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Faust   Listen
proper noun
Faust, Faustus  n.  Doctor Johann Faust, a person born at Kundling (Knittlingen), Würtemberg, or at Roda, near Weimar, and said to have died in 1538. He was a man of licentious character, a magician, astrologer, alchemist, and soothsayer, who boasted of performing the miracles of Christ. German legend has it that he sold his soul to the devil in exchange for knowledge. It was believed that he was carried off at last by the devil, who had lived with him in the form of a black dog. Note: The legends of Faust were gathered from the then recent traditions concerning him in a book which appeared at the book-fair at Frankfurt-on-the-Main in 1587. It was called "The History of Dr. Faustus, the Notorious Magician and Master of the Black Art, etc." Soon after its appearance it became known in England. "A metrical version of it into English was licensed by Aylmer, Bishop of London, before the end of the year. In 1588 there was a rimed version of it into German, also a translation into low German, and a new edition of the original with some slight changes. In 1689 there appeared a version of the first German Faust book into, French, by Victor Palma Cayet. The English prose version was made from the second edition of the original, that of 1588, and is undated, but probably was made at once. There was a revised edition of it in 1592. In 1592 there was a Dutch translation from the second German edition. This gives the time of the carrying off of Faustus by the devil as the night between the twenty-third and twenty-fourth of October, 1538. The English version also gives 1538 as the year, and it is a date, as we have seen, consistent with trustworthy references to his actual life. Marlowe's play ('The Tragical History of Doctor Faustus') was probably written in 1588, soon after the original story had found its way to England. He treated the legend as a poet, bringing out with all his power its central thought man in the pride of knowledge turning from his God." This play was brought to Germany about the beginning of the 17th century, and, after passing through various developments on the stage, finally became a puppet-play, which is still in existence. Lessing wrote parts of two versions of the story. Müller, the painter, published two fragments of his dramatized life of Faust in 1778. Goethe's tragedy (which see) was not published till 1808. Klinger published a romance "Faust's Leben, Thaten und Höllenfahrt" (1791: Borrow translated it in 1826). Klingemann published a tragedy on the subject (1815), Heine a ballet "Der Doctor Faust, ein Tanzpoem" (1851), and Lenau an epic "Faust" (1836). W. G. Wills adapted a play from Goethe's "Faust," which Henry Irving produced in 1885. Calderon's play "El Magico Prodigioso" strongly resembles Goethe's and Marlowe's plays, though founded on the legend of St. Cyprian.






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"Faust" Quotes from Famous Books



... development, and none so sympathetic; but the greatest poets long ago plundered that mine of rich motives, and have stolen what was most dramatic for popular use. The Virgin's most famous early miracle seems to have been that of the monk Theophilus, which was what one might call her salvation of Faust. Another Byzantine miracle was an original version of Shylock. Shakespeare and his fellow dramatists plundered the Church legends as freely as their masters plundered the Church treasuries, yet left a mass of dramatic material untouched. ...
— Mont-Saint-Michel and Chartres • Henry Adams

... future smiled at me. I was immensely proud of the first down on my upper lip and my little college cap, and I remember as if it were to-day, the evening when Fritz, Phil and myself went to hear this opera. We had heard 'Faust' some years before and were great admirers of Gounod's genius. But Romeo beat all our expectations. The music roused our wildest enthusiasm. Now both my friends are dead. Fritz, who was ambitious, was a private secretary when he died, Phil a medical student; ...
— Married • August Strindberg

... introduced to a German philosopher-painter before Tintoret's "Massacre of the Innocents." He looked at it superciliously, and said it "wanted to be restored." He had been himself several years employed in painting a "Faust" in a red jerkin and blue fire; which made Tintoret appear ...
— The Stones of Venice, Volume III (of 3) • John Ruskin

... of recognizing both as a man of intellect and as a distinguished artist; Chopin was early placed in one of the first colleges in Warsaw. Prince Radziwill did not cultivate music only as a simple dilettante, he was also a remarkable composer. His beautiful rendering of Faust, published some years ago, and executed at fixed epochs by the Academy of Song at Berlin, appears to us far superior to any other attempts which have been made to transport it into the realm of music, by its close internal ...
— Life of Chopin • Franz Liszt

... his spurs, and bending low over the mane of the noble animal, he disappeared in the forest, rapid and mysterious as Faust on his way to the mountain of the witches' sabbath. The three lines he had ...
— The Companions of Jehu • Alexandre Dumas, pere

... "Lavengro"; an odd theme, purporting to be a translation of something, called a "Ruba'iyat," which the Head said was a poem not yet come to its own; there were hundreds of volumes of verse—-Crashaw; Dryden; Alexander Smith; L. E. L.; Lydia Sigourney; Fletcher and a purple island; Donne; Marlowe's "Faust "; and—this made McTurk (to whom Beetle conveyed it) sheer drunk for three days—Ossian; "The Earthly Paradise"; "Atalanta in Calydon"; and Rossetti—to name only a few. Then the Head, drifting in under pretense of playing censor to the paper, would read here ...
— Stalky & Co. • Rudyard Kipling

... has had his German tutor, and has been coached through the famous "Faust" of Goethe (thou wert my instructor, good old Weissenborn, and these eyes beheld the great master himself in dear little Weimar town!) has read those charming verses which are prefixed to the drama, in which the poet reverts to the time when his work was first composed, and recalls ...
— Roundabout Papers • William Makepeace Thackeray

... terminating at the elbows in wide ruffles, hardly covered her shoulders, where it was supplemented by a scarf through which a glimpse of her throat was visible in a nest of soft Tourkaris lace. She was reading a little ivory-bound volume—a miniature edition of the second part of Goethe's "Faust." ...
— Cashel Byron's Profession • George Bernard Shaw

