"Hieroglyphic" Quotes from Famous Books
 ... uncommonly queer about this," he said, "and I don't know that I ought to go on with it; it strikes me very forcibly that an attempt is being made to forge a Russian note and that this is a part of the process." The lines on the paper made a sort of hieroglyphic puzzle which it was quite impossible to decipher. I asked him what he intended to do with it and he answered that he would fulfil his order and set the police upon the track of the people who had given it. I went on to Messrs Hunt's printing works in New ...
— Recollections • David Christie Murray
... clerestory over the four central rows of columns, with windows in its walls. The general plan, therefore, of this hypostyle hall has some resemblance to that of a Christian basilica, but the columns are much more numerous and closely set. Walls and columns were covered with hieroglyphic texts and sculptured and painted scenes. The total effect of this colossal piece of architecture, even in its ruin, is one of overwhelming majesty. No other work of human hands strikes the beholder with such a sense ...
— A History Of Greek Art • F. B. Tarbell
... read, Jacob," he would say; "I wish I could; but look, boy, I means this mark for three quarters of a bushel. Mind you recollects it when I axes you, or I'll be blowed if I don't wallop you." But it was only a case of peculiar difficulty which would require a new hieroglyphic, or extract such a long speech from my father. I was well acquainted with his usual scratches and dots, and having a good memory, could put him right when he was puzzled with some misshapen x or z, representing ...
— Jacob Faithful • Captain Frederick Marryat
... vapour too; and why should it not be all one to me, whether I live or die, if life and death be all one, both a vapour? Thou hast made vapour so indifferent a thing as that thy blessings and thy judgments are equally expressed by it, and is made by thee the hieroglyphic of both. Why should not that be always good by which thou hast declared thy plentiful goodness to us? A vapour went up from the earth, and watered the whole face of the ground.[172] And that by which thou hast imputed a goodness to us, and wherein ...
— Devotions Upon Emergent Occasions - Together with Death's Duel • John Donne
... 69). The bottom of the column is bulbous, and set round with triangular leaves. The top is surrounded by three or five bands. A moulding composed of groups of three vertical stripes hangs like a fringe from the lowest band in the space between every two stems. So varied a surface does not admit of hieroglyphic decoration; therefore the projections were by degrees suppressed, and the whole shaft was made smooth. In the hypostyle hall at Gurneh, the shaft is divided in three parts, the middle one being smooth ...
— Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt • Gaston Camille Charles Maspero
... expected than the house and grounds had differed. She had dreamed of an aged and dignified face, the sublimation of all the d'Urberville lineaments, furrowed with incarnate memories representing in hieroglyphic the centuries of her family's and England's history. But she screwed herself up to the work in hand, since she could not get out of ...
— Tess of the d'Urbervilles - A Pure Woman • Thomas Hardy
... the extinct creations,—all the existences, too, of the present creation that occur in the fossil or semi-fossil form; and, thus coextensive in space with the earth's surface,—nay, greatly more than coextensive with the earth's surface,—for in the vast hieroglyphic record which our globe composes, page lies beneath page, and inscription covers over inscription,—coextensive, too, in time, with every period in the terrestrial history since being first began upon our planet,—it presents to the student a theme so vast and multifarious, ...
— The Testimony of the Rocks - or, Geology in Its Bearings on the Two Theologies, Natural and Revealed • Hugh Miller
... painted windows and sculpture; pointed in form, bold in attitude; communal and bourgeois as political symbols; free, capricious, lawless, as a work of art; second transformation of architecture, no longer hieroglyphic, immovable and sacerdotal, but artistic, progressive, and popular, which begins at the return from the crusades, and ends with Louis IX. Notre-Dame de Paris is not of pure Romanesque, like the first; nor of pure Arabian race, ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... city; but he could not read them at all since, though there is but one spoken language upon Barsoom, there are as many different written languages as there are nations. One thing, however, soon became apparent to him—the hieroglyphic of a corridor remained the same ...
— The Chessmen of Mars • Edgar Rice Burroughs
... while laboring in the field, I discovered drops of blood on the corn as though it were dew from heaven—and I communicated it to many, both white and black, in the neighborhood—and I then found on the leaves in the woods hieroglyphic characters, and numbers, with the forms of men in different attitudes, portrayed in blood, and representing the figures I had seen before in the heavens. And now the Holy Ghost had revealed itself to me, and made plain the miracles it had shown me—For as the blood of Christ had ...
