rich ...
— Home as Found • James Fenimore Cooper

... mysterious and sublime. It presented an harmonious variety of solemn colours, united by the exquisite artifice of Nature to a grand, yet simple disposition of form. It was a picture executed by the hand of Rembrandt, and imagined by the ...
— Antonina • Wilkie Collins

... uncle in the middle of the parlor, where the benches were occupied by patients presenting such grotesque singularities of costume as would have made the least artistic passer-by turn round to gaze at them. A draughtsman—a Rembrandt, if there were one in our day—might have conceived of one of his finest compositions from seeing these children of misery, in artless attitudes, and ...
— The Commission in Lunacy • Honore de Balzac

... seated in his royal chair, and the hounds at play before him on the carpet. In the south aisle the corresponding window to the east has a tree of Jesse in its upper part, and beneath is one of the finest examples of sixteenth century painting in Rouen, work that reminds you of the work of Rembrandt. Of these five figures of old men, the last two on the right are especially worthy of attentive study. They were done in 1535. To the right of this window in the same chapel, looking southwards, is another fine window of about the same date, said to be copied ...
— The Story of Rouen • Sir Theodore Andrea Cook

... Cranach, of a man with a bag of money tempting a young woman: full of character, and singularly striking. This room—or the one adjoining, I have forgotten which—contains M. Denon's collection of the prints of MARC ANTONIO or of REMBRANDT—or of both; a collection, which is said to be unequalled.[174] Whether the former be more precious than the latter, or whether both be superior to what our British Museum contains of the same masters, is a point which has not yet been fairly determined. But I asked, one morning, ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin

... time is shown in divers ways. He is quoted by the famous jurist Grotius in his book which founded the science of international law; he is quoted and criticised, as we have seen, by Scaliger; and curiously enough, his name, "Philo-Judaeus," is applied by Rembrandt to the portrait of his own father, now in the Ferdinandeum at Innsbruck. It is tempting to conjecture that there was a direct connection between the Jewish philosophers of the ancient and the modern world. Whether it existed or not, there is certainly kinship in their ideas. Spinoza does actually ...
— Philo-Judaeus of Alexandria • Norman Bentwich

... it is evident that in Rembrandt's system, while the contrasts are not more right than with Veronese, the colours are all wrong from beginning to end."—JOHN ...
— The Gentle Art of Making Enemies • James McNeill Whistler

... mentioned, with special praise, a magnificent small Rembrandt, a Paul Potter of exceeding minuteness and beauty, an Ostade, which reminds one of Wilkie's early performances, and a Dusart quite as good as Ostade. There is a Berghem, much more unaffected than that artist's works generally ...
— Little Travels and Roadside Sketches • William Makepeace Thackeray

... hope that my saying so will make you eager to interrupt me. 'What! Rembrandt's etchings, and Lupton's mezzotints, and Le Keux's line-work,—do you mean to tell us that these ignore light ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin

... Then—pell mell, like a pack of dogs down a steep hill, follows the last—"lasciviousness," the purest, holiest things in the gutter-slime, and then, cold-blooded, greedy trading in these things. That's the picture painted in shadows of Rembrandt blackness, newly blackened, of the effect in man himself ...
— Quiet Talks about Jesus • S. D. Gordon

... something in the mere sound of them that thrilled, that made a music in the girl's ears. She drew a long breath, and suddenly, as he raised his eyes, he saw her as a white vision, lit up, Rembrandt-like, in the darkness, by the solitary light—the lines of her young form, the delicate softness of cheek and brow, the ...
— The Coryston Family • Mrs. Humphry Ward

... note yet another artistic alliance, something of the pale effulgence of Correggio—an approach, at least, to that peculiar treatment of light and shade, and a pre-occupation with certain tricks therein of nature itself, by which Correggio touches Rembrandt on the one hand, Da Vinci on the other. Here, in Moretto's work, you may think that manner more delightful, perhaps because more refined, than in Correggio himself. Those pensive, tarnished, silver side-lights, like mere reflexions ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater

... priest and a condemned prisoner, made a picture worthy of the brush of Rembrandt or Salvator Rosa. The light which streamed from the arched windows fell upon the pale, noble features of Don Gusman, and upon the venerable ...
— The Strand Magazine, Volume V, Issue 27, March 1893 - An Illustrated Monthly • Various

