"Dionysus" Quotes from Famous Books
 ... the rapidity with which he painted pictures that were excellent in their completeness and beauty. Aristides, the son or brother of Nikomachos, was so good an artist that Attalus, king of Pergamos, offered more than twenty thousand pounds, or about one hundred thousand dollars, for his picture of Dionysus, or Bacchus. This wonderful picture was carried to Rome, and preserved in the temple of Ceres; but it no longer exists. Euphranor was another great painter, and was distinguished for his power to give great expression ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... Elders of Argos: in the usual processional order, combining music, chanting and gesture-dance, to a rhythm conventionally associated with marching. They enter on the right (as if from the city), and the Processional Chant takes them gradually round the Orchestra towards the Thymele, or Altar of Dionysus, ...
— Story of Orestes - A Condensation of the Trilogy • Richard G. Moulton
... to "Pan" (xix), to "Dionysus" (xxvi), to "Hestia and Hermes" (xxix), seem to have been designed for use at definite religious festivals, apart from recitations. With the exception perhaps of the "Hymn to Ares" (viii), no item in the collection can be regarded as either ...
— Hesiod, The Homeric Hymns, and Homerica • Homer and Hesiod
... the life or recorded appearance of Jesus of Nazareth, and for some centuries before, the Mediterranean and neighboring world had been the scene of a vast number of pagan creeds and rituals. There were Temples without end dedicated to gods like Apollo or Dionysus among the Greeks, Hercules among the Romans, Mithra among the Persians, Adonis and Attis in Syria and Phrygia, Osiris and Isis and Horus in Egypt, Baal and Astarte among the Babylonians and Carthaginians, and so forth. Societies, large or small, united believers and the ...
— Pagan & Christian Creeds - Their Origin and Meaning • Edward Carpenter
... righteousness. Other primitive cults have been either domestic, or economic, or political. Thus the Lares and Penates safeguarded the pious Latin family irrespective of its ethical character; the Greek deities, such as Dionysus and Aphrodite, were frankly immoral, but if propitiated they gave plenty and prosperity; the great gods of Rome were political personages who had no regard for private virtues, and their proper worship was performed ...
— Freedom In Service - Six Essays on Matters Concerning Britain's Safety and Good Government • Fossey John Cobb Hearnshaw
... looking rather towards the south. This is shown by the fact that the temples of the other deities, besides that of Athene, are in the citadel; and even those that are outside it are mostly situated in this quarter of the city, as that of the Olympian Zeus, of the Pythian Apollo, of Earth, and of Dionysus in the Marshes, the same in whose honour the older Dionysia are to this day celebrated in the month of Anthesterion not only by the Athenians but also by their Ionian descendants. There are also other ancient temples in this quarter. The ...
— The History of the Peloponnesian War • Thucydides
... The Odeum of Pericles was built in imitation of the tent of Xerxes. It was burnt by Sylla, but was restored in exact imitation of the original building. It lay at the east side of the theatre of Dionysus. The Odeum of Herodes Atticus was built by him in memory of his departed wife Regilla, whose name it commonly bore. It lies under the southwest angle of the Acropolis. Its greatest diameter within the walls was 240 feet, and it is calculated to have held about 8,000 persons. There were odea ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... came Greek corruption, Greek worship, Greek vice. For years the mysteries of Dionysus and the orgies of the Maenads were celebrated on the slopes of the Aventine and in those deep caves that riddle its sides, less than a mile from the Forum, from the Capitol, from the house of the rigid Cato, who found fault with Scipio of Africa for shaving every day ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... is any dignity to be got out of the title; but, whenever there is any good, hot scolding or unpleasant advice given them by the prophets, in that self-assumed character of theirs, they are as ready to quit it as ever Dionysus his lion-skin, when he finds the character of Herakles inconvenient. "Ye have wearied the Lord with your words" (yes, and some of His people, too, in your time): "yet ye say, Wherein have we wearied Him? When ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... Libera (Demeter, Dionysus, Persephone); its importance for the date of Sibylline influence at Rome. Nature of this influence; how and when it reached Rome. The keepers of the "Sibylline books"; new cults introduced by them. New rites: lectisternia and supplicationes, their ...
— The Religious Experience of the Roman People - From the Earliest Times to the Age of Augustus • W. Warde Fowler
... is so rich in valuable information on the agricultural and social advances of Italy, tells us that it opened its hills and plains to the triumphal entrance of Dionysus between 130 and 120 B.C., about the time that Rome entered into possession of the kingdom of Pergamus, the largest and richest part of Asia Minor, left to it by bequest of Attalus. Thenceforward, for a century and ...