... The 'Faust' of Goethe, tired of the barren round of earthly knowledge, calls magic to his aid. He desires, first, to see the spirit of the Macrocosmos, but his heart fails him before he ventures that tremendous ...
— Short Studies on Great Subjects • James Anthony Froude

... him to see her driving herself through this piteous catechism. The lantern of memory flashed a moment on to the immortal picture of Faust and Margaret. Was it not only that winter they had read the ...
— Robert Elsmere • Mrs. Humphry Ward

... action that discomfort, even pain, may be welcomed on account of the emotional waves they call up, because they "lash into movement the dreary calm of the sea's soul," and produce that alternation of pain and enjoyment for which Faust longed. Groos, who recalls this passage in his very thorough and profound discussion of the region wherein tragedy has its psychological roots, points out that it is the overwhelming might of the storm itself, and not the peace of calm after ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis

... happens to nations as to individuals that a period devoted to recovery from internal disorders is followed by a time of great productive and expansive power. The introspective epoch gives place to one of practical achievement. Faust gives up his barren speculations and feels his way from thought to action. From "In the beginning was the Word" he wins his way onward through "the Thought" and "the Might," until he rewrites the dictum "In the beginning was the Deed." That is the change ...
— The Development of the European Nations, 1870-1914 (5th ed.) • John Holland Rose

... at the bread and butter—she ate the latter as if it were a peculiarly distasteful medicine in the solid—the girl tidied the room. It was the only really well-furnished room in the cottage; Nell's little chamber in the roof was as plain as Marguerite's in "Faust," and Dick's was Spartan in its Character; but a Wolfer—Mrs. Lorton was a distant, a very distant connection by a remote marriage of the noble family of that name—cannot live without a certain amount ...
— Nell, of Shorne Mills - or, One Heart's Burden • Charles Garvice

... letters in brass molds and make them of more durable metal. But alas, such an innovation was costly and his money had given out. Therefore, much as he dreaded to part with his secret, he was forced to take into partnership a rich metal worker by the name of John Faust." ...
— Paul and the Printing Press • Sara Ware Bassett

... a human soul is either wise or happy is in that one single moment when the hour of my own shining or of the moon's beaming seems to that single soul to be past and present and future, to be at once the creation and the end of all things. Faust knew that; so ...
— Bebee • Ouida

... fled from the sun, And the Cocklane ghost from the barn-loft cheer, The fiend of Faust was a faithful one, Agrippa's demon wrought in fear, And the devil of Martin Luther sat By the stout ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier

... Prose Translation; Eighth Edition. Hayward quotes from Goethe himself, that, though of course much of a Poem must evaporate in a Prose Translation, yet the Essence must remain. Well; I distinguish as little of that Essential Poetry in the Faust now as when I first read it—longer ago than 'Le Bon Pasteur,' and in other subsequent Attempts. I was tempted to think this was some Defect—great Defect—in myself: but a Note at the end of the Volume informs me that a much greater Wit than I was ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald

... the very words recall to your memory old amber-coloured engravings of sturdy men, with waving locks, grasping the arm of the printing-press, by the side of Faust, Schoeffer, and Gottenberg? Or, perhaps, the words of Schiller's "Song of the Bell" may not be unknown to you, and ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie

... found and propagated. These varieties have been widely distributed but have not been extensively planted. The results are variable as might be expected, but generally the reports are satisfactory. In the eastern states the following varieties seem to do reasonably well: Faust, Bates, Ritchie and Stranger. In British Columbia, Messrs. J. U. and David Gellatly have located several very good strains such as Gellatly, O. K., Calendar, Walters and Rosefield. These newer varieties from the West have several good characters ...
— Northern Nut Growers Report of the Proceedings at the Twenty-First Annual Meeting • Northern Nut Growers Association

... Walpurgis night, when the witches come riding hither on brooms and pitchforks, when the mad, unhallowed revelry begins, as our credulous nurses have told us, and as we may see it represented in the beautiful Faust pictures of Master Retsch. Yes, a young poet, who, while journeying from Berlin to Gottingen passed the Brocken on the first evening in May, even noticed how certain ladies who cultivated belles-lettres, were holding their esthetic tea-circle ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke

... to be due to the rhythmical vibration of atoms. There is thus no such thing as rest: from the planet to the ultimate particle, all things are endlessly moving: and the mystic song of the Earth-Spirit in "Faust" is recognized as the expression of the sublimest ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various

... Songs and Sonnets and Elegies rather than in his Divine Poems. We find, in some of these, abundant evidence of the existence of a dark angel at odds with the good angel of Walton's raptures. Donne suffered in his youth all the temptations of Faust. His thirst was not for salvation but for experience—experience of the intellect and experience of sensation. He has left it on record in one of his letters that he was a victim at one period of "the worst voluptuousness, ...
— The Art of Letters • Robert Lynd

... university of Leipsic, where he studied law; he took the degree of doctor at Strasbourg. In 1768 he left Leipsic, and after a short tour settled for some time in Alsace, where the beautiful Gretchen won his heart, and obtained for herself in Faust and Egmont, a more lasting monument than brass. On leaving Alsace, he returned home; but soon left it again to practise in the Imperial Chamber at Wezlar. Here he witnessed the tragical event that gave rise to his romance of the Sorrows of Werter. In ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 20, Issue 561, August 11, 1832 • Various

... These words of Faust fit our methods of pedagogy perfectly. Take, for instance, the way history is being taught in our schools. See how the events of the world become like a cheap puppet show, where a few wire-pullers are supposed to have directed the course ...
— Mother Earth, Vol. 1 No. 2, April 1906 - Monthly Magazine Devoted to Social Science and Literature • Various

... contributed by Miss Anna Swanwick, whose translation of Faust has since become well known. It has been. carefully revised, and is now, for the first ...
— The Works of Frederich Schiller in English • Frederich Schiller

