"Mozart" Quotes from Famous Books
 ... other which is an absolute synonym in sense, would ruin the best line in Lycidas, or injure terribly the noblest sentence of Webster, nobody knows. Curtis asks how Wendell Phillips did it, and answers his own question by asking you how Mozart ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... Mondiere in L'Homme, iv. p. 291, and Lamarck. Par un Groupe de Transformistes, p. 271. A somewhat parallel case is that of Mozart, who was buried at Vienna in the common ground of St. Marx, the exact position of his grave being unknown. There were no ceremonies at his grave, and even his friends followed him no farther than the city gates, owing to a violent ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... with success, and without evil consequences. That lies in the nature of music, which cannot be degraded. Let a hoarse, beery voice, chant slang words to a melody of Mozart, and the next time you hear the melody, it is as fresh and beautiful as if it had never been turned "to such vile purpose;" but it is not so with the beautiful creations of impassioned fancy. Fancy ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... Aladdin's palace, with all their jewels, in a single night. They are inexplicable by any scientific explanation, as inexplicable as genius itself. When have the hereditarians explained Shakespeare, Mozart, Turner? When has the science of the world explained the birth of a lyric of Burns, a song of Beethoven's, or a drawing of Raffaelle? Let these gentlemen veil their eyes, and confess their inability to explain the facts. For it ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... Gardens in 1739, was exhibited at the Royal Military Exhibition, London, in 1890. Owing to its faulty construction and weak rattling tone the double bassoon fell into disuse, in spite of the fact that the great composers Haydn, Mozart and Beethoven scored for it abundantly; the last used it in the C minor and choral symphonies and wrote an obbligato for it in Fidelio. It was restored to favour in England by Dr W. H. Stone. ...
— Encyclopaedia Britannica, 11th Edition, Volume 7, Slice 2 - "Constantine Pavlovich" to "Convention" • Various
... schools. Haydn introduced the variety and melody of the opera into the oratorio, of which his "Creation" is a standing proof. In the latter half of the foregoing century, sacred music has gradually yielded to the opera. Mozart brought the operatic style to perfection in the wonderful compositions that ...
— Germany from the Earliest Period Vol. 4 • Wolfgang Menzel, Trans. Mrs. George Horrocks
... in no time had us both laughing; I think the first air which he tortured to fit his unrhymed and unrhythmical words belonged once to Mozart, but I am not sure. It was made out of ...
— We Three • Gouverneur Morris
... is any truth underlying the belief that a name can in some measure foreshadow a child's future, then surely Wolfgang Mozart, who was born in Salzburg in 1756, came honestly by his heritage of greatness, for when he was only a day old he received the five-part name, to which was later added his confirmation name of Sigismundus. But as soon as he could choose ...
— Ten Boys from History • Kate Dickinson Sweetser
... on the world's stage "just in the nick of time," and almost immediately had to begin hewing out a path for himself. He was born in the workshop, as was Mozart, and learned music simultaneously with speaking. Stirring times they were in which he first saw the light, and so indeed continued with ever-increasing intensity, like a good drama, until nearly his end. The American ...
— Beethoven • George Alexander Fischer
... best in the classic spirit was absorbed and eagerly assimilated by him, and imparted to the work of his best day that rhythm, that gentle gravity, and that noble plenitude of form, which are its stamp, and proclaim him the brother of Mozart and of Sophocles." ...
— Frederic Lord Leighton - An Illustrated Record of His Life and Work • Ernest Rhys
... part in the development of the Parliamentary life of this country. So far as intellectual gifts are concerned, he is not, of course, to be named in the same breath with a man like Burke, for example; one might as well think of comparing Offenbach with Mozart or Handel. But the influence of the career of Pulteney on the English Parliament is nevertheless more distinctly marked than the influence of the career of Burke. We are speaking now not of political thought—no man ever ...
— A History of the Four Georges, Volume I (of 4) • Justin McCarthy
... 10th of April, 1764, the family arrived in England, and remained there until the middle of the following year. Leopold Mozart fell ill of a dangerous sore throat during his stay, and as no practising could go forward in the house at that time, his son employed himself in writing his first sinfonia. It was scored with all the instruments, not omitting drums and trumpets. ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 395, Saturday, October 24, 1829. • Various
... corrected his prose works, resumed and finished the tragedy of Torrismond, which he had begun some years before, corresponded with princes, and completed and published a narrative poem left unfinished by his father. Torquato was as loving a son as Mozart or Montaigne. Whenever he had a glimpse of felicity, he appears to have associated the idea of it with that of his father. In the conclusion of his fragment, "O del grand' Apennino," he affectingly begs pardon ...
— Stories from the Italian Poets: With Lives of the Writers, Vol. 2 • Leigh Hunt
... was winning great sums at play; his luck at play had saved him several unpleasant steps already; and often a wild hope sent him to the Salon des Etrangers only to lose his winnings afterwards at whist at the club. His life for the past two months had been like the immortal finale of Mozart's Don Giovanni; and of a truth, if a young man has come to such a plight as Victurnien's, that finale is enough to make him shudder. Can anything better prove the enormous power of music than that sublime rendering of the disorder and confusion arising ...
— The Collection of Antiquities • Honore de Balzac
... it at once—when to my—what shall I call it?—not amazement, for the delight was too strong for amazement—the old organ woke up and began to think aloud. As if it had been brooding over it all the week in the wonderful convolutions of its wooden brain, it began to sigh out the Agnus Dei of Mozart's twelfth mass upon the air of the still church, which lay swept and garnished for the Sunday.—How could it be? I know now; and I guessed then; and my guess was right; and my reader must be content to guess too. I took no step to verify ...
— Annals of a Quiet Neighbourhood • George MacDonald
... the most flying wits must have three wings—art, meditation, exercise. Genius is in the instinct of flight. A boy came to Mozart, wishing to compose something, and inquiring the way to begin. Mozart told him to wait. "You composed much earlier?" "But asked nothing about it," replied the musician. Cowper expressed the same sentiment to a friend: "Nature gives ...
— Chambers's Edinburgh Journal, No. 433 - Volume 17, New Series, April 17, 1852 • Various
... now that she had the drawing-room all to herself, and no fear of Lady Maulevrier's critical ear or Lesbia's superior smile. The Fraeulein was pleased to hear her pupil ramble on with her favourite bits from Raff, and Hensel, and Schubert, and Mendelssohn, and Mozart, and was very well content to let her play just what she liked, and to escape the trouble of training her to that exquisite perfection into which Lady Lesbia had been drilled. Lesbia was not a genius, and the training ...
— Phantom Fortune, A Novel • M. E. Braddon
... celebrated comedy of "Figaro," an abridgment of which has been rendered more famous by the music of Mozart, made a large fortune by supplying the American republicans with arms and ammunition, and lost it by speculations in salt and printing. His comedy is one of those productions which are accounted dangerous, ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... results. The Greek poet AEschylus counted eight poets and four musicians among his ancestors. The greater part of the celebrated sculptors of ancient Greece descended from a family of sculptors. The same is true of the great painters. The sister of Mozart shared the musical talent of her brother. As there are reasons, to be detailed hereafter, for believing that the influence of the mother is even greater than that of the father, how vastly would the offspring be improved if distinguished men united themselves in marriage to distinguished women ...