— Characters and events of Roman History • Guglielmo Ferrero
... pass'd, where old and young Had no more heed of the glad vintaging, But all unpluck'd the purple clusters hung, Nor more of Linus did the minstrel sing, For he and all the folk were following, Wine-stain'd and garlanded, in merry bands, Like men when Dionysus came as king, And led his revel from ...
— Helen of Troy • Andrew Lang
... (Parrhesiades), Swans and Amber, Alexander, Hermotimus (Lycinus), Menippus and Icaromenippus (in which Menippus represents him), A literary Prometheus, Herodotus, Zeuxis, Harmonides, The Scythian, The Death of Peregrine, The Book-fancier, Demonax, The Rhetorician's Vade mecum, Dionysus, Heracles, A Slip of the Tongue, Apology for 'The dependent Scholar.' Of these The Vision is a direct piece of autobiography; there is intentional but veiled autobiography in several of the other pieces; in others again conclusions can be drawn from comparison of his ...
— Works, V1 • Lucian of Samosata
... rose the little temple on our headland, the Greek theatre where the tongue of Athens lived, the gymnasium where the youths grew fair and strong. Then Taormina struck her coins: Apollo with the laurel, with the lyre, with the grape; Dionysus with the ivy, and Zeus with the olive; for the gods and temples of the Naxians had become ours, and were religiously cherished; and with the rest was struck a coin with the Minotaur, our symbol. But of Andromachus, the founder of the ...
— Heart of Man • George Edward Woodberry
... chronological precedence of these offices. At that time the nine Archons did not all live together. The King occupied the building now known as the Boculium, near the Prytaneum, as may be seen from the fact that even to the present day the marriage of the King's wife to Dionysus takes place there. The Archon lived in the Prytaneum, the Polemarch in the Epilyceum. The latter building was formerly called the Polemarcheum, but after Epilycus, during his term of office as Polemarch, had rebuilt it and fitted ...
— The Athenian Constitution • Aristotle
... Elias, Elijah, or Khizr, a marvellous legendary figure, see vols. iv. 175; v. 334. The worship of Helios (Apollo) is not extinct in mod. Greece where it survives under the name of Elias. So Dionysus has become St. Dionysius; Bacchus the Drunken, St. George; and Artemis, St. ...
— Supplemental Nights, Volume 6 • Richard F. Burton
... forth the views for which he had been condemned was for sale on the Athenian book-stalls at a popular price. Rationalistic ideas moreover were venturing to appear on the stage, though the dramatic performances, at the feasts of the god Dionysus, were religious solemnities. The poet Euripides was saturated with modern speculation, and, while different opinions may be held as to the tendencies of some of his tragedies, he often allows his characters to express highly unorthodox ...
— A History of Freedom of Thought • John Bagnell Bury
... iii. 8. What do you learn in this canto of Elizabethan or chivalric manners and customs? 9. Describe the procession at the court of Pride. 10. What satire of the Romish priesthood in xviii-xx? 11. Note examples of Spenser's humor in xiv and xvi. 12. Point out the classical influence (Dionysus and Silenus) in the description of Gluttony. 13. Subject of the interview between Duessa and Sansjoy. 14. Point out the archaisms in l. 10; alliteration in xxxix and l; the Latinisms in xlvi and xlvii. 15. In what case is way in l. 17? 16. Explain the meaning and historical ...
— Spenser's The Faerie Queene, Book I • Edmund Spenser
... their frenzy to the working of the greatest crimes. Thus, among other instances, he told me that a Greek poet named Theocritus sets out in one of his idyls how a woman called Agave, being engaged in a secret religious orgie in honour of a demon named Dionysus, perceived her own son Pentheus watching the celebration of the mysteries, and thereon becoming possessed by the demon she fell on him and murdered him, being aided by the other women. For this the poet, ...
— Montezuma's Daughter • H. Rider Haggard
... had been essentially lyrical. It arose from the dithyrambic chorus that was sung at the festivals of Dionysus. Thespis had introduced the first actor, who, in the pauses of the choral song, related in monologue the adventures of the god or engaged in dialogue with the leader of the chorus. To Aeschylus is due the invention of the second actor. This essentially changed the character of the performance. ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... Day and night Death and dumb, Mass for Death a blessing bitterness of, due to si a door to life a penance and satisfaction Decrees, papal Decretals Defensores Devil Dietenberger, John Dionysus Dionysus, St. Diseases, number known Dishonesty Disobedience Dispensation from vows ...