... from the lore of ages, and abjured when he mingles again as a man with his fellow men. He is as distinct a being from the necromancers and astrologers celebrated in Shakspeare's age, as can well be imagined:[46] and all the wizards of poetry and fiction, even Faust and St. Leon, sink into common-places before the princely, ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson

... get that idea of the morning drum-beat?" Like other public men, accustomed to address legislative assemblies, he was naturally desirous of knowing the place, if place there was, where such images and illustrations were to be found. The truth was that, if Webster had ever read Goethe's Faust,—which he of course never had done,—he might have referred his old friend to that passage where Faust, gazing at the setting sun, aches to follow it in its course for ever. "See," he exclaims, "how the green-girt cottages shimmer in the setting sun. He bends and sinks,—the day is outlived. ...
— The Great Speeches and Orations of Daniel Webster • Daniel Webster

... crisis over, then commenced the most heartrending labor at which I have ever been present," and she pictures him to us agonized, for days and weeks, running after the bits of lost inspiration. Goethe, likewise, in a letter to Humboldt regarding his Faust, which occupied him for sixty years, full of interruptions and gaps: "The difficulty has been to get through strength of will what is really to be gotten only by a spontaneous act of nature." Zola, according to his biographer, ...
— Essay on the Creative Imagination • Th. Ribot

... trace a yearning towards a simpler, freer, and more genuine life, side by side with such incompatible and antagonistic elements as the reproduction in pastoral guise of the personages and surroundings of the circle of Ferrara. Not content with the pure ideal, the poets endeavoured, like Faust at the sight of Helena, to find in it a place for the earthly affections that bound them, and at the touch of reality ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg

... translation, and an Italian one; keep them all in your archives, for the opinions of such a man as Goethe, whether favorable or not, are always interesting; and this more so, as being favorable. His 'Faust' I never read, for I don't know German; but Matthew Monk Lewis, in 1816, at Geneva, translated most of it to me viva voce, and I was naturally much struck with it: but it was the 'Steinbach,' and the 'Yungfrau,' and something else, much more than 'Faustus,' that made me write 'Manfred.' The first ...
— My Recollections of Lord Byron • Teresa Guiccioli

... Burton's "Anatomy of Melancholy"; a Browning, complete; that inimitably jocund fictional prank, Frederic's "March Hares," together with the same author's fine and profoundly just "Damnation of Theron Ware"; Taylor's translation of Faust; "The [broken-backed] Egoist"; "Lavengro" (Io touched its magic pages with tender fingers), and a fat, faded, reddish volume so worn and obscured that she at once took it down and made explorative entry. She was still deep in it when the ...
— Success - A Novel • Samuel Hopkins Adams

... was so well received that Mr. Fairman added a little minuet of Boccherini's without accompaniment, and then John felt that his time had surely come. But he had to sit, drawing long breaths, through a Liszt fantasie on themes from Faust before his suspense was ended by Miss Clara, who was apparently mistress of ceremonies and who said to him, "Will you ...
— David Harum - A Story of American Life • Edward Noyes Westcott

... one of his most awful attributes. And yet she comforted herself with the thought, that, as he had forgiven her ignorance, she herself might surely forget it. Happy Lizzie, I envy you this easy path to knowledge! The volume she most frequently consulted was an old German "Faust," over which she used to fumble with a battered lexicon. The secret of this preference was in certain marginal notes in pencil, signed "J.". I hope they were really of ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various

... conducting the agitation against their tyrannical foreign governments. All the while he was producing a great quantity of poetry. In his half dozen or more poetic dramas he entered a new field. In the most important of them, 'Manfred,' a treatment of the theme which Marlowe and Goethe had used in 'Faust,' his real power is largely thwarted by the customary Byronic mystery and swagger. 'Cain' and 'Heaven and Earth,' though wretchedly written, have also a vaguely vast imaginative impressiveness. Their defiant handling ...
— A History of English Literature • Robert Huntington Fletcher

... "hell," "sinews and souls." Has Goethe ever written anything like this? Certainly not. Therefore the "Monthly" is right at p. 11 of the Opinions. Stephens must be equal, if not superior, to the author of "Faust." ...
— Punch, or the London Charivari, Vol. 1, September 5, 1841 • Various

... of April. On the 26th of July, Penautier was discharged; fuller information was desired concerning Belleguise, and the arrest of Martin was ordered. On the 24th of March, Lachaussee had been broken on the wheel. As to Exili, the beginner of it all, he had disappeared like Mephistopheles after Faust's end, and nothing was heard of him. Towards the end of the year Martin was released for want of sufficient evidence. But the Marquise de Brinvilliers remained at Liege, and although she was shut up in a convent she had by no means abandoned one, at any rate, of ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere

... distractions of the world and of life, the author always heard a voice ringing in his ears and mockingly revealing the secrets of things at the very moment he was watching a woman as she danced, smiled, or talked. Just as Mephistopheles pointed out to Faust in that terrific assemblage at the Brocken, faces full of frightful augury, so the author was conscious in the midst of the ball of a demon who would strike him on the shoulder with a familiar air and say to him: "Do you notice ...
— Analytical Studies • Honore de Balzac

... had it been bad, why should we pronounce it dishonest? Scott tells us that one of his best friends predicted the failure of Waverley. Herder adjured Goethe not to take so unpromising a subject as Faust. Hume tried to dissuade Robertson from writing the History of Charles the fifth. Nay, Pope himself was one of those who prophesied that Cato would never succeed on the stage, and advised Addison to print it without risking a representation. But ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay

... warm supper, the old doctor sat in the cheerful kitchen of the Perkins home and watched Martha quickly and deftly clearing away the dishes. Humming to himself an air from "Faust" no one would have thought that he was deliberately contemplating doing a match-making turn, but certain it is that his brain was busy devising means of suggesting to Arthur what a splendid girl Martha was. ...
— The Second Chance • Nellie L. McClung