— The Physical Life of Woman: - Advice to the Maiden, Wife and Mother • Dr. George H Napheys
... of the eighteenth century. He wrote vocal and instrumental pieces both for the church and for the theatre. He was also a learned historian of music. He has the merit of having discerned and encouraged the genius of Mozart when, a boy of fourteen, he visited Bologna in 1770.] motets, which, she knew, Krespel in the heyday of his courtship had never grown tired of hearing her mother sing. The tears ran in streams down Krespel's cheeks; even Angela he had never heard ...
— Stories by Foreign Authors: German • Various
... yes, my friend. And in my scarf— For 'tis a thing looks well upon a lover— I'll wear a dainty eaglet for a pin. There's music!—Now, O Caesar's son, you're but Mozart's Don Juan! Nay, not even Mozart's! Strauss's! I'll waltz; for now I must become Charming and useless: Austrian ...
— L'Aiglon • Edmond Rostand
... Vinci is one of the most famous men in history—as a man more famous than Michelangelo or Shakespeare or Mozart—because posterity has elected him the member for the Renaissance. Most great artists live in what they did, and by that we know them; but what Leonardo did gets much of its life from what he was, or rather from what he is to us. Of all great men ...
— Essays on Art • A. Clutton-Brock
... University. The catalogue shows an enrollment of 475. There has been marked growth in the numbers in the Department of Music. Students begin to seek the University for instruction in this department alone. During the year the Mozart Society rendered the oratorio of "Elijah," both in the city and at the University, with ...
— American Missionary, August, 1888, (Vol. XLII, No. 8) • Various
... After critical perspective has been attained, it may be seen that the majority of composers fall into this category not a consoling notion, but an unavoidable. Richard Wagner has his epigones; the same is the case with Haydn, Mozart, Beethoven. Mendelssohn was a delightful feminine variation on Bach, and after ...
— Ivory Apes and Peacocks • James Huneker
... to draw as soon as it can hold a pencil; the Mozart who breaks out into music as early; the boy Bidder who worked out the most complicated sums without learning arithmetic; the boy Pascal who evolved Euclid out of his own consciousness: all these may be said ...
— Hume - (English Men of Letters Series) • T.H. Huxley
... of such a spirit would be fittingly commemorated by the grand marches of Chopin and Beethoven, or the majestic requiems of Mozart, rather than by our simple words. And yet they are our hearts' testimony to her in whose name we are assembled and, let us hope, made worthy. To us who believe that life reels not back from the white charger of Death towards the gulf of ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... by Mozart, was performed at the Karnthnerthor Theatre to-night, and this favorite opera of the Viennese had attracted so large an audience that not a seat was vacant, and the baron had to elbow his way with no little difficulty through the crowd filling the pit, in order to reach ...
— Andreas Hofer • Lousia Muhlbach
... or as nothing." It may be doubted whether his general proposition is at all true, and whether it is any more the essential business of a poet to be a teacher than it was the business of Handel, Beethoven, or Mozart. They attune the soul to high states of feeling; the direct lesson is often as nought. But of himself no view could be more sound. He is a teacher, or he is nothing. "To console the afflicted; to add sunshine ...
— Studies in Literature • John Morley
... collection aiming at instruction than at pleasure, and the Wisdom which comes through Pleasure:—within each book the pieces have therefore been arranged in gradations of feeling or subject. The development of the symphonies of Mozart and Beethoven has been here thought of as a model, and nothing placed without careful consideration. And it is hoped that the contents of this Anthology will thus be found to present a certain unity, "as episodes," in the noble language of Shelley, ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... with an unimpaired figure. You have also the gratification of knowing that you have carried out a theory of mine that every man of genius has a critical illness at 40, Nature's object being to make him go to bed for several months. Sometimes Nature overdoes it: Schiller and Mozart died. Goethe survived, though he very nearly followed Schiller into the shades. I did the thing myself quite handsomely by spending eighteen months on crutches, having two surgical operations, and breaking my ...
— Gilbert Keith Chesterton • Maisie Ward
... In its place among the mountains on both sides of the gray-green river it was full of romance to him, romance colored all the more deeply by memory. Off there among those peaks the Arrow had first come for him and Lannes, while here the great Mozart had been born and lay buried. In remoter days Huns had swept through these passes, coming from Asian deserts to the ...
— The Hosts of the Air • Joseph A. Altsheler
... I must bear my eternal nickname. Was not the maid now present whose dower had been hatched by those well-omened fowls? and was not the dower now coming to use? Hohenfels paired off with the notary, and discussed with that parchment person the music of Mozart, and, what would have been absurd and incredible in any Anglo-Saxon country, the scribe ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... He changed his riding-clothes for the evening dress of modern civilization, and went at once to the drawing-room. Here all was luxury, nothing to suggest the privations of a new country. A thick red carpet covered the floor, red arras the walls; the music of Mozart and Beethoven was on the grand piano. The furniture was rich and comfortable, the large carved table was covered with French ...
— The Doomswoman - An Historical Romance of Old California • Gertrude Franklin Horn Atherton
... them. Staring into the stilly radiance of the early evening and at the little gold and white flowers on the lawn, a thought came to him: This weather was like the music of 'Orfeo,' which he had recently heard at Covent Garden. A beautiful opera, not like Meyerbeer, nor even quite Mozart, but, in its way, perhaps even more lovely; something classical and of the Golden Age about it, chaste and mellow, and the Ravogli 'almost worthy of the old days'—highest praise he could bestow. The yearning of Orpheus for the beauty he was losing, for his love going down to Hades, as in life ...
— Forsyte Saga • John Galsworthy
... this, together with a difference in the quality of expression between the two arts. "Who that has heard a strain of music feared lest he would speak extravagantly forever," says Thoreau. Perhaps music is the art of speaking extravagantly. Herbert Spencer says that some men, as for instance Mozart, are so peculiarly sensitive to emotion ... that music is to them but a continuation not only of the expression but of the actual emotion, though the theory of some more modern thinkers in the philosophy ...
— Essays Before a Sonata • Charles Ives
... of his face was so far buried in it that his features were almost hidden. Then, during the entire journey, seated at the end of the tramcar he had kept his back turned on the other passenger: he seemed to be absorbed in watching the movements of the driver. At the end of the rue Mozart, where the rues La Fontaine, Poussin, des Perchamps meet, he had quitted the ...
— Messengers of Evil - Being a Further Account of the Lures and Devices of Fantomas • Pierre Souvestre
... Christian religion all that was pure, and rejected all that was foul. It was the light of such sovereign souls as Joan of Arc and Francis of Assisi that saved Christianity from darkness and the pit; and how much does that religion owe to the genius of Wyclif and Tyndale, of Milton and Handel, of Mozart and Thomas a Kempis, of Michael Angelo and Rafael, and the compilers of ...
— God and my Neighbour • Robert Blatchford
... artisan or shopkeeper understands and appreciates good music, as he understands and appreciates good beer. You cannot impose upon him with an inferior article. A music-hall audience in Munich are very particular as to how their beloved Wagner is rendered, and the trifles from Mozart and Haydn that they love to take in with their sausages and salad, and which, when performed to their satisfaction, they will thunderously applaud, must not be taken liberties with, or they will ...