— Works of Martin Luther - With Introductions and Notes (Volume I) • Martin Luther
... religious art, not merely because associated with the festival of Dionysus, nor because the life which it represented was that of men who believed, with all the Hellenes, in Zeus, Apollo, and Athena, or in the power of Moira and the Erinyes,— not merely because ...
— The Seven Plays in English Verse • Sophocles
... the Investigators, attired after the manner of Dionysus, leading a pet tiger-cub in wreaths of rhubarb-leaves, symbolical of ...
— The Works of Rudyard Kipling One Volume Edition • Rudyard Kipling
... representative of the so-called Old Comedy of Athens; a form of dramatic art which developed obscurely under the shadow of Attic Tragedy in the first half of the fifth century B.C., out of the rustic revelry of the Phallic procession and Comus song of Dionysus, perhaps with some outside suggestions from the Megarian farce and its Sicilian offshoot, the mythological court comedy of Epicharmus. The chief note of this older comedy for the ancient critics was its unbridled license of direct ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... and Goethe, is the most modern in feeling, the most romantic in mood of all the Greek poets. One is conscious that in his work, as in the sculpture of Praxiteles, the calm beauty of the Apollonian temper is touched by the wilder rhythm of the perilous music of Dionysus. ...
— One Hundred Best Books • John Cowper Powys
... Philip Rainham, arriving at the same time, found the little studio almost crowded. Besides the Dollonds there were two or three of the Turk Street fraternity; a young sculptor, newly arrived from Rome, with his wife; Dionysus F. Quain, an American interested in petroleum, who had patronized Lightmark also at Rome; and Copal, whose studio was in the same building, and who was manifestly anxious about his ...
— A Comedy of Masks - A Novel • Ernest Dowson and Arthur Moore
... the character of the god, comes to be viewed as a victim offered to the god on the ground of its hostility to the deity; in short, that the god is sacrificed to himself on the ground that he is his own enemy. This happened to Dionysus and it may have happened to Demeter also. And in fact the rites of one of her festivals, the Thesmophoria, bear out the view that originally the pig was an embodiment of the corn-goddess herself, either Demeter or her daughter and double Proserpine. The Thesmophoria was an ...
— The Tribes and Castes of the Central Provinces of India - Volume IV of IV - Kumhar-Yemkala • R.V. Russell
... had seen somewhere, perhaps in Verocchio's studio, perhaps on the face of some {676} woman he had known as a boy. His first paintings were of laughing women, and the same smile is on the lips of John the Baptist and Dionysus and Leda and the Virgin and St. Anne and Mona Lisa! What was he trying to express? Vasari found the "smile so pleasing that it was a thing more divine than human to behold"; Ruskin thought it archaic, Muentz "sad and disillusioned," Berenson supercilious, and Freud neurotic. Reymond calls it ...
— The Age of the Reformation • Preserved Smith
... that their case seemed strong. Though in all human history, so far as it is closely known, these phenomena had appeared, and though every classical scholar could recall the wild orgies of the priests, priestesses, and devotees of Dionysus and Cybele, and the epidemic of wild rage which took its name from some of these, the great fathers and doctors of the Church had left a complete answer to any scepticism based on these facts; they simply ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... At the altar of Dionysus. Greek poetry and music. Aristotle on Greek stage-plays. AEschylus and Sophocles. Euripides. Words, music and scenic effect. Lenaean theatre exhibitions. More costly than Peloponnesian war. Roman dominion. Primitive ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... scratched by thorns, in pursuit of her darling. And as among the ancients, whether Etruscan or Egyptian, it was usual to celebrate the rites of Venus during banquets, the rose, with which the revellers and their goblets were crowned, became also the symbol of Dionysus—or of Bacchus. And as silence should be especially kept as to the secret pleasures of love and the favors of fair ladies, as well as to what is uttered when heated by wine, the rose was also hung up at all orgies to intimate silence—whence the expression sub rosa, ...
— The Continental Monthly , Vol. 2 No. 5, November 1862 - Devoted to Literature and National Policy • Various
... divinities, or greater gods; but they represent only a small part of the Grecian Pantheon. There was Dionysus (Roman Bacchus), the god of drunkenness. This deity presided over vineyards, and his worship was attended with disgraceful orgies,—with wild dances, noisy revels, exciting music, ...
— Beacon Lights of History, Volume I • John Lord
... probably contain little truth, beyond the facts that Aeschines' father was a schoolmaster (not a slave), and was assisted by Aeschines himself; and that his mother was priestess of a 'thiasos' or voluntary association of worshippers of Dionysus-Sabazios, among whose ceremonies was doubtless one symbolizing a marriage or mystical union between the god and his worshippers. (Whether the form of 'sacred marriage' which was originally intended to promote the fertility ...