... pianoforte. He rushed from the Dance of the Sun Feast of the Sioux Indians, through a passage of rag time into the tenderest of cradle songs that emerged in turn, by an intricate series of harmonic byways, into the trio from Faust and leaped, as a climax at a single bound, to the Rakoczy March—the shrill war march of Hungary, the rhythm of which stirs the blood and made men fight up hill with forty clarionets in line in the days when the Magyar took all before him—a march that brought the blood ...
— The Lady of Big Shanty • Frank Berkeley Smith

... from a small enclosure into a great labyrinth. He was where Goethe was when he began "Faust"; he was where Conrad was when he wrote ...
— This Side of Paradise • F. Scott Fitzgerald

... perturbation Thee, superhuman, shakes? Thy soul's high calling, where? Where is the breast, which from itself a world did bear, And shaped and cherished—which with joy expanded, To be our peer, with us, the Spirits, banded? Where art thou, Faust, whose voice has pierced to me, Who towards me pressed with all thine energy? He art thou, who, my presence breathing, seeing, Trembles through all the depths of being, A writhing worm, ...
— Faust • Johann Wolfgang Von Goethe

... which even his warm relationship with other friends could not replace, and hereafter he begins to concentrate more and more upon himself to the completion of those works which he had had in mind and preparation through so many years, the greatest of which was to be the "Faust." In "Poetry and Truth from My Own Life," which appeared in 1811-14, he was actuated by the desire of supplying some kind of a key to the collected edition of his works that had been published in 1808; and whatever faults, or errors, it may contain as a history, ...
— The World's Greatest Books, Vol IX. • Edited by Arthur Mee and J.A. Hammerton

... With that, and the embrasure of a remote window where I finally stationed myself, I hoped to escape further notice. The music of the celebrated band which played between the dances recalled the chorus of spirits which charmed Faust: ...
— Lemorne Versus Huell • Elizabeth Drew Stoddard

... lazy. Why do you sit here instead of taking exercise? and you have no idea of the interesting things the Prince has been telling me. All about a Russian poet called—oh, I can't pronounce the name, but who wrote of a devil—not exactly Faust, you ...
— His Hour • Elinor Glyn

... and while it never led him into any extravagances, it was of force sufficient to account for many a secret misfortune occurring to that gentleman. Now if I can prove that he is the Mephistopheles who whispered insinuations into the ear of our blind Faust, I may strike a fact that will lead ...
— The Golden Slipper • Anna Katharine Green

... does know something about music, but who actually has no prejudices.) "Her voice is such a one as MARGARET must have had when she sang by her spinning-wheel, before fate threw her in the way of FAUST. And these professional musicians will tear her reputation to pieces among themselves! Why should musical people be, of all ...
— Punchinello, Vol. 2, No. 29, October 15, 1870 • Various

... with such a burden, he hastily thrust his hand, holding the bottle, behind, for the purpose of concealing it underneath the skirts of his coat: and in this way, apparently with the greatest possible unconcern, the disciple of Faust walked up the street, just in advance of the congregation. Unfortunately, however, in his haste he had thrust his decanter quite through between the folds of his coat-skirts, so that his hands and the neck of the bottle only were concealed; while, to the irresistible ...
— Ups and Downs in the Life of a Distressed Gentleman • William L. Stone

... and so far his dictionary did not contain the word "fear;" but he knew nothing of poetry or art, and only liked some kinds of music, amongst which, it is to be feared, "Soldiers of the Queen," and the now much-abused chorus from "Faust," ranked high in his estimation. He was just simply a healthy young Englishman, clean-limbed and clean-minded, with a tremendous appetite for pleasure, a magnificent frame, and a heart as light and buoyant as a cork; therefore, though an artist or a poet would have been thrilled ...
— At Love's Cost • Charles Garvice

... the robber was Faust of Mayence, the partner of Gutenburg, and that it was thus that the honor of the invention passed from Holland to Germany where Gutenberg produced his invention of movable type twelve years later. There is a statue of the Coster in front of the church, and, on its north side, his ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various

... purports to be the prose sketch of a Second Part of Heaven and Earth (he says that Byron compared it to Coleridge's promised conclusion of Christabel—"that, and nothing more!"), detects two other strains in the composition of the "Mystery," an echo of Goethe's Faust and a "movement" which recalls the Eumenides of AEschylus. Byron told Murray that his fourth tragedy was "more lyrical and Greek" than he at first intended, and there is no doubt that with the Prometheus Vinctus he was familiar, if not at first hand, at least through the medium ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron

... A Faust-like legend might spring from him: he had a devil. He was the leader of a host, the hope of a party, venerated by his followers, well hated by his enemies, respected by the intellectual chiefs of his time, in the pride of his manhood and his labours when he fell. And ...
— The Shaving of Shagpat • George Meredith

... stay with me in London. When we were all coming home from the theatre one night after Faust (the year must have been 1886), ...
— McClure's Magazine, Vol 31, No 2, June 1908 • Various

... Rankin, quite wrong," said Quinny, who would have stated the other side quite as imperiously. "What you cite is a variation of quite another theme, the Faust theme—old age longing for youth, the man who has loved longing for the love of his youth, which is youth itself. The triangle is the theme of jealousy, the most destructive and, therefore, the most dramatic of human passions. The Faust theme is the most fundamental and inevitable ...
— Murder in Any Degree • Owen Johnson

... snakes—of uncouth vehicles, and warlike instruments, and mystic-looking symbols—of chains of interlaced knots and complex zigzags, all so crowding on each other that the tired eye feels as if it had run through a procession of Temptations of St Anthony or Faust Sabbaths. When this field of investigation and speculation is surveyed in all its affluence, one is not surprised to find that it has been taken in hand by a race of bold guessers, who, by the skilful appliance of a jingling jargon of Asiatic, Celtic, and classical ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton

... Truth upon her brother's tomb might well pass for a grim satire. The Prudence opposite is said to be a portrait of the Pope's mother, Giovanna Gaetani. She resembles nothing more than a duenna of the type of Martha in Goethe's Faust. Here, again, the allegory would point a scathing sarcasm, if we did not remember the naivete ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds

... When Faust, or Faustus, sold at Paris his first printed Bibles as manuscripts, the price of a parchment copy was reduced from four or five hundred to sixty, fifty, and forty crowns. The public was at first pleased with the cheapness, ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon

... degrees, goes on playing on him with cumulative effect. As a figure in literature the Kid has come to lead the whole field of western bad men. The Saturday Review, for October 11, 1952, features a philosophical essay entitled "Billy the Kid: Faust in America—The Making of a Legend." The growth of this legend is minutely traced through a period of seventy-one years (1881-1952) by J. C. Dykes in Billy the Kid: The Bibliography of a Legend, University of New Mexico Press, Albuquerque, 1952 (186 pages). ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie

... Works of fiction have furnished the language with epithets for types of individuals (sec. 622). Don Quixote, Faust, Punch, Reinecke Fuchs, Br'er Rabbit, Falstaff, Bottom, and many from Dickens (Pickwick, Pecksniff, Podsnap, Turveydrop, Uriah Heep) are examples. The words are like coins. They condense ideas and produce classes. They economize ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner

... work, safe out of gunshot. Only 15 men were wounded, including Lieutenant Hardy. This officer was at once put in command of the Mutine, which he had so gallantly won.] and by the Lieutenant de Vaisseau Citizen Faust. Both officers, who had been exchanged and restored at the same port, showed much presence of mind on this occasion, and on July 25 they applied to be posted at a dangerous point of attack—the beach to the south of the town, near Puerto Caballas, beyond where the Lazaretto now lies. ...
— To the Gold Coast for Gold - A Personal Narrative in Two Volumes.—Vol. I • Richard F. Burton

... lake. A pinch of white frost, powdered the fields, lending a metallic relief to the hedges of green box, and to the whole landscape, still without leaves, an air of health and vigor, of youth and freshness. "Bathe, O disciple, thy thirsty soul in the dew of the dawn!" says Faust, to us, and he is right. The morning air breathes a new and laughing energy into veins and marrow. If every day is a repetition of life, every dawn gives signs as it were a new contract with existence. At dawn everything is fresh, light, simple, as it is for children. ...
— Amiel's Journal • Mrs. Humphry Ward

... Manchester of America, and a place where we might expect every thing in the shape of manufactures except classical books. Yet it rejoices in a publisher who has really done much for good literature. If our readers will look at their American editions of Faust, of Goethe's Correspondence with a Child, of Southey's Chronicle of the Cid, they will find Mr. Bixby on the title page, and Lowell as the city whence their treasures came. We have now to chronicle another feat of the same enterprising publisher—an edition of Milton, in two splendid octavos, ...
— Graham's Magazine Vol XXXII. No. 5. May 1848 • Various

... hands, "you are very kind, and so is our mutual friend; I shall be happy to make myself useful in German; and if you think a good translation from Goethe—his 'Sorrows' for example, or more particularly his 'Faust'—" ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow

... certain secondhand bookseller, nearly opposite Mistress Murkison's. The books they bought were carried to Donal's room, there to be considered by Gibbie Donal's, and by Donal Gibbie's. Among the rest was a reprint of Marlow's Faust, the daring in the one grand passage of which both awed and delighted them; there were also some of the Ettrick Shepherd's eerie stories, alone in their kind; and above all there was a miniature copy of Shelley, whose verse did much for the music of Donal's, ...
— Sir Gibbie • George MacDonald

... Second Empire style, languidly stroll in charming parks escorted by fluttering Cupids or stately cavaliers. The "decorative impulse" is here at its topmost. In his second period we get the Decameron series, the episodes from Faust, the Don Quixote—recall, if you can, that glorious tableau with its Spanish group and the long, grave don and merry, rotund squire entering on the scene, a fantastic sky ...
— Promenades of an Impressionist • James Huneker

... prosecution of their purpose, and more fortunate in awakening popularity and admiration among their contemporaries. In the instances of Apollonius Tyanaeus and others among the ancients, and of Cornelius Agrippa, Roger Bacon and Faust among the moderns, we are acquainted with many biographical particulars of their lives, and can trace with some degree of accuracy, their peculiarities of disposition, and observe how they were led gradually from one study and one mode of action to another. But the magicians of the East, so to ...
— Lives of the Necromancers • William Godwin

... and "Faust" and "Margaret" tell their story to all who have felt life's struggles and temptations, whether they have read them in Goethe's version or not. Added to this power of pathos and sentiment is the deep religious feeling which pervades ...
— The Atlantic Monthly, Volume 4, No. 23, September, 1859 • Various

... his mind upon the barrier—and stand there with the flashing bayonet of his pride. Other men who broke the laws of justice and charity lied to all the world. He at any rate would not lie to himself. He was more than Byronic now: not the spiritual rebel, Don Juan; not the philosophical rebel, Faust; but a new psychological rebel of his own century—defying the sentimental a priori forms of ...
— Flappers and Philosophers • F. Scott Fitzgerald

... swearing degenerated into wanton form and irreverent interjection. To emphasize our words a practice of literally sealing with blood was sometimes resorted to. For the explanation of such a practice, I need only refer my readers to Goethe's Faust. ...
— Bushido, the Soul of Japan • Inazo Nitobe