— Diary of a Pilgrimage • Jerome K. Jerome
... those odes, symphonies, operas, I hear in the William Tell the music of an arous'd and angry people, I hear Meyerbeer's Huguenots, the Prophet, or Robert, Gounod's Faust, or Mozart's Don Juan. ...
— Leaves of Grass • Walt Whitman
... Germany, that was once covered with a close net of railway and canals, the region where Luther spoke, where Goethe sang, and Mozart once held the sceptre of harmony. Great names shine there, in science and in art, names that are unknown to us. One day devoted to seeing Germany, and one for the North, the country of Oersted and Linnaeus, and for Norway, the land of the old heroes and the young Normans. ...
— Fairy Tales of Hans Christian Andersen • Hans Christian Andersen
... source of life.—Agriculture is not the sordid thing that our dull eyes and hearts would make it appear. In it we shall find the romance of a Victor Hugo, the poetry of a Shelley or a Shakespeare, the music of a Mozart, the eloquence of a Demosthenes, and the painting of a Raphael, when we are able to interpret its real relation to life. When the morning stars sang together they were celebrating the birth of agriculture, but man became bewildered in the mazes of commercialism and forgot the music of the stars. ...
— The Vitalized School • Francis B. Pearson
... art? Then those glaciers of Switzerland, that grand, unapproachable mixture of beauty and sublimity in her mountains!—what would it be to one who could see it? Then what were all those harmonies of which she read,—masses, fugues, symphonies? Oh, could she once hear the Miserere of Mozart, just to know what music was like! And the cathedrals, what were they? How wonderful they must be, with their forests of arches, many-colored as autumn-woods with painted glass, and the chants and anthems ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... the telephone, and with a glad cry of thanksgiving Mrs. Shinevonboodle ran in the house and began to beat Mozart ...
— Skiddoo! • Hugh McHugh
... compelled to give them up—they bored him too much. Nor was he more successful with the other great composers; Haydn, for instance, was a sort of Horace, an agreeable, facile man of the world, while Mozart, who must have loved Handel, for he wrote additional accompaniments to the Messiah, failed to move him. It was not that he disputed the greatness of these composers, but he was out of sympathy with them, and never could forgive the last two for having led music astray from the Handel ...
— The Humour of Homer and Other Essays • Samuel Butler
... impresarios, with the good-natured Gosche, heralding a troupe of all the stars, D'Angri, Hinckley, Kellogg, Brignoli, Susini, and all the rest, including divers new singing birds. Maretzek has led, and we have had a range from Mozart to Verdi, which was, on the whole, well-chosen. We have had Brignoli singing, if possible, better, and acting, if possible, worse than usual—a nightingale imprisoned in a pump; Mme. D'Angri, with her embonpoint voice, ...
— Continental Monthly, Vol. I, No. V, May, 1862 - Devoted To Literature And National Policy • Various
... carriages were sent out to the city gates for the Empress and her suite, but Josephine did not get into any of them; she kept on her travelling dress. This did not mar the brilliancy of the entrance, which was conspicuous for universal joy. December 7, she went to the theatre, where Mozart's Don Juan was given, and she was greeted with sound of trumpets and the applause ...
— The Court of the Empress Josephine • Imbert de Saint-Amand
... genius? Where did Mozart get his music? Whose hand smote the lyre of the Scottish plowman? and stayed the life of the German priest? God alone; and, so surely as these were raised up by God, inspired by God was Abraham Lincoln, and, a thousand years hence, no story, no tragedy, no epic poem ...
— Our American Holidays: Lincoln's Birthday • Various
... philosophers, and performed the quaint achievement of pirating Figaro for the English stage. No printed copy was obtainable, and Holcroft contrived to commit the whole play to memory by attending ten performances, much as Mozart had pirated the ancient exclusive music of St. Peter's in Rome. He was at this period a thriving literary craftsman, and the author of a series of popular plays in which the critics of the time had just begun to note and ...
— Shelley, Godwin and Their Circle • H. N. Brailsford
... him, and his travels through Europe had been one long success. Yet it scarcely seemed possible that a boy of fourteen could know so much about music as this one was said to. That was why the learned men of Bologna had gathered together this afternoon. They were going to test Wolfgang Amadeus Mozart's skill. ...
— Historic Boyhoods • Rupert Sargent Holland
... of men who can bear ill fortune better than good fortune." During this time of distress, which was a repetition of his dark days in Berlin in 1807-8, he displayed a remarkable activity in his usual pursuits. His criticism of Don Juan, and exposition of the problem of Mozart's great opera, for which Hoffmann cherished a profound and almost extravagant admiration, owes its origin to this period.[21] An anecdote in relation to this will also illustrate his true passionate admiration ...
— Weird Tales, Vol. II. • E. T. A. Hoffmann
... February, 1799. As his name indicates, he was of German descent; but his family had resided so many years in French Switzerland that he could no longer be claimed by the land of Schiller and Goethe, though it was said that one of his most distinctive literary characteristics was like that of Mozart in music,—that he blended the deep, warm feeling of Germany with the light and elegant graces of ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... obliged to you," returns Mr. Bucket, squeezing his hand. "You're a friend in need. A good tone, mind you! My friend is a regular dab at it. Ecod, he saws away at Mozart and Handel and the rest of the big-wigs like a thorough workman. And you needn't," says Mr. Bucket in a considerate and private voice, "you needn't commit yourself to too low a figure, governor. I don't want to pay too large a price for my friend, but I want you to have ...
— Bleak House • Charles Dickens
... bachelor—of arts, And parts, and hearts: he danced and sung, and had An air as sentimental as Mozart's Softest of melodies; and could be sad Or cheerful, without any 'flaws or starts,' Just at the proper time; and though a lad, Had seen the world—which is a curious sight, And very much unlike ...
— Don Juan • Lord Byron
... wonder whether any such persons as Italian composers, French composers, and English composers had ever existed. The music offered to the English public was music of exclusively German (and for the most part modern German) origin. Carmina held the opinion—in common with Mozart and Rossini, as well as other people—that music without melody is not music at all. ...
— Heart and Science - A Story of the Present Time • Wilkie Collins
... moments as though they were gold. He educated himself and did much of his best work during his spare moments. He learned arithmetic during the night shifts when he was an engineer. Mozart would not allow a moment to slip by unimproved. He would not stop his work long enough to sleep, and would sometimes write two whole nights and a day without intermission. He wrote his famous ...
— Pushing to the Front • Orison Swett Marden
... been born the same year, spoke of him with sincere admiration, and called him the giant of music. Haydn wrote: "Whoever understands me knows that I owe much to Sebastian Bach, that I have studied him thoroughly and well, and that I acknowledge him only as my model." Mozart's unceasing research brought to light many of his unpublished manuscripts, and helped Germany to a full appreciation of this great master. In like manner have the other luminaries of music placed on record their sense of obligation to one whose name is obscure to the general public in comparison ...