... his limbs from the wet pavement, Isaac sat in a corner of his dungeon, where his folded hands, his dishevelled hair and beard, his furred cloak and high cap, seen by the wiry and broken light, would have afforded a study for Rembrandt, had that celebrated painter existed at the period. The Jew remained, without altering his position, for nearly three hours, at the expiry of which steps were heard on the dungeon stair. The bolts screamed as they were withdrawn—the hinges creaked as the wicket opened, and Reginald Front-de-Boeuf, ...
— Ivanhoe - A Romance • Walter Scott

... better believe him, not only as to the affairs of the Jews, but also as to the Gentiles, than all the Greek and Latin writers, because his fidelity and his learning are everywhere conspicuous."[3] It is illustrative of his popularity that Rembrandt named one of his great Jewish pictures after him. Whiston's English translation of his works became a household book, found side by side with the Bible and ...
— Josephus • Norman Bentwich

... worked in meshes like a fish-slice, festoon the black velvet doublet of the old man with a heavy gold chain, and you will have a faint idea of the exterior of this strange individual, to whose appearance the dusky light of the landing lent fantastic coloring. You might have thought that a canvas of Rembrandt without its frame had walked silently up the stairway, bringing with it the dark atmosphere which was the sign-manual of the great master. The old man cast a look upon the youth which was full of sagacity; then he rapped three times upon the door, and said, when it was ...
— The Hidden Masterpiece • Honore de Balzac

... were taken by Russia at a valuation of eighty thousand dollars, and formed the first basis of the imperial gallery at St. Petersburg. Among these were some of the finest paintings of Titian, some of the best pieces of Rubens, and one of Rembrandt's most highly executed works—the portrait of ...
— The Merchant of Berlin - An Historical Novel • L. Muhlbach

... far transgressed. There are those who have told me that I have made all my clergymen bad, and none good. I must venture to hint to such judges that they have taught their eyes to love a colouring higher than nature justifies. We are, most of us, apt to love Raphael's madonnas better than Rembrandt's matrons. But, though we do so, we know that Rembrandt's matrons existed; but we have a strong belief that no such woman as Raphael painted ever did exist. In that he painted, as he may be surmised to have done, for pious purposes,—at least for Church ...
— The Last Chronicle of Barset • Anthony Trollope

... light on his delicate hand, on the workmanlike pose of his head, which it surrounded with a nimbus, and on a painting—a woman's head—which he was copying. He looked superb like that, and I thought how doubly tempted Rembrandt would have been by the deep significance as well as by the chiaroscuro of ...
— Serge Panine • Georges Ohnet

... which, however, he resigned himself as contentedly as he could, was the work of the artists who came to him to beg him to sit for his picture or statue. Of the painters the most eminent were Charles Peale and his son Rembrandt. Of the sculptors Houdon undoubtedly made the best life-sized statue—that which still adorns the Capitol at Richmond, Virginia—and from the time it was first exhibited has been regarded as the best, most lifelike. ...
— George Washington • William Roscoe Thayer

... frightened the children were. They knew that they must tell some one about it at once. Very quietly they crept away from where the men were, then ran for their lives to the town hall. The Civic Guard were having a banquet there. Rembrandt has painted the scene just as the little girl, in the center of the group, has finished her story. The men are making ready to meet the attack. Some have on their armor, some are polishing their guns, some have their drums, and all are full ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant

... and earnestly, at the strong, fine lines of sadness brought beautifully out by this unexpected high-light of the skies, accentuated Rembrandt-like, against the darkness of the ...
— The Way of the Wind • Zoe Anderson Norris

... one man would not do at all for another. The works of the great masters offer the most marked contrasts of ideal and of treatment, and painters have varied greatly in their manner of some painting at different periods of their lives. Rembrandt, for instance, painted very thinly in his early years, with transparent shadows and carefully modelled, solidly loaded lights. Later in life he painted most roughly; and "The Syndics" was so heavily and roughly loaded that ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst

... the Brussels Museum. It is not signed, this beautiful head, and at one time it was in the English collections of Humphry Ward and Peter Norton, and later in the Collection Otlet at Brussels. Smith catalogued it as a Rembrandt; indeed, it had the false signature of the great master. Much later it was accredited to Jan Victoors, a Rembrandt pupil, and to Nicolas Maes, and under this name was sold in Paris in 1900. A. J. Wauters finally declared ...
— Ivory Apes and Peacocks • James Huneker



Words linked to "Rembrandt" :   old master, Rembrandt van Ryn



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