"Poussin" Quotes from Famous Books
 ... at Leigh Court surpassed our expectations. Poussin's famous "Land Storm;" "St. John," by Domenichino, the most striking, with a divine head of our SAVIOUR, by Leonardo da Vinci, and many others too tantalising to mention. Mr. King, Emmeline, Mr. Elton, and ourselves, filled the coach. Mr. King ...
— The Life and Letters of Maria Edgeworth, Vol. 2 • Maria Edgeworth
... the public on Sundays and Thursdays; but daily to students and strangers. It contains upwards of two hundred and thirty paintings. Of these, the great mass is undoubtedly by French artists, comparatively little known and of small merit, imitators of Poussin and Le Brun. Such paintings as bear the names of the old Italian masters, are in general copies; some of them, indeed, not bad imitations. Among them is one of the celebrated Raphael, commonly called the Madonna ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... an engraver, the most eminent of a family of artists, born at Lyons; engraved the works of Lebrun, Mignard, and Poussin; he did some fine illustrations of the battles of ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... woods stretched upwards from the shore, beautiful with the hues of frost, glowing with tints richer and deeper than those which Claude or Poussin mingled, as if the rainbows of a summer shower had fallen among them. At a little distance to the right, a group of cattle stood mid-leg deep in the river; and a troop of children, bright-eyed and mirthful, were casting pebbles at them from a projecting shelf of rock. Over all a warm but softened ...
— McGuffey's Fifth Eclectic Reader • William Holmes McGuffey
... and more energy to that limb." "But these are trifles," remarked the visitor. "It may be so," replied the sculptor, "but recollect that trifles make perfection, and perfection is no trifle." So it was said of Nicholas Poussin, the painter, that the rule of his conduct was, that "whatever was worth doing at all was worth doing well;" and when asked, late in life, by his friend Vigneul de Marville, by what means he had gained so high a reputation among the painters of Italy, Poussin emphatically answered, "Because ...
— Self Help • Samuel Smiles
... music, and Pre-Raphaelitism; while the sight of one of his silky short-horned Ayrshires yielded him infinitely more pleasure than the possession of all Rosa Bonheur's ideals could possibly have done, and the soft billowy stretch of his favorite clover-meadow was worth all the canvas that Claude or Poussin had ever colored. While Enoch had cordially hated his fair blue-eyed young step-mother, not from any personal or individual grounds of grievance, but simply and solely because she dared to occupy the household niche, sanctified once and forever by his own meek ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... POUSSIN: famous for his classic style. Reynolds says: "No works of any modern have so much the air of antique painting as those ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... century; Opera Horatii, executed for Ferdinand I. King of Naples, which realised respectively two hundred and ten and one hundred and twenty-five pounds; and Regole e Precetti della Pittura, written by Leonardo da Vinci, and illustrated with original drawings by Nicholas Poussin, which fetched one hundred and ...
— English Book Collectors • William Younger Fletcher
... of ignorance and faith that we find the grossest materialism in art. It was in the learned, half-pagan sixteenth and the polished seventeenth century, that this materialized theology became most offensive. Of all the artists who have sinned in the Annunciation—and they are many—Nicolo Poussin is perhaps the worst. Yet he was a good, a pious man, as well as a learned and accomplished painter. All through the history of the art, the French show themselves as the most signal violators of good taste, and what they have invented ...
— Legends of the Madonna • Mrs. Jameson
... at Ashdod," great physical beauty, resulting from picturesque costume and the exposed human figure, was so far from desirable, that it seems purposely deformed by blotches of livid color; yet the whole is a most noble work of Poussin. Containing as much physical beauty as this picture, the writer remembers to have seen an incident in the streets where a black-haired, sordid, wicked-headed man, was striking the butt of his whip at the neck of a horse, to urge him round an ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... morning and evening incense of centuries,' and portions of the frescoes of Raphael. At Rome Velasquez found there before him, Domenichino, Guido Reni, alternating 'between the excitements of the gaming table and the sweet creations of his smooth flowing pencil;' 'Nicolas Poussin, an adventurer fresh from his Norman village; and Claude Gelee, a pastry-cook's runaway apprentice from Lorraine.'[27] Velasquez remained a year in Rome. Besides his studies he painted three original pictures, one of them, 'Joseph's Coat,' well known among the painter's ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... to us, evincing the triumph of genius over even time itself, by preserving on canvass the semblance of all that charmed in nature, without experiencing the sentiment so naturally and beautifully expressed in the celebrated picture, by Nicolas Poussin, of a touching scene in Arcadia, in which is a tomb near to which two shepherds are reading the inscription. "I, too, was ...