— The Great German Composers • George T. Ferris
... this, the twilight deepening until only the glow of the fire lighted the room. Edith went to the piano and played a bit of Mozart, wandering off then into the hymn-tunes which she loved and which were familiar in all orthodox homes of the last generation: plaintive Olmutz and stately Geneva, aspiring Amsterdam and resonant St. ...
— The Pagans • Arlo Bates
... 2 to 4. President, the Earl of Aylesford. The "Messiah" was given for the first time here with Mozart's accompaniments; part of the "Creation" &c. Mr. Thomas Vaughan was among the singers (and he took part in every Festival until 1840), and Signor Domenico Dragonetti (double bass) and the Brothers Petrules (horn ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... hurry-skurry music, which means nothing, and leaves no trace behind it either on the fancy or the memory. Must it be ever thus? are Paesiello, and Pergolesi, and Cimarosa—and those divine German masters, who formed themselves on the Italian school and surpassed it—Winter and Mozart[X] and Gluck—are they eternally banished? must sense and feeling be for ever sacrificed to mere sound, the human organ degraded into a mere instrument,[Y] and the ear tickled with novelty and meretricious ornament, till the taste ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... authority. This we deny. Inspiration is not infallibility, but inspiration is authority. The inspired man is always an authority. Phidias and Michael Angelo are authorities in sculpture; Titian and Rafaelle are authorities in painting; Mozart and Beethoven in music; and Paul, ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... was intense feeling, but no declamation, no passionate appeal, no superficial and feigned emotion. It was simple colloquy—a gentleman conversing. Unconsciously and surely the ear and heart were charmed. How was it done?—Ah! how did Mozart do it, how Raffael? ...
— Successful Methods of Public Speaking • Grenville Kleiser
... the exploits of the ancient Greeks and Romans or making Napoleon fight his battles over again for us. They bore the marks of thoughtful and accurate study. After the conferring of the degrees, the audience rose while the Mozart Society rendered the Hallelujah Chorus. What a debt of gratitude we owe to Handel for giving us that Chorus! General Fisk used to say that there were glories and hallelujahs and amens enough in it to make several rousing ...
— American Missionary, Volume 50, No. 8, August, 1896 • Various
... perceive that they were composed for inflexible and unwieldy voices, possessing a large and heavy volume of tone, but incapable of executing any but simple passages, constructed according to an ascertained routine of intervals. Lord Mount-Edgcumbe truly conjectured, that Mozart was led to make the bass so prominent a part in the Don Giovanni and Le Nozze di Figaro, by writing for a particular singer. The part of Figaro was, in fact, composed for Benucci. The sparkling brilliancy of Rossini would perhaps never have been so fully developed, had not the skill ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... and as it was lighthearted, even gay in character, melodious and tripping, Ringfield thought it must be of operatic origin, but found later on to his intense surprise that it was a transcription of Mozart's Twelfth Mass, interpreted by Alexis Gagnon, the undertaker, as first violin, his eldest son, second violin, Francois Xavier Tremblay, one of the beneficiaries, on the cornet, and Adolphe Trudel, a little hunchback, on ...
— Ringfield - A Novel • Susie Frances Harrison
... world, where the zephyrs fan your cheek like a benediction and the brooks tinkle through the gracious landscape and melody is on every bough and joy and peace are all about you—the idyllic world where the marvellous child, Mozart, reigns like an enchanter. What though the tale of The Magic Flute is foolish beyond words. Who cares for the tale? Who thinks of the tale? It is only the wand in the hand of the magician. Though it be but a broomstick, it will open all the magic casements of earth ...
— Pebbles on the Shore • Alpha of the Plough (Alfred George Gardiner)
... wrinkled, good-humored face, "by your behavior yesterday in chapel." And yet we did not laugh and talk as we used at college, but were profoundly affected by the scene that we saw there. It was a fete-day: a mass of Mozart was sung in the evening—not well sung, and yet so exquisitely tender and melodious, that it brought tears into our eyes. There were not above twenty people in the church: all, save three or four, were women in long black cloaks. I took them for nuns at first. They were, however, the common people ...
— Little Travels and Roadside Sketches • William Makepeace Thackeray
... very true, as you say, Madame, that actions prove nothing. This thought is striking in an episode in the life of Don Juan, which was known neither to Moliere nor to Mozart, but which is revealed in an English legend, a knowledge of which I owe to my friend James Russell Lowell of London. One learns from it that the great seducer lost his time with three women. One was a bourgeoise: she was in love with her ...
— The Red Lily, Complete • Anatole France
... Statue. In the familiar story of Don Juan, where the audacious rake accepts the Commander's invitation to supper. For treatments of this theme, see Moliere's play Don Juan, or Mozart's opera Don Giovanni; see also Bernard Shaw's paradoxical play, Man and Superman.... We have something else in hand, thank God, and let him knock. It is possible that Stevenson's words here are an unconscious reminiscence of Colley Cibber's letter to the novelist Richardson. This ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... poignancy, and clarity, he envelops us with the thrilling atmosphere of the most absolutely musical music in the world. The playing of this concerto is the greatest thing I have ever heard Pachmann do, but when he went on to play Mozart I heard another only less beautiful world of sound rise softly about me. There was the "glittering peace" undimmed, and there was the nervous spring, the diamond hardness, as well as the glowing light and ardent sweetness. Yet another manner of playing, not less appropriate to its subject, ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... school. Here in the Hague Gallery is Paul Potter's pale, eager face, and yonder is the magnificent work by which the young fellow achieved his fame. How did you, so young, come to paint so well? What hidden power lay in that weakly lad that enabled him to achieve such a wonderful victory? Could little Mozart, when he was five years old, tell you how he came to play those wonderful sonatas? Potter was gone out of the world before he was thirty, but left this prodigy (and I know not how many more specimens of his genius and skill) behind him. The details of this admirable picture are as curious ...
— Roundabout Papers • William Makepeace Thackeray
... somewhat analogous to a painter when he has completed his picture, a writer his book, an architect his house, or even a mechanic his machine. An interesting example of a musician constructing a thought-picture is given by Mozart himself: ...
— Science and the Infinite - or Through a Window in the Blank Wall • Sydney T. Klein
... there with no particular reason. Thus the effort of memorizing is considerable, for I must always bear in mind that this C major chord has a C sharp in it, or that such and such a chord is changed into a most unusual one. One cannot predict whether the boy will develop further. As you say, Mozart was an infant prodigy, but if we judge from the first little compositions that have been preserved, he began very simply and worked up, whereas Korngold begins at Richard Strauss. His compositions are full of the ...
— Piano Mastery - Talks with Master Pianists and Teachers • Harriette Brower
... There is a great deal of truly religious music, austere in tone, breathing restraint and reverence, quietly written. The anthems of Palestrina, Anerio, Viadana, Vittoria among the Italians; of Bach, Haydn, Handel, Mozart among the Germans; and of Tallis, Gibbons and Purcell among the English, are all of the truly devout order. Yet how seldom are the works of such men heard in our churches, even where they employ professional singers at substantial salaries. We are everywhere now trying to give our churches splendid ...