... glorious works, both historical and imaginative—as the fresco illustrations of the Nibelungen Lied, in the Royal Palace; the 'Last Judgment,' in the Ludwig-Kirche; and the 'History of St Boniface,' in the Bonifaz-Kloster—Storr, the great Austrian master, whose conception of 'Faust,' in the Royal Gallery at Vienna, is in itself a great poem; and the whole Duesseldorf school—have conformed to the ancient type. Even the humorists have made it, in some instances, a vehicle of their humour. Few of those who ...
— Chambers's Edinburgh Journal, No. 434 - Volume 17, New Series, April 24, 1852 • Various

... the Opera house, where Faust was being played. I had a great desire to see Faust in the original, and though my German is not up to Goethe's standard, I could follow the plot somewhat, and I was eagerly watching for Margaret to make her appearance on the stage. After a long evening, ...
— Story of Chester Lawrence • Nephi Anderson

... the sons of men," but he does not think that they are too weak and poor in spirit to challenge it. It is the challenging that engrosses him, and enchants him, and raises up the magic of his wonder. It is as futile, in the end, as Hamlet's or Faust's—but still a gallant and a gorgeous adventure, a game uproariously worth the playing, an enterprise "inscrutable ...
— A Book of Prefaces • H. L. Mencken

... at Duesseldorf, but they are immediately carried elsewhere. We visited the studio of Schroeter—a man with humor in every line of his face, who had nothing to show us but a sketch, just prepared for the easel, of the scene in Goethe's Faust, where Mephistophiles, in Auerbach's cellar, bores the edge of the table with a gimlet, and a stream of champagne gushes out. Koehler, an eminent artist, allowed us to see a clever painting on his easel, in a state of considerable forwardness, representing the rejoicings of the Hebrew maidens ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant

... North, let us try "The King in Thule." We are unfortunate in having to follow in the wake of the hundred translators of Faust, some of whom (we may instance Lord Francis Egerton) have already rendered this ballad as perfectly as may be; nevertheless we shall give it, as ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various

... make Faust's bargain! The bodily attendance of the devil may be mythical; but in the spirit he is always with us. And how rarely have we the power to break the contract! The London merchant had so sold himself. He had given himself body ...
— The Bertrams • Anthony Trollope

... subtle speech was aimed to please The crow, and it succeeded: He thought no bird in all the trees Could sing as well as he did. In flattery completely doused, He gave the "Jewel Song" from "Faust." ...
— Fables for the Frivolous • Guy Whitmore Carryl

... of that piece of charity will be that all Chicago will say you are so much in love with that man you couldn't go 'Faust' when ...
— A Tame Surrender, A Story of The Chicago Strike • Charles King

... picture of little people dancing in a fairy ring, which might be supposed at first sight to be an illustration of a nursery tale, but the text describing a Witch's Sabbath, rapidly dispels the idea. Nor does a version of the popular Faust legend—"Dr. John Faustus"—appear to be edifying for young people. This and "Friar Bacon" are of the class which lingered the longest—the magical and oracular literature. Even to-day it is quite possible that ...
— Children's Books and Their Illustrators • Gleeson White

... reminded, as I looked at him, of another black poodle, which Faust entertained for a short time with unhappy results, and I thought that a very moderate degree of incantation would be enough to bring the fiend out of ...
— Stories By English Authors: London • Various

... him in his Werther. But what is there Celtic, turbulent, and Titanic about the German Werther, that amiable, cultivated, and melancholy young man, having for his sorrow and suicide the perfectly definite motive that Lotte cannot be his? Faust, again, has nothing unaccountable, defiant and Titanic in him; his knowledge does not bring him the satisfaction he expected from it, and meanwhile he finds himself poor and growing old, and baulked ...
— Celtic Literature • Matthew Arnold

... and I were chosen after the voices were tried and accepted. I had no trouble as I had studied the choruses of most of the familiar operas. I also knew many of the contralto arias, like Perlate de Amour in Faust and other contralto numbers of the different operas that we gave. I was engaged at $20 per week, which seemed to me a fabulous sum, for I was without any means. These were strenuous days, sometimes fourteen hours in the theatre a day, singing ...
— Sixty Years of California Song • Margaret Blake-Alverson

... smaller room than the one downstairs, and there was something peculiarly airless about the atmosphere of it. Then he realized that there was no window. He walked round it. The walls were filthily dirty, as everywhere else. Four pictures hung crookedly on the wall representing scenes from Faust. Marguerite with her box of jewels, the church scene, Siebel and his flowers, and Faust and Mephistopheles. The latter brought Tommy's mind back to Mr. Brown again. In this sealed and closed chamber, with its close-fitting heavy door, ...
— The Secret Adversary • Agatha Christie

... petitions that The Prisoner should go to the old hall and talk every evening, instead of twice a week. The Woman's Club said Madame Beattie was a dear to interpret for him, and some of the members who had not studied any language since the seventies, when they learned the rudiments of German, to read Faust, judged it would be a good idea to hear her for practice. But somebody told her that, and she discouraged it. She was obliged, she said, to skip hastily from one dialect to another and they would only be confused; therefore they thought it better, after all, to remain undisturbed in their ...
— The Prisoner • Alice Brown

... practical activity. 'The time is out of joint,' says your Danish Englishman, Hamlet. 'O cursed spite that ever I was born to set it right.' I cannot get rid of that absurd megalomania. To make matters worse, there is the Faust in me that sticks in every good German who thinks anything of himself. 'I've studied now Philosophy and Jurisprudence, Medicine,' and so on. As a result, a man has all the more chances of being disillusioned at every turn, and so would rather pledge himself to the devil. Strange ...
— Atlantis • Gerhart Hauptmann

... psychology of the moment. She knows just when "Columbia" will be the proper thing to play, and when the crowd demands the newest rag-time. She will feel an atmospheric change as unswervingly as any barometer, and switch in a moment from "Good-bye Girls, Good-bye" to the love duet from Faust. She can play Chopin just as well as she can play Sousa, and she will tactfully strike up "It's Always Fair Weather" when she sees a crowd of young fellows sit down at a table; "There'll Be a Hot Time in the Old Town Tonight" to welcome a lad in khaki; and the very latest ...
— Greenwich Village • Anna Alice Chapin