— The Idler in France • Marguerite Gardiner
... 16. Cf. the rituals in De la Vallee Poussin's Bouddhisme et Materiaux, pp. 214 ff. Taranatha frequently mentions burnt offerings as part ...
— Hinduism and Buddhism, An Historical Sketch, Vol. 3 (of 3) • Charles Eliot
... table with some German princes and other lords when the news arrived; did not utter a word, except to announce the death; but blushed, pulled down his hat, and could not keep his countenance. He sent orders to London, to drive out Poussin, acting as French ambassador, immediately; and Poussin directly crossed the sea and arrived ...
— The Memoirs of Louis XIV., His Court and The Regency, Complete • Duc de Saint-Simon
... the golden sands, the emerald weeds, and the silver shells at the bottom of the bay beneath, till, dreaming about the grottoes of the Nereids, I would not have exchanged my pleasure for that of a connoisseur poring over a landscape by Claude or Poussin. Enchanting nature! thy beauty is not only in heaven and earth, but in the waters under our feet. How magnificent a medium of vision is the pellucid sea! Is it not like poetry, that embellishes every object ...
— Books and Authors - Curious Facts and Characteristic Sketches • Anonymous
... originated in the circumstance of his father's mill receiving light from an aperture at the top, which habituated the artist afterwards to view all objects as if seen in that magical light. The intellectual POUSSIN, as Nicholas has been called, could never, from an early devotion to the fine statues of antiquity, extricate his genius on the canvas from the hard forms of marble: he sculptured with his pencil; and that cold austerity of tone, still more remarkable in his last pictures, ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... landscape painter before him had acquired distinction by confining his efforts to one class of subject. Hobbima painted oaks; Ruysdael, waterfalls and copses; Cuyp, river or meadow scenes in quiet afternoons; Salvator and Poussin, such kind of mountain scenery as people could conceive, who lived in towns in the seventeenth century. But I am well persuaded that if all the works of Turner, up to the year 1820, were divided into classes (as he has himself divided them in the ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... xiii books of Pachymer, the first six (as the ivth and vth of Nicephorus Gregoras) contain the reign of Michael, at the time of whose death he was forty years of age. Instead of breaking, like his editor the Pere Poussin, his history into two parts, I follow Ducange and Cousin, who number the xiii. books in ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... fairy dale, with more cascades gushing out of rocks! and there- is a hermitage, so exactly like those in Sadeler's prints, on the brow of a shady mountain, stealing peeps into the glorious world below; and there is such a pretty well under a wood, like the Samaritan woman's in a picture of Nicol'o Poussin! and there is such a wood without the park, enjoying such a prospect! and there is such a mountain on t'other side of the park commanding all prospects, that I wore out my eyes with gazing, my feet ...
— The Letters of Horace Walpole, Volume 2 • Horace Walpole
... the art commonly called Renaissance, marked by a return to pagan systems, not to adopt them and hallow them for Christianity, but to rank itself under them as an imitator and pupil. In Painting it is headed by Giulio Romano and Nicolo Poussin; in ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... our art. Upon this principle the Roman, the Florentine, the Bolognese schools, have formed their practice; and by this they have deservedly obtained the highest praise. These are the three great schools of the world in the epic style. The best of the French school, Poussin, Le Sueur, and Le Brun, have formed themselves upon these models, and consequently may be said, though Frenchmen, to be a colony from the Roman school. Next to these, but in a very different style of excellence, we may rank the Venetian, together ...