— Preaching and Paganism • Albert Parker Fitch
... Sardou had undergone similar experiences. As a medium he wrote descriptions of divers planets in our system, principally of Jupiter, and drew very odd pictures, representing the habitations of that planet. One of these pictures depicted the house of Mozart, while others represented the dwellings of Zoroaster and of Bernard Palissy, who seemed to be country neighbors in that immense planet. These habitations appeared to be aerial and of marvellous lightness. The first of them, ...
— The Arena - Volume 4, No. 19, June, 1891 • Various
... long time. Listen then! I brought with me hither the two last cantos of 'Oniegin,' ready for the press, a tale in octaves, (the Little House in the Kolomora,) number of dramatic scenes—'The Stingy Knight,' 'Mozart and Salieri,' 'The Feast in the Time of the Plague,' and 'Don Juan.' Besides this, I have written about thirty small pieces of poetry. I have not done yet; I have written in prose (this is a great secret) five tales," (Ivan Bielkin's Stories.) ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... few, float on it. In Germany everybody sings, almost everybody plays some instrument, and from the youngest to the oldest everybody understands music; at least that is the impression you carry away with you from the land of Bach, Handel, Haydn, Mozart, and Brahms, and Beethoven, and Wagner, and I might fill the page with ...
— Germany and the Germans - From an American Point of View (1913) • Price Collier
... it has a pyramidal form. In Mozart, Viotti, Turnsteg, Dussek, and Crescenti, where it is distinguished by a fullness and roundness of the ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 20, Issue 558, July 21, 1832 • Various
... requires being educated up to it in order to fully appreciate the "Noh." The ordinary Japanese would probably just as much fail to comprehend or like it as would the Englishman from Mile End, were he taken to Covent Garden, and invited to go into raptures over one of Mozart's or Meyerbeer's masterpieces. A performance of the "Noh" would probably interest those who find excitement in a representation of "Oedipus Tyrannus," or some Greek play. Still, the "Noh" is appreciated by a large number of the intellectual classes in Japan, who find an interest in the representation ...
— The Empire of the East • H. B. Montgomery
... offended by the Cockney twang: I keep out of hearing of it and speak and listen to Italian. I find Beethoven's music coarse and restless, and Wagner's senseless and detestable. I do not listen to them. I listen to Cimarosa, to Pergolesi, to Gluck and Mozart. Nothing simpler, sir. ...
— Fanny's First Play • George Bernard Shaw
... composer of Artaxerxes. Bishop, who has identified himself with almost every thing valuable in modern composition, is well known, as are also his works. It would be impossible to omit the name of Handel, the great thorough bass of musical composition, to whom Mozart confessed that every subsequent composer had been signally indebted. He is, by adoption and patronage, the property of the English school. It may not be unacceptable to add, that he composed, besides his other numerous works, one hundred and fifty-eight pieces, of which thirteen were ...
— The Mirror of Literature, Amusement, and Instruction - Vol. XVII. No. 473., Saturday, January 29, 1831 • Various
... authentic edition of Mozart's Letters ought to require no special apology; for, though their essential substance has already been made known by quotations from biographies by Nissen, Jahn, and myself, taken from the originals, still in ...
— The Letters of Wolfgang Amadeus Mozart, V.1. • Wolfgang Amadeus Mozart
... looms out in the uncertain twilight! I neither play nor sing, yet I own a piano. It is a comfort to me to look at it, and to feel that the music is there, although I am not able to break the spell that binds it. It is pleasant to know that Bellini and Mozart, Cimarosa, Porpora, Glueck and all such,—or at least their souls,—sleep in that unwieldy case. There lie embalmed, as it were, all operas, sonatas, oratorios, nocturnos, marches, songs and dances, that ever climbed ...
— Masterpieces of Mystery - Riddle Stories • Various
... his madness, to which he may give his leisure and his thoughtful hours. Let it grow upon him, until it becomes a strong, controlling, natural element, as Mozart grew into music and Haydon into painting, and is ingrained into his very habit and method of life; for it is only thus and then he becomes a master, fitted to lead the van in the world's march. Only, let it be a praise-worthy madness, ...
— The Continental Monthly, Vol. 6, No. 6, December 1864 - Devoted To Literature And National Policy • Various
... and so does Tante, evidently," Karen continued, "about the tempo rubato in the Mozart. It is strange that Monsieur Ivanowski ...
— Tante • Anne Douglas Sedgwick
... hastily putting the instrument to rest in a too closely fitting case being often sufficient. Sometimes, on the reverse, it is from being in too large a one, getting well shaken while being taken home after some orchestral rehearsal; the joy of having mastered Mozart or battered Beethoven for an evening is turned in the morning to grief and vexation, when in response to the gentle persuasions of the bow there are but chatters and jarrings. Under such circumstances the treatment administered by ...
— The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... prince saw Mozart's Figaro announced for performance at Drury Lane, and looked forward to hearing once more the sweet harmonies of his Vaterland. 'What, then, was my astonishment,' he exclaims, in justifiable indignation, 'at the unheard-of treatment ...
— Little Memoirs of the Nineteenth Century • George Paston
... fretful or peevish cry cannot by any efforts make itself impassioned. The cry of impatience, of hunger, of irritation, of reproach, of alarm, are all different—different as a chorus of Beethoven from a chorus of Mozart. But if ever you saw an infant suffering for an hour, as sometimes the healthiest does, under some attack of the stomach, which has the tiger-grasp of the Oriental cholera, then you will hear moans that address to their mothers an anguish of supplication for aid ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... The Mozart was like an idyll after a farcical melodrama. They played it with an astounding delicacy. Through the latter half of the movement I could hear Mr Brindley breathing regularly and heavily through his nose, exactly as though he ...
— The Grim Smile of the Five Towns • Arnold Bennett
... squires; there exists a Germany pharisaic and iniquitous, the Germany of all the unintelligible pedants whose empty lucubrations and microscopic researches have been so unduly vaunted. But these two Germanies are not the great Germany, that of the artists, the poets, the thinkers, that of Bach, Mozart, Beethoven, Goethe, Schiller, Heine, Leibnitz, Kant, Hegel, Liebig. This latter Germany is good, generous, humane, pacific; it finds expression in the touching phrase of Goethe, who when asked to write against us replied that he could not find it in ...
— The European Anarchy • G. Lowes Dickinson
... good backgrounds. Their cost is $1.25 a yard, and width fifty inches. With this as a foundation many schemes may be carried out. Bas-relief heads in plaster can be swung on it without injuring the wood of the piano. Medallions of Beethoven, Mozart or Wagner can be purchased for $1 each. A long panel of cherubs goes well, or a line of Delft ...
— Social Life - or, The Manners and Customs of Polite Society • Maud C. Cooke
... little book of dilettante criticism, "A Ramble among the Musicians in Germany." He latterly contributed to the "Musical Times" a whole series of masterly essays and analyses upon the Masses of Haydn, Mozart, and Beethoven. But the work upon which his reputation will rest was a "Life of Mozart," which was purchased by Chapman ...
— Atlantic Monthly Volume 7, No. 39, January, 1861 • Various
... recommand his hotel to the Three Allied, situated vis—vis of the birth house of Mozart, which offers all comforts ...