... even more strenuous and more racking than it had been in Leipsic. He threw himself into the labor of composing the epilogue of Goethe's "Faust" with such ardor that he fell into an intensely nervous state where work was impossible. However, with special medical treatment he so far recovered that he was able to resume the work, but still was not himself. We can divine from brief remarks he let drop from time to time, ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower

... Sunday...but I doubt it. [Together with this letter a friend, Carl K[ragen?], writes to Schumann: "He [Liszt] has played me the glorious Mendelssohn Concerto. It was divine! Tomorrow Tieck is to read Faust for Liszt at my mother's house, and Liszt is to play at our house with Lipinski!, Do come for it! Ah, if you could only induce Mendelssohn and his ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated

... Poppy, Passion Flower, Taxonia, Wild Rose, Apple Blossom, Orange with Flowers, Virginia Creeper, Fish and Bulrushes, Winter Cherry, Corn Flower, Hops, Carnations, Cherry, Daisy Powdered, Primrose Powdered, Faust Motto, Iris Seed, Japanese, Jessamine, Lantern Plant, Periwinkle, Potato, Zynia, Tiger Lily, Geranium, Burrage, Corncockle, Hawthorn, Daffodil, Iris, Love-in-a-Mist, &c. &c., ...
— Handbook of Embroidery • L. Higgin

... life which served to give the motif of his works; nay, finally, it finds these more interesting than the works themselves; it reads more about Goethe than what has been written by Goethe, and industriously studies the legend of Faust in preference to Goethe's Faust itself. And when Buerger said that "people would make learned expositions as to who Leonora really was," we see this literally fulfilled in Goethe's case, for we now have many learned ...
— Essays of Schopenhauer • Arthur Schopenhauer

... a young coxcomb's telling him that "he never took fruit or sweets." "That" replied, or is said to have replied, Thackeray, "is because you are a sot, and a glutton." And the whole science of aesthetics is, in the depth of it, expressed by one passage of Goethe's in the end of the 2nd part of Faust;—the notable one that follows the song of the Lemures, when the angels enter to dispute with the fiends for the soul of Faust. They enter singing—"Pardon to sinners and life to the dust." Mephistopheles hears ...
— The Crown of Wild Olive • John Ruskin

... is introduced in Canto I as an aged scholar disillusioned with life, but dreading the proximity of Death, with whom he converses in a vision. The Goddess of Life grants him the youth of Faust and the immortality of the Wandering Jew. Unlike either, he has the physical and mental characteristics of an adult joined to the navet of a child. In Canto III Adam appears in a casa de huspedes, naked and poor, oblivious of the past, without the use of language, with ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup

... stoical side of his nature.... Schiller has not drawn this figure from external nature; it has not come to him from without but he has taken it deep from his inner being." Otto Ludwig expresses himself similarly: "Goethe often separates a man into two poetic forms, Faust-Mephisto, Clavigo-Carlos." ...
— Sleep Walking and Moon Walking - A Medico-Literary Study • Isidor Isaak Sadger

... too well to clash wantonly with its prejudices; for, after all, he was not as powerful as the executioner, but he evaded social laws with the wit and grace so well rendered in the scene with M. Dimanche. He was, in fact, Moliere's Don Juan, Goethe's Faust, Byron's Manfred, Mathurin's Melmoth—great allegorical figures drawn by the greatest men of genius in Europe, to which Mozart's harmonies, perhaps, do no more justice than Rossini's lyre. Terrible allegorical figures that shall endure as ...
— The Elixir of Life • Honore de Balzac

... is not new; it is the old and popular one, for which reason also Goethe adopted it in Faust. One objection certainly may be taken to it; the words are not merely knowledge, but knowledge of good and evil. But good and evil in Hebrew mean primarily nothing more than salutary and hurtful; the application of the words to virtue ...
— Prolegomena to the History of Israel • Julius Wellhausen

... admirers of Pauline Leroux. We have heard of swoons and hysterics along the more impressionable audiences of La Scala, during the performance of the ballet of "La Vestale;" and have witnessed with admiration the striking effect of the fascinative scene in "Faust." ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various

... volume has long been known as that of an accomplished man of letters. Successive volumes of poetic versions, chiefly from the German, had, by their various merit, gained for him a high rank among our translators, when four years ago, in 1856, by a translation of "Faust," he set himself at the head of living authors in this department of literature. It is little to say of his work, that it is the best of the numerous English renderings of Goethe's tragedy. It is not extravagant to assert that a better translation is scarcely ...
— The Atlantic Monthly, Volume 5, No. 28, February, 1860 • Various

... the quickest performance,—there united itself to the deepest reverence and devotedness, in his People, a feeling of awe, as for one whose limbs are not moved by earthly life [fanciful, considerably!]. And when Goethe, himself become an old man, finished his last Drama [Second Part of FAUST], the figure of the old King again rose on him, and stept into his Poem; and his Faust got transformed into an unresting, creating, pitilessly exacting Master, forcing on his salutiferous drains and fruitful canals through the morasses ...
— History of Friedrich II. of Prussia, Vol. XXI. (of XXI.) • Thomas Carlyle

... be fulfilled; privation and sufferings await us at every moment. "Privation is thy lot, privation! That is the eternal song which resounds at every moment, which, our whole life through, each hour sings hoarsely to our ears!" laments Faust. What remains, then, for man? "Everything cries to us that we must resign ourselves." "There are few men, however, who, conscious of the privations and sufferings in store for them in life, and desirous to avoid the necessity ...
— The Great Events by Famous Historians, v. 13 • Various