— The Public Orations of Demosthenes, volume 2 • Demosthenes
... as hitherto, was she thwarted; here, holding the van in a procession of triumph, which, as carrying forward a glorious disinthralment into Asia and into Egypt, and as outfacing the most inveterate of all despotisms, should far out-rival the fabled procession of Dionysus,—here was she not merely hindered by the vis inertias of her southern neighbor, but was actually stopped in her movement by a newly revealed force of opposition, was flanked by an ancient ally, now ...
— Atlantic Monthly, Vol. 11, No. 65, March, 1863 • Various
... the wine of the preceding year. The second day was called choes, from chous, "a cup," and was probably devoted to drinking. The third day was called chutroi, from chutros, "a pot," as on it persons offered pots with flower-seeds or cooked vegetables to Dionysus or Bacchus. The fourth Attic festival of Dionysius was celebrated in the month Elaphebolion, and was called the Dionysia en astei, Astika, or Megala, the "City" or "great" festival. It was celebrated with great magnificence, processions and ...
— The Comedies of Terence - Literally Translated into English Prose, with Notes • Publius Terentius Afer, (AKA) Terence
... and legends, to Serapis, Isis, the wilder Dionysiac revels, and so forth. But this habit of borrowing was regarded with disfavour by pious conservatives, and was probably, in the width of its hospitality at least, an innovation. As Tiele remarks, we cannot derive Dionysus from the Assyrian Daian nisi, 'judge of men,' a name of the solar god Samas, without ascertaining that the wine-god exercised judicial functions, and was a god of the sun. These derivations, 'shocking to common sense,' are to be distrusted as part of the ...
— Custom and Myth • Andrew Lang
... happened in Greece, the forms appropriate to a celebration of the death and resurrection of Dionysus came to be blent with the tomb-ritual of a hero, the term peripeteia acquired a special association with a sudden decline from prosperity into adversity. In the Middle Ages, this was thought to be the very essence and meaning of tragedy, as we ...
— Play-Making - A Manual of Craftsmanship • William Archer
... rhapsodist may be reciting at a festival of Dionysus, about whom there is practically nothing said in the Iliad; for it is a proof of the antiquity of the Iliad that, when it was composed, Dionysus had not been raised to the Olympian peerage, being still a folk-god only. The rhapsodist, at a feast of Dionysus ...
— Homer and His Age • Andrew Lang
... Hephaestus, Hestia, Hermes, Artemis, were originally powers of nature personified, as some epithets in Homer[4] still indicate; but they became, sometimes under the same names, types of power and lordship, science and art, courage and sensuous beauty. While Dionysus, Demeter, Hades, and Persephone remained earthly, and Helios, Eos, Iris, and Hecate, heavenly divinities, and Oceanus, Poseidon, Amphitrite, Proteus, and Nereus ruled the waters, Zeus was conceived as ...
— A Comparative View of Religions • Johannes Henricus Scholten
... existed there was among the priests of Dionysus one named Coresus, whom love made, without any fault of his own, the most wretched of mortals. He loved a girl Callirrhoe, but as great as his love for her was her hatred of him. When all his pleadings ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... "that when Spartacus was first taken to Rome to be sold, a snake was seen folded over his face while he was sleeping, and a woman, of the same tribe with Spartacus, who was skilled in divination, and possessed by the mysterious rites of Dionysus, declared that this was a sign of a great and formidable power, which would attend him to a happy termination." She was the Thracian's wife, or mistress, being connected with him by some tender tie, and was with him when he subsequently escaped from Capua. In the bloody drama of the War of Spartacus ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... Prostitution and the Mysteries. Man as yet felt himself only as a part of nature, and aspired to no more than a life in harmony with her laws. The worship of fertility and the endless renewal of life was the object of the orgiastic cults of Adonis and Astarte in the East, and Dionysus and Aphrodite in Greece; unbridled licentiousness and blind gratification of ...
— The Evolution of Love • Emil Lucka
... lands, I have also encountered on my path many strange and dangerous spirits; above all, however, and again and again, the one of whom I have just spoken: in fact, no less a personage than the God DIONYSUS, the great equivocator and tempter, to whom, as you know, I once offered in all secrecy and reverence my first-fruits—the last, as it seems to me, who has offered a SACRIFICE to him, for I have ...