— The Confessions Of Nat Turner • Nat Turner
... far as the old alphabet extended. It had, as these changes progressed and the family of man spread, the various names of Phoenician, Ostic, Etruscan, Punic, ancient Greek and Gallic, Celtiberic, Runic, Druidical and others. As a system of notation, it appears to occupy an epoch between the hieroglyphic system of Egypt and the Greek alphabet. But whatever may be said of its origin, affinities, changes, or character, it is clear that this simple alphabet spread westward among the barbaric nations of Europe, changing, in some ...
— Incentives to the Study of the Ancient Period of American History • Henry R. Schoolcraft
... impossible to class it with that antique order of dark, mysterious, low-studded churches, apparently crusht by the semicircular arch—almost Egyptian, save for the ceiling; all hieroglyphic, all sacerdotal, all symbolic, more loaded in their ornamentation with lozenges and zigzags than with flowers, with flowers than with animals, with animals than with men; less the work of the architect than of the ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... characteristics of those Volkslieder which proceed from the lips with such a lustrous brightness, so to speak, that we cannot help perceiving in the glad light which surrounds us our own higher poetic nature. There lies a mysterious charm in the insignificant words of the text which converts them into a hieroglyphic scroll representative of the unutterable emotions which throng our hearts. Who does not know that Spanish canzonet the substance of which is in words little more than, "With my maiden I embarked on the sea; a storm came on, and my timid maiden was tossed up and ...
— Weird Tales. Vol. I • E. T. A. Hoffmann
... Trees have each their own physiognomy. There, towering over all, stands the great burly baobab, each of whose enormous arms would form the trunk of a large tree, beside groups of graceful palms, which, with their feathery-shaped leaves depicted on the sky, lend their beauty to the scene. As a hieroglyphic they always mean "far from home", for one can never get over their foreign air in a picture or landscape. The silvery mohonono, which in the tropics is in form like the cedar of Lebanon, stands in pleasing contrast with the dark color of the motsouri, whose cypress-form ...
— Missionary Travels and Researches in South Africa - Journeys and Researches in South Africa • David Livingstone
... meaning, different characters were attached to the picture. Thus a monosyllabic {128} language was built up, and the root word had many meanings by the modification of its form and sometimes by the change of its position. The hieroglyphic writings of the Egyptians, Moabites, Persians, and Assyrians went through these methods of language development, as their ...
— History of Human Society • Frank W. Blackmar
... drought and rain, these and many other happenings leave a subtle impression on the life of the plant. By invention of apparatus of extreme delicacy, it is possible to make the plant itself write down the history of its own experience in a hieroglyphic which it is possible to decipher. From these pages, taken from the diary of the plant, it will perhaps be possible some day to get an insight into the great mystery that surrounds life itself. For I shall in the course of ...
— Sir Jagadis Chunder Bose - His Life and Speeches • Sir Jagadis Chunder Bose
... a hieroglyphic of her own before half-a-dozen of the dances, especially those just then coming into fashion, the waltz and the Bohemian polka a deux temps. Then, having assured her position, she began her struggle with the Arlington. She had ...
— Patsy • S. R. Crockett
... readily. "My eyes may be good," he observed, after a long pause, "but my detective powers are not. The m's and n's are all alike, and so are most of the other letters. She's an economical person—she makes the same hieroglyphic do duty for both ...
— Master of the Vineyard • Myrtle Reed
... History of Egypt, London, 1894, chap. ii. For delineations of vases, etc., showing Grecian proportion and beauty of form under the fourth and fifth dynasties, see Prisse, vol. ii, Art Industriel. As to the philological question, and the development of language in Egypt, with the hieroglyphic sytem of writing, see Rawlinson's Egypt, London, 1881, chap. xii; also Lenormanr; also Max Duncker, Geschichte des Alterthums, Abbott's translation, 1877. As to the medical papyrus of Berlin, see Brugsch, vol. i, p. 58, but especially the Papyrus ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... result and exponent of a great national religion. You can't have bits of it here, bits there—you must have it everywhere or nowhere. It is not the monopoly of a clerical company—it is not the exponent of a theological dogma—it is not the hieroglyphic writing of an initiated priesthood; it is the manly language of a people inspired by resolute and common purpose, and rendering resolute and common fidelity to the legible laws of ...
— Selections From the Works of John Ruskin • John Ruskin |