— Literary Blunders • Henry B. Wheatley
... on the eastern side was occupied for many years by the artistic family of the Lawsons. Thomas Attwood, a pupil of Mozart and himself a great composer, died there in 1838. The house had formerly a magnificent garden, to the mulberries of which Hazlitt makes allusion in one of his essays. No. 18 was the home of the famous Don ...
— Chelsea - The Fascination of London • G. E. (Geraldine Edith) Mitton
... mathematics is akin to music, it will be enough to say that when he was fifteen a friend's piano was left in his grandmother's house, and, without a master, the boy soon learned its secrets well enough to play such works as Mozart's Twelfth Mass. Later in life Mr. Fiske studied the science of music. He has printed many musical criticisms, and has himself composed a ...
— The War of Independence • John Fiske
... it is—the less variation in tempo should there be in its rendition, for in this type of music the expression is primarily intellectual. Such instrumental works (of which certain compositions of Bach and Mozart are typical) must not be played sentimentally, as a modern English writer has remarked, and yet they must be played with sentiment. The remarks of this same author may well be quoted ...
— Essentials in Conducting • Karl Wilson Gehrkens
... political vice, or political immorality is ever capable of becoming. Like all other vice, however, it based its reasonings and supposititious strength exclusively on its powers of deception, in conjunction with the iniquitous aptitudes of itself and its coadjutors. It found co-plotters in Mozart Hall, in the stockholders of the African Slave-trade Association, scattered from Maine to Texas, and in its suborned press in New-York, Baltimore, Charleston, and New-Orleans. It had bargained with the politically vitiated portion of the ...
— Continental Monthly, Vol. II. July, 1862. No. 1. • Various
... anxious pride and the daughter's triumph. I felt, as I listened, the truth of what Vieuxtemps said the first time he heard her, "That is the traditional voice for which the ages have waited and longed." When, on one occasion, Mrs. Moulton sang a song of Mozart's to Auber's accompaniment, someone present asked, "What could be added to make this more complete?" Auber looked up to heaven, and, with a sweet smile, said, "Nothing but that Mozart should have been here to listen." Looking and listening, "Here," thought I, "is another jewel in the ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... tune just as natural as if he was an educated musician. Positive truth; and he beat time with his tail. He don't crow like any other rooster. Every morning he works off selections from Beethoven and Mozart and those people, and on Sundays he frequently lets himself out on hymn-tunes. I've known him to set on that fence for more'n an hour at a time practicing the scales, and he nearly kicked another rooster to death one day because that rooster crowed flat. I saw him do ...
— Elbow-Room - A Novel Without a Plot • Charles Heber Clark (AKA Max Adeler)
... sometimes is by careless artists who pay little attention to the verbal significance of what they are singing, it would sound absurd, because the poetic phrasing is entirely ignored. The correct way of performing the passage (from the aria "Voi che sapete," in Act II of Mozart's Nozze di ...
— Style in Singing • W. E. Haslam
... a minuet by Mozart; then the Cesar Franck sonata; and when he came back to make his bow, he was holding in his hand a Gloire de Dijon and a La France rose. Involuntarily, Gyp raised her hand to her own roses. His eyes met hers; ...
— Forsyte Saga • John Galsworthy
... the despised piano put a curb on the doctor. She began a Mass of Mozart's, without the usual preliminary rattle of the keys, as of a crier announcing a performance, straight to her task, for which Rosamund thanked her, liking that kind of composed simplicity: she thanked her more for cutting short the doctor's fanatical ...
— The Shaving of Shagpat • George Meredith
... to have his part in his hands except while he is actually performing it. In the course of a year the same piece may be sung several times, and the old choristers may become acquainted with a good deal of music in this way, but never otherwise. Mozart is reported to have learned Allegri's Miserere by ear, and to have written it down from memory. The other famous Misereres, which are now published, were pirated in a similar way. The choir master of that day was very unpopular. Some of the leading singers who had sung the ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... been practically impossible to find accurate data about the works of the older composers,—Haydn, Mozart and others, for while there are many programs in which their names are mentioned the work played is seldom specified (see Mr. O. G. Sonneck's "Early Concert-Life in America"), and one must wait until the period ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... about to sing? Then we shall all have a treat, for let me tell you, Lady Olivia, that my young friend possesses the voice of an angel, and the knowledge how to use it properly. Now, what is it to be? Tschaikowski, Beethoven, Schubert, Brahms, Handel, Mozart? Ah, here is something that will suit your voice, little one, 'Caro mio ben!' by Giuseppe Giordani— quaint, delicate, old-fashioned. Come, I will play your accompaniment for you." And, taking the girl's hand, von Schalckenberg, who was an accomplished as well as an enthusiastic musician, ...
— With Airship and Submarine - A Tale of Adventure • Harry Collingwood
... music entered into everyday life, never again to be separated from it. Thus music has remained in favor, and we are continually hearing executed the works of Bach, of Haendel, of Hayden, of Mozart and of Beethoven. How are such works executed? Are they executed as they should be? That is ...
— On the Execution of Music, and Principally of Ancient Music • Camille Saint-Saens
... jargon learned from the superficial reading of modern books of science, M. Figuier maintains that human souls are for the most part the surviving souls of deceased animals; in general, the souls of precocious musical children like Mozart come from nightingales, while the souls of great architects have passed into them from ...
— Myths and Myth-Makers - Old Tales and Superstitions Interpreted by Comparative Mythology • John Fiske
... other. Even in "Septimius" we can discern Hawthorne standing upon the wayside hill-top, and, through the turbid medium of the unhappy hero, tenderly diffusing the essence of his own concluding thoughts on art and existence. Like Mozart, writing what he felt to be a requiem for his own death, like Mozart, too, throwing down the pen in midmost of the melody, leaving the strain unfinished, he labors on, prescient of the overhanging doom. Genial and tender at times, amidst their sadness, ...
— A Study Of Hawthorne • George Parsons Lathrop
... congregation of the day, but to mankind in general, and to every future age. With those long, heart-drawn, lingering, slow-expiring tones, solemn as a cathedral chant, the whole of this sacred piece of service (for we can call it nothing else) was to us like some mournful oratorio by Mozart, soft at once and sublime. Some might be disappointed that they heard nothing on this occasion of the varied play of Christopher North; but the heart of Scotland, in its calm retirement, will appreciate this holy oration, as worthily hallowing ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 347, September, 1844 • Various
... education of any kind! Born at Tipperusalem, Oklahoma, on the 15th of March, 1912, he has for parents a clerk in the Eagle Bakery and a Lithuanian laundress. He never touches meat, not even baked eagles, but subsists entirely on peaches and popcorn. He has been compared to MOZART, but the comparison is ridiculous, for MOZART was carefully trained by his father, and at the age of four was a finished executant. But it is quite otherwise with Tiny Titus, who knows no music, and yet by the sole power of his genius comprehends the musical heights ...
— Punch, or the London Charivari, Vol. 146, April 29, 1914 • Various
... quarrel between Frank and his father, with accidental interruptions in the shape of cold chicken and cheese-cakes. She trifled away half an hour at the piano; and played, in that time, selections from the Songs of Mendelssohn, the Mazurkas of Chopin, the Operas of Verdi, and the Sonatas of Mozart—all of whom had combined together on this occasion and produced one immortal work, entitled "Frank." She closed the piano and went up to her room, to dream away the hours luxuriously in visions of her married future. ...