— Seven Discourses on Art • Joshua Reynolds
... 'Melancholia' (same) Ingres ('Life of Ingres') Calamatta's Studio ('Contemporary Artists') Blanc's Debut as Art Critic (same) Delacroix's 'Bark of Dante' (same) Genesis of the 'Grammar' Moral Influence of Art ('Grammar of Painting and Engraving') Poussin's 'Shepherds of Arcadia' (same) Landscape (same) Style (same) Law of Proportion in ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... music who were natives of Italy, or for foreigners, celebrated for their excellence in those arts, who have died in Rome. Here are for instance, tablets to the memory of Metastasio, Rafael Mengs, Sacchini, Poussin, Winckelmann; the Phidias of modern days, the illustrious Canova, has recommended the placing in the Pantheon of the busts in marble of all the great men who have flourished in Italy, as the most appropriate ornament to ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... had examined the picture, the King observed that he understood the same subject had seldom been properly treated. Mr. West answered, that it was, indeed, surprising it should have been neglected by Poussin, who was so well qualified to have done it justice, and to whose genius it was in so many respects so well adapted. His Majesty then told the Queen the history of the picture before them, dwelling ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... is told of Poussin, the French painter, that when he was asked why he would not stay in Venice, he replied, 'If I stay here, I shall become a colourist!' A somewhat similar tale is reported of a fashionable English decorator. While on a visit to friends in Venice, he avoided ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... chance, otherwise, of being led far off the road, or into grievous faults, by some of the other great ones, as Michael Angelo, Raphael, and Rubens; and of being, besides, corrupted in taste by the base ones, as Murillo, Salvator, Claude, Gaspar Poussin, Teniers, and such others. You may look, however, for examples of evil, with safe universality of reprobation, being sure that everything you see is bad, at Domenichino, the Carracci, Bronzino, and the ...
— The Elements of Drawing - In Three Letters to Beginners • John Ruskin
... N. Poussin's celebrated picture, at the same place, of Rebecca at the Well, has the whole back-ground decorated ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 334 Saturday, October 4, 1828 • Various
... it into his head to go and copy a picture at the Louvre—an old master; in this he felt he could not go wrong. He obtained the necessary permission, bought a canvas six feet high, and sat himself before a picture by Nicolas Poussin, I think: a group of angelic women carrying another woman though ...
— The Martian • George Du Maurier
... find the Duke of Wellington is one also. West, Fuseli, Lawrence, Flaxman, and myself, are the only British artists belonging to St. Luke's as academicians. This institution is upwards of three hundred years standing. Raffaelle, the Caracci, Poussin, Guido, Titian, and every great master that we esteem, were members. I had the high gratification to see my name enrolled in the list of these illustrious characters. Now, my dear friend, as this ...
— Art in England - Notes and Studies • Dutton Cook
... chair, and his laughing face is looking out from the canvas, as if he were watching the effect of one of his own most brilliant and easy jokes. But Sir Joshua does not compare with Gainsborough in landscape; there the lover of Nature had the advantage over the lover of Poussin and Claude. The famous picture of Puck, which Lord Fitzwilliam lately bought at Mr. Rogers's sale for the extravagant sum of nine hundred and eighty guineas, is here for all eyes to see how far the imagination ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... man, whose wife is very amiable, and she and Sara are already on the most cordial terms; from all this you will conclude we are happy. By-the-bye, what a delightful poem, is Southey's 'Musings on a Landscape of Gaspar Poussin.' I love it almost better than his 'Hymn to the Penates.' In his volume of ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... of life, of thought, of spirit, of poetry,—a narrow belt. Moreover, in popular experience everything good is on the highway. A collector peeps into all the picture-shops of Europe for a landscape of Poussin, a crayon-sketch of Salvator; but the Transfiguration, the Last Judgment, the Communion of St. Jerome, and what are as transcendent as these, are on the walls of the Vatican, the Uffizii, or the Louvre, where every footman may ...
— Essays, Second Series • Ralph Waldo Emerson
... now." But Edith was not to be daunted by any fancies of incapacity, and set to work with utmost zeal to teach this great grown man the primer. She succeeded, and won his heart thereby. He wished to requite the raising him from the night of ignorance, as Howard and Nicholas Poussin did the kind ones who raised them from the night of the tomb, by the gift of his hand. Edith consented, on condition that she might still keep school. So he had his sister come to "keep things straight." Edith and he go out in the morning,—he to his ...
— Memoirs of Margaret Fuller Ossoli, Vol. II • Margaret Fuller Ossoli
... But at present the only motion and life is in the little brook Cherith, as it winds along among the roots of the great tree. The sublime, after all, is better expressed in the calmness, repose, and silence of the 'Elijah,' than in the tempests of Poussin or ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... country village, and had nothing but the life to study after) is said almost to have stood alone for this particular excellence. Guido, who made beauty his chief aim, was always at a loss about it. Poussin scarce ever obtained a glimpse of it, as is manifest by his many different attempts: indeed France hath not produced one remarkable ...
— The Mind of the Artist - Thoughts and Sayings of Painters and Sculptors on Their Art • Various |
