"Esthetic" Quotes from Famous Books
 ... Howard in a flood of names and faces and sights and sounds; something sweet and stirring somehow, though it had little of esthetic charm at the time. They were passing along lanes now, between superb fields of corn, wherein plowmen were at work. Kingbirds flew from post to post ahead of them; the insects called from the grass. The valley ...
— Main-Travelled Roads • Hamlin Garland
... of social convention, of accepted moral and esthetic standards interpose seemingly impassable barriers between us and the savage mind, but at the touch of an all-pervading human sympathy these barriers dissolve ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson
... firmly believed that he understood the trouble from which his client was suffering. He had seen many cases of it in ladies from the Atlantic coast: the first had surprised him, no doubt. Salomon City, though it contained the great Boon, was not esthetic. Being a keen student of human nature, he rightly supposed that she would not care to join the colony, but he thought it his duty to mention that there ...
— The Crossing • Winston Churchill
... on a very high esthetic horse, which I could not have conveniently stooped from if I had wished; it was quite enough for me that Thackeray's novels were prodigious works of art, and I acquired merit, at least with myself, for appreciating them so keenly, for liking them so much. It must be, I felt with far ...
— Henry James, Jr. • William Dean Howells
... Crowborough, she realized something of the amazing insensibility of the more ethereal sex. No man, not even in the last extremity, could have loved a woman as ugly as Judge Crowborough was. The roughest man would have had sufficient esthetic sense to have been shocked into revolt; yet a woman, a refined and intelligent woman, had married the judge and survived it. She appeared now, not only expressionless and unrevolted, but filled with a healthy zest for social reforms and the ...
— Life and Gabriella - The Story of a Woman's Courage • Ellen Glasgow
... use of salads is looked upon by many sections as a foreign affectation and too little attention is paid to the value of eggs, milk and cheese. Enough has been said already to show that these latter articles have much more than an esthetic value and one of the missions of the nutrition expert must be to show the people why dairy products and salads must become features in the every-day meals of the every-day people. And even if the salads are still unappreciated, it is necessary that cooked green vegetables occupy more of a position ...
— The Vitamine Manual • Walter H. Eddy
... more affection for the priests, the folds of whose habits were better suited to their esthetic purposes, or whether the friars, holding such an important place in Philippine life, engaged the attention of the sculptor more, the fact was that, for one cause or another, images of them abounded, well-turned and finished, representing them in the sublimest moments of their lives—the ...
— The Reign of Greed - Complete English Version of 'El Filibusterismo' • Jose Rizal
... was the official residence of the "Corrector" of Tuscany and Umbria. During the Middle Ages, it became, for all practical purposes, the intellectual and artistic capital of Tuscany, inheriting in full the remarkable mental and esthetic excellences of the ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... its own modes. Absolute cleanliness, cleanliness as exacting as that proper nurses prescribe for babies, is the first and most important factor in making old age attractive. Rich dress, in artistic colors, soft, misty, esthetic, comes next; then the idealizing scarfs, collars, jabots, and fichus of lace and tulles. Old people becomingly and artistically attired have the charm of rare old pictures. If they have soul-illumined faces they ...
— What Dress Makes of Us • Dorothy Quigley
... material body. Enshrining the artist's thought, it has, therefore, the qualities of a true art product, and stands second only to those which express it, such as painting and sculpture; but no other art product of its own order, not the violin nor the jewel-casket, can compare with the book in esthetic quality. It meets one of the highest tests of art, for it can appeal to the senses of both beauty and grandeur, either separately, as in the work of Aldus and of Sweynheym and Pannartz, or together, as in ...
— The Booklover and His Books • Harry Lyman Koopman
... preoccupation of the hunter for his quarry. Trollope loved a rogue, and in his long portrait gallery there are several really charming ones. He did not, indeed, perceive the aesthetic value of sin—he did not perceive the esthetic value of anything,—and his analysis of human nature was not profound enough to reach the conception of sin, crime being to him the nadir of downward possibility—but he had a professional, a sort of half Scotland Yard, half master of hounds interest in a criminal. ...
— Castle Richmond • Anthony Trollope
... the disinterested cognition devoid of Will, can afford an interval of rest from the drudgery of Will service. But esthetic beatitude can be obtained only by a few; it is not for the hoi polloi. And then, art can give ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... recorded—recreative statement—a kind, in fact, of expression of the critic's self, elicited through contemplation of a book, a play, a symphony, a picture? For this kind of criticism there has even recently been claimed an actual identity with creation. Esthetic judgment and creative power identical! That is a hard saying. For, however sympathetic one may feel toward this new criticism, however one may recognise that the recording of impression has a wider, more elastic, and more lasting value than the delivery of arbitrary ...
— Forsyte Saga • John Galsworthy
... the vogue it obtained in the days of the shogun Yoshimasa, have already been described. But note must be taken here of the extraordinary zeal displayed by Hideyoshi in this matter. Some claim that his motive was mainly political; others that he was influenced by purely esthetic sentiments, and others, again, that both feelings were responsible in an equal degree. There is no material for an exact analysis. He doubtless appreciated the point of view of the historian who wrote that "between flogging ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... in concrete form the artistic and industrial development of this country, and in viewing them one cannot but be impressed with the great improvement in the conditions affecting our material and physical welfare and with the corresponding advancement in our intellectual and esthetic life. ...
— New York at the Louisiana Purchase Exposition, St. Louis 1904 - Report of the New York State Commission • DeLancey M. Ellis
... showing the true charm of quiet domesticity. Richter's Contented Schoolmaster lacked much in grace of form, but it revealed unguessed resources in the German language, it showed democratic sympathies more genuine than Rousseau's, it gave the promise of a new pedagogy and a fruitful esthetic; above all it bore the unmistakable ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. IV • Editor-in-Chief: Kuno Francke
... life and in their habits and customs. There is a realm of anthropology in this lower state of mankind which we call savagery, that is hard to understand from the standpoint of modern civilization, where science, theology, religion, medicine and the esthetic arts are developed as more or less discrete subjects. In savagery these great subjects are blended in one, as they are interwoven into a vast plexus of thought and action, for mythology is the basis of philosophy, ...
— Seventh Annual Report • Various
... esthetic taste an idea of what the kindergarten does in developing the sense of beauty; show him in what way it is a primary ...
— Children's Rights and Others • Kate Douglas Smith Wiggin
... principles of arrangement, with brief comment on the periods of design which have most influenced printing. Treats of harmony, balance, proportion, and rhythm; motion; symmetry and variety; ornament, esthetic and symbolic. 37 illustrations; 46 review questions; ...
— Books Before Typography - Typographic Technical Series for Apprentices #49 • Frederick W. Hamilton |