— No Name • Wilkie Collins
... easier art than prose, however. It comes to men as a more direct and concrete gift of those gods who delight in sound and the co-ordination of parts. The harmonies are more quickly grasped by the well-tuned ear. We can imagine the boy Mozart discoursing lovely music at the age of five; but we cannot imagine any one of such tender years compiling even a ...
— IT and Other Stories • Gouverneur Morris
... Side of Nature"—such efforts have proved deplorable failures. The young people of to-day make light of ghosts. The spectres in the incantation scene of "Der Freyschutz" are received with roars of laughter, and even the statue in Don Giovanni seems "jolly," notwithstanding the illusive music of Mozart. We were about to remark that the age had outgrown superstition, but we remembered the Rochester knockings, and ...
— The Three Brides, Love in a Cottage, and Other Tales • Francis A. Durivage
... a princely patron, whose house he had served for the better part of his working career. Like Goethe and Wordsworth, he lived out all his life. He was no Marcellus, shown for one brief moment and "withdrawn before his springtime had brought forth the fruits of summer." His great contemporary, Mozart, cut off while yet his light was crescent, is known to posterity only by the products of his early manhood. Haydn's sun set at the end of a long day, crowning his career with a golden splendour whose effulgence still brightens ...
— Haydn • J. Cuthbert Hadden
... been drawn on to disclose a tale of distress that, almost in the mere hearing, made me weary of life, "I hope I may yet see you in a happier condition." "With God's help," she replied, with a smile that Raphael would have delighted to transfer to his canvas; a Mozart, to strains of angelic sweetness. All her life she had seemed an outcast child; still she ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli
... yourself of the fact. In my Brahms revisions I have supplied really needed fingerings, bowings, and other indications! Important compositions on which I am now at work include Ernst's fine Concerto, Op. 23, the Mozart violin concertos, and Tartini's Trille du diable, with a special cadenza for ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... soft but poignant. Some songs—the "Adelaide," for example—are songs to make one commit suicide. But this sort of music stirs and delights while it mocks with the sweetness which soothes us not. "She kept me awake all night, as a strain of Mozart's might do," Keats wrote of his Charmian. There was no song this special songstress sang which she did not make her own by a peculiar and powerful effort. Her instinct was to rouse, charm, fascinate her little audience. ...
— Lippincott's Magazine, September, 1885 • Various
... conductor of this wondrous symphony, this beautiful Mozart fantasia, and if you listen, you can hear the strains of the great beautiful melodies wafted now east, now west, now north, now south, rising to great climaxes, falling back to great chords of harmony, or, in an allegro ...
— Palaces and Courts of the Exposition • Juliet James
... wind up that fine machine. No doubt Madame Blumenthal was a clever woman. It is a good German custom at Homburg to spend the hour preceding dinner in listening to the orchestra in the Kurgarten; Mozart and Beethoven, for organisms in which the interfusion of soul and sense is peculiarly mysterious, are a vigorous stimulus to the appetite. Pickering and I conformed, as we had done the day before, to the fashion, ...
— Eugene Pickering • Henry James
... Mozart was visited by a mysterious person who ordered him to compose a Requiem, and came frequently to inquire after its progress, but disappeared on its completion, which occurred just in time for its performance ...
— Real Ghost Stories • William T. Stead
... trials and imprisonments became the order of the day; but the reaction in England at least stopped short of the scaffold. At Vienna and Naples fear was more cruel. The men who either were, or affected to be, in such fear of revolution that they discovered a Jacobinical allegory in Mozart's last opera, [45] did not spare life when the threads of anything like a real conspiracy were placed in their hands. At Vienna terror was employed to crush the constitutional opposition of Hungary to the Austrian Court. In Naples a long reign of cruelty and oppression began with the creation ...
— History of Modern Europe 1792-1878 • C. A. Fyffe
... your equal, because he does not go into raptures over young Mozart, and does not indulge in speculative theology, but worships God after the manner of his fathers!—a Jew, in short, who hates the Christian and glories in ...
— Joseph II. and His Court • L. Muhlbach
... hold three or four Filomenas without crowding, and upon it lay a mandoline and a guitar. The corporal called for music; Filomena cheerfully complied, left her broidery-frame, and took up the mandoline, whose only title to be considered a musical instrument is that Mozart uses it for the pizzicato accompaniment which Don Giovanni plays while he sings "Deh Vieni." Filomena, knowing nothing about Mozart, used her mandoline for the delivery of a melody which she performed with great skill, though it was but a silly tune and sounded sillier than it was because ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... principles of taste and beauty which they illustrated were searchingly analyzed and carefully explained. Painting and sculpture began slowly to emit their rays through the eclipse of more than a century. The allied art shared in this second and secondary renaissance. Haydn was in full fruit, Mozart ripening, and Music watched, in the cradle of Beethoven, her budding Shakespeare. A fourth Teuton was studying the symphonies of the spheres; and within the first five years of the century, while the "crowning mercy" of Yorktown was maturing, a planet that had never before dawned ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... he would, and she at once sat down before the little instrument. It was scarcely more to be compared with the magnificent machines of our day than the flageolets of Virgil's shepherds with the cornet-a-piston of the modern star performer, but Mozart, Haydn, Handel, or Beethoven never lived to see a better. It was only about two feet across by four and a half in width, with a small square sounding board at the end. The almost threadlike wires, ...
— The Duke of Stockbridge • Edward Bellamy
... the grand pianoforte. The origin of the Viennese grand is rightly accredited to Stein, the organ builder, of Augsburg. I will call it the German grand, for I find it was as early made in Berlin as Vienna. According to Mozart's correspondence, Stein had made some grand pianos in 1777, with a special escapement, which did not "block" like the pianos he had played upon before. When I wrote the article "Pianoforte" in Dr. Grove's ...
— Scientific American Supplement, No. 385, May 19, 1883 • Various
... the discussions of art, of life, in which they both found such pleasure. They praised the by-gone things, they took a sentimental, childish delight in the achieved perfections of the past. Particularly they liked the late eighteenth century, the period of Goethe and of Shelley, and Mozart. ...
— Women in Love • D. H. Lawrence
... that there is hardly a language in Europe into which it has not been translated; it has even found its way into Greek and Hebrew—into the former, through an English missionary of Syria, named Hildner; and into the latter, by Splieth, a celebrated Orientalist. Mozart avowed his extreme admiration of it, and so did Dr. Johnson, Sir Walter Scott, and Jeremy Taylor, besides hosts of others. The encomium passed upon it by Schaff is thus given in his own words: "This marvellous hymn is the acknowledged ...
— Purgatory • Mary Anne Madden Sadlier
... executioner, but he evaded social laws with the wit and grace so well rendered in the scene with M. Dimanche. He was, in fact, Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Mathurin's Melmoth—great allegorical figures drawn by the greatest men of genius in Europe, to which Mozart's harmonies, perhaps, do no more justice than Rossini's lyre. Terrible allegorical figures that shall endure as long as the principle of evil existing in the heart of man shall produce a few copies from century to century. Sometimes the type ...