— Beyond Good and Evil • Friedrich Nietzsche
... Carlyon's old eyes looked away into distance and seemed to see a slender shape wrapped in a spotted fawn's skin, its head crowned with leaves, joining the throng of those other early worshipers of Dionysus as they beat their weird music among the dark crags of Parnassus—searching for communion with the spiritual beyond in the only way they knew of then to reach it, through a wild ecstasy of emotion. Here was the same impulse, unconscious, instinctive. The probing of nature to discover ...
— Halcyone • Elinor Glyn
... seductiveness—the whole rhythm of qualities which can be typified by bodily form—were analysed, selected, combined in various degrees, to incarnate the religious conceptions of Zeus, Aphrodite, Herakles, Dionysus, Pallas, Fauns and Satyrs, Nymphs of woods and waves, Tritons, the genius of Death, heroes and hunters, lawgivers and poets, presiding deities of minor functions, man's lustful appetites and sensual needs. All that men think, or do, or are, or wish for, or imagine in this world, ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... certain points of analogy with an Ariadne described by Philostratus, it has been very generally assumed that we have here a representation of the daughter of Minos consoled already for the departure of Theseus, whose sail gleams white on the blue sea in the distance. No Dionysus is, however, seen here among the revellers, who, in their orgies, do honour to the god, Ariadne's new lover. The revel in a certain audacious abandon denotes rather the festival from which the protagonists have retired, ...
— The Earlier Work of Titian • Claude Phillips
... the tree Semurat) belonging to Ghatafan was destroyed after the Prophet's order by Khalid bin Walid. Allat or Al-Lat is written by Pocock (spec. 110) "Ilahat" i.e. deities in general. But Herodotus evidently refers to one god when he makes the Arabs worship Dionysus as {Greek letters} and Urania as {Greek letters} and the "tashdid" in Allat would, to a Greek ear, introduce another syllable (Alilat). This was the goddess of the Kuraysh and Thakif whose temple at Taif was circuited like the Ka'abah before ...
— The Book of the Thousand Nights and a Night, Volume 6 • Richard F. Burton
... the architecture of Pergamon. The middle of the crescent held the shrine of Athena, goddess of Pergamon, and beside it the Altar of Zeus the Saviour, gigantic in size, splendid with sculpture, itself the equal of an Acropolis. Lastly, the southern or lower end of the ridge bore a temple of Dionysus ...
— Ancient Town-Planning • F. Haverfield
... Bacchus (Dionysus), the god of wine, was the son of Jupiter and Semele. He represents not only the intoxicating power of wine, but its social and beneficent influences likewise, so that he is viewed as the promoter of civilization, and a lawgiver and lover ...
— Bulfinch's Mythology • Thomas Bulfinch
... Nietzsche endeavours to find an answer. He finds it, unlike the learned persons who study Greek texts, among the roots of things, in the very making of the universe. Art arises, he tells us, from the conflict of the two creative spirits, symbolised by the Greeks in the two gods, Apollo and Dionysus; and he names the one the Apollonian spirit, which we see in plastic art, and the other the Dionysiac spirit, which we see in music. Apollo is the god of dreams, Dionysus the god of intoxication; the one represents for us the world of appearances, the other ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... opportunity to study a people than when they are in their cups? If you could go back a few thousand years, the things you would wish to see would be a Roman Triumph, perhaps the Rites of Dionysus, or one of Alexander's orgies. You wouldn't want to wander up and down the streets of, say, Athens while nothing was going on, particularly when you might be revealed as a suspicious character not being able to ...
— Unborn Tomorrow • Dallas McCord Reynolds
... of the goddess of all-conquering desire. The Sophists of the antique world would have read her story charactered in every lithe line, in every appealing motion, and saluted in her the priestess of sheer appetite, for whom the gods were dead, indeed, yet living in their material form—Dionysus as wine, Aphrodite as the act of love, ...
— The Proud Prince • Justin Huntly McCarthy
... Procris I saw, and fair Ariadne, the daughter of wizard Minos, whom Theseus on a time was bearing from Crete to the hill of sacred Athens, yet had he no joy of her; for Artemis slew her ere that in sea-girt Dia, by reason of the witness of Dionysus. ...
— DONE INTO ENGLISH PROSE • S. H. BUTCHER, M.A.
... of Itzea Humble and a wanderer Dogmatophagy Ignoramus, Ignorabimus Nevertheless, we call ourselves materialists In defense of religion Arch-European Dionysus or Apollonian Epicuri de grege porcum Evil and Rousseau's Chinaman The root of disinterested evil Music as a sedative Concerning Wagner Universal musicians The folk song On the optimism ...
— Youth and Egolatry • Pio Baroja |