— The Elixir of Life • Honore de Balzac
... Erinna To Cleis Paris in Spring Madeira from the Sea City Vignettes By the Sea On the Death of Swinburne Triolets Vox Corporis A Ballad of Two Knights Christmas Carol The Faery Forest A Fantasy A Minuet of Mozart's Twilight The Prayer Two ...
— Helen of Troy and Other Poems • Sara Teasdale
... it observed, as Mozart was born to music, and some men have a powerful instinct to study medicine, and others are so unnatural as to take to mathematics, Wolf had a grand undeveloped genius beyond all belief for collecting advertisements. He had tried many pursuits and failed, but the first ...
— Memoirs • Charles Godfrey Leland
... mean the enclosed note—is from a musical friend in Silesia, not a rich man, for whom I have frequently had my scores written out. He wishes to have these works of Mozart in his library; as my servant, however, has the good fortune, by the grace of God, to be one of the greatest blockheads in the world (which is saying a good deal), I cannot make use of him for this purpose. Be so kind therefore as to send to Herr —— (for ...
— Beethoven's Letters 1790-1826 Vol. 2 • Lady Wallace
... while Charles Gould waited, standing by with inscrutable patience. "Lucia, Lucia di Lammermoor! I am passionate for music. It transports me. Ha! the divine—ha!—Mozart. Si! divine . . . What is it you ...
— Nostromo: A Tale of the Seaboard • Joseph Conrad
... that ailed her?" she had asked herself a dozen times a day. All Mr. Muller's love-making did not move her now as one note of Bluhm's voluntaries on the organ had done. She had thought him Mendelssohn and Mozart in one: the tears came now, thinking of that divine music. But one day Mrs. Guinness had brought him in, being a phrenologist, to "feel Kitty's head." She felt the astonished indignation yet which stunned her from his thick thumb and fore finger as they gripped ...
— Lippincott's Magazine of Popular Literature and Science - April, 1873, Vol. XI, No. 25. • Various
... sing like you," said Lothair, "that would be unnecessary. But a fine mass by Mozart—it requires great skill as well as power to render it. I admire no one so much as Mozart, and especially his masses. I have been hearing a great many of ...
— Lothair • Benjamin Disraeli
... little room inhabited by the Chapel-master, on the tipper floor of the Lunas' house; the room contained all the priest's fortune—a little iron bed, which had belonged formerly to the seminarist, two plaster busts of Beethoven and Mozart, and an enormous pile of bundles of music, bound scores, loose sheets of ruled paper, so big and so piled up and disorderly that every now and then a pile would slip down, covering the floor of the little room with white sheets to its ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... mountain people have been developing a tenderness and pathos that really grips one's heart. The music was composed by a man by the name of Dedler, about one hundred years ago, and while it gives expression to the composer's tender heart, yet experts say that it reminds them of Hayden and Mozart. The paintings in the building are those of great masters. It took an entire year to paint the scenery for the play in 1910, but they could not afford to spend so much upon it in 1922. The curtains ...
— Birdseye Views of Far Lands • James T. Nichols
... abysses of the world spread themselves below. Two marches of Chopin, and the death-march of Siegfried, the haunting suggestion of a soul's preparation for departure in Schubert's Unfinished; the Death of Aase, the Pilgrim's Chorus, one of Mozart's requiems, and that Napoleonic funebre from the Eroica—these, with others, grouped themselves into an unearthly archipelago—towering cliffs of glorious gloom, white birds silently sweeping the ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... fifteen years; then it rotted into error. Now, isn't all this talk of artistic improvement as fallacious as the vicious reasoning of the Norwegian dramatist? Otherwise Bach would be dead; Beethoven, middle-aged; Mozart, senile. What, instead, is the health of these three composers? Have you a gayer, blither, more youthful scapegrace writing today than Mozart? Is there a man among the moderns more virile, more passionately earnest or noble ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... his "Last Supper" because he feared their splendor would distract attention from and dim the glory of the Master himself. The hand that rounded St. Peter's dome reared it in adoration to Christ, and Raphael in painting the Transfiguration laid his masterpiece at the feet of this Child. Mozart there laid his symphonies, and Beethoven the works of his colossal genius. Shakespeare, "with the best brain in six thousand years," who has poured the many-colored splendors of his imagination over all our life, wrote in his will: "I commend my soul into the hands of God my Creator, hoping and assuredly ...
— A Wonderful Night; An Interpretation Of Christmas • James H. Snowden
... as a morbid nocturne of Chopin. This was followed by a blending of heliotrope, moss-rose, and hyacinth, together with dainty touches of geranium. He dreamed of Beethoven's manly music when whiffs of apple-blossom, white rose, cedar, and balsam reached him. Mozart passed roguishly by in strains of scarlet pimpernel, mignonette, syringa, and violets. Then the sky was darkened with Schumann's perverse harmonies as jasmine, lavender, and lime were sprayed over him. Music, surely, was the art nearest akin to odour. A superb and subtle chord ...
— Visionaries • James Huneker
... beneath the shaded lamp on the round centre table, while the girl at the piano went through her simple repertoire, his heart was filled with memories of his lost wife, he certainly was not lamenting the works of Mozart and Beethoven which she had so ...
— Mrs. Day's Daughters • Mary E. Mann
... all for the sole purpose of producing the utmost obtainable rent for the proprietor. If the twin flats and twin beds produce a guinea more than Shakespeare, out goes Shakespeare and in come the twin flats and the twin beds. If the brainless bevy of pretty girls and the funny man outbid Mozart, out goes Mozart. ...
— Heartbreak House • George Bernard Shaw
... the case," replied Manasseh, "the publication of Allegri's work being strictly prohibited; but after Mozart had heard it once and written it down from memory, its reproduction could not be prevented. So I had a chance to hear it in Vienna, where, however, it was but ill received, some of the audience ...
— Manasseh - A Romance of Transylvania • Maurus Jokai
... bass. He thus shows how advanced was the decay ofpolyphonic sensibility (as a negative preparation for the advent of the sonata-style) already during the lifetime of Bach. His works have no other special qualities, though it is probable that Mozart's first violin sonatas, written at the age of seven, were modelled on Alberti in spite of their ...
— Project Gutenberg Encyclopedia
... accomplishment; for since she had been in London, she had applied herself to music, and sang, without much power, but with a great deal of sweetness. We were not permitted by her to select any but light-hearted melodies; and all the Operas of Mozart were called into service, that we might choose the most exhilarating of his airs. Among the other transcendant attributes of Mozart's music, it possesses more than any other that of appearing to come from the ...
— The Last Man • Mary Shelley
... may see now and then wretched election meetings, as of late in New York, where a worn-out FERNANDO WOOD and others like him gabble as much treason as they dare. It is all played out—Mozart, Tammany, and all the trash. Rummy, frowsy candidates, treating Five-Point graduates, and shoulder-hitting bravos yelling at the polls, are beginning to be disgusting and anti-national elements. Their very existence is an insult to these great, serious and glorious times ...
— Continental Monthly , Vol I, Issue I, January 1862 - Devoted to Literature and National Policy • Various |