... long step. But the pianolist can travel with seven league boots. Grieg's most widely known compositions are four of the pieces of incidental music which he wrote to Ibsen's drama "Peer Gynt." Peer Gynt is the Faust of Norwegian literature. Without attempting here to follow up this parallel, it may be said that he is a curious combination of ne'er-do-well, dreamer and philosopher, with a pronounced streak of impishness running through his character and giving a touch of the extravagant and grotesque ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb

... fingers and flourish inspired quills in the face of a vile March! In that case their published works might not, perhaps, have gained much in bulk, but the masterpieces would now surely represent a far larger proportion of their Saemmtliche Werke than they do. And the second part of "Faust" would not, I think, contain that lament about the flesh so seldom having wings to match those ...
— The Joyful Heart • Robert Haven Schauffler

... expression of religious mystics) had coincided with a deliberate intention to see or hear works of art, and a consequent clearing away of other claims, and on our attention, in fact, to an effort made more or less in vacuo; on the contrary, our Faust-moments ("Stay, thou art beautiful!") of plenitude and consummation, have always come when our activity was already flowing, our attention stimulated, and when, so to speak, the special artistic impressions were caught up into our other interests, and ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee

... and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and ...
— Rosa Alchemica • W. B. Yeats

... handsomer and more fascinating than he was twelve years before, when she saw him for the first time, under the chandeliers of the Moronval salon. Many of the same persons were there also: Labassandre in bottle-green velvet, with the high boots of Faust; and Dr. Hirsch with his coat-sleeves spotted by various chemicals; and Moronval in a black coat very white in the seams, and a white cravat very black in the folds; several "children of the sun,"—the everlasting Japanese prince, and the Egyptian from the banks of the Nile. What a strange ...
— Jack - 1877 • Alphonse Daudet

... London Library and the British Museum. But suddenly, just as the maids had been warned, and Lord Findon's man had been sent to look out trains, his master caught a chill, going obstinately, and in a mocking spirit, to see what 'Faust' might be like, as given at the Municipal Theatre of Versailles. There was fever, and a touch of bronchitis; nothing serious; but the doctor who had been summoned from Paris would not hear of travelling. Lord Findon hoarsely preached 'chewing' to him, ...
— Fenwick's Career • Mrs. Humphry Ward

... Wilkins all smiles and Sunshine, or Mrs. Wilkins all gentleness and politeness. I am entertained delightfully, and after tea little Miss Wilkins shows me her photograph album, and plays the march from "Faust" on the piano for me. I go away highly pleased with my visit; and yet the Wilkinses may fight like cats and dogs in private. I may no sooner have struck the sidewalk than Mr. W. will be ...
— The Complete Works of Artemus Ward, Part 4 • Charles Farrar Browne

... be tempted that he may better know the worthlessness of temptation. "Les Fleurs du Mal!" beautiful flowers, beautiful in sublime decay. What a great record is yours, and were Hell a reality how many souls would we find wreathed with your poisonous blossoms. The village maiden goes to her Faust; the children of the nineteenth century go to you, O Baudelaire, and having tasted of your deadly delight all hope of repentance is vain. Flowers, beautiful in your sublime decay, I press you to my lips; these ...
— Confessions of a Young Man • George Moore

... it," he cried. "Now, in the gold tiara and the spangled opera cloak," he differentiated, "you look like a picture postal card! You got Lotta Faust's blue skirt back to Levey's. But not in the white goods!" He shook his head sadly, firmly. "You look, now, like you was made up for a May-day picnic in the Bronx, and they'd picked on you to ...
— Vera - The Medium • Richard Harding Davis

... in the afternoon. There they write with golden pens on silver slates, and instead of ABC-books they have story-books with gay-coloured pictures. They do not learn geography, for of what use in Heaven is earth-knowledge; and in eternity one doesn't know the multiplication table at all. Dr. Faust is the angel-school teacher. On earth he was an A.M., and on account of a certain event which does not belong here, he is obliged to keep school in Heaven three thousand years more before the long vacation ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain

... under the influence of his youthful embarrassments, amatory and pecuniary, was of a very fierce, gloomy, and passionate sort,—the Byronic despair, the Wertherian despondency, the mocking bitterness of Mephistopheles of Faust, were all reproduced and developed in the character of the hero; for our youth had just been learning the German language, and imitated, as almost all clever lads do, his favourite poets and writers. Passages in the volumes once so ...
— The History of Pendennis • William Makepeace Thackeray

... came another stanza from the wine bibbers, now homeward bound. They were still howling about Margharita in long sustained cadences. And Spencer knew his Faust. It was to the moon that the lovesick maiden confided her dreams, and Mephisto was at hand to jog the elbow of his bewitched philosopher at exactly the ...
— The Silent Barrier • Louis Tracy

... Mrs. Gisborne, he began the study of Spanish, and conceived an ardent admiration for Calderon, whose splendid and supernatural fancy tallied with his own. "I am bathing myself in the light and odour of the starry Autos," he writes to Mr. Gisborne in the autumn of 1820. "Faust", too, was a favourite. "I have been reading over and over again "Faust", and always with sensations which no other composition excites. It deepens the gloom and augments the rapidity of ideas, and would therefore seem to me an unfit study for any ...
— Percy Bysshe Shelley • John Addington Symonds

... she sang this?" asked Gerty; and springing to her feet she fell into an exaggerated mimicry of the prima donna's pose, while she trilled out a languishing passage from "Faust." "I always laughed when she got to that scene," she added, coming back to the couch, "because when she grew sentimental she reminded me of ...
— The Wheel of Life • Ellen Anderson Gholson Glasgow

... create imaginary characters, which in their own way revealed my sorrows, my weaknesses, my follies and my virtues, forming new personalities with independent life: as my dear friend Goethe created Werther, Faust, Egmont ...
— The Bride of Dreams • Frederik van Eeden

... through the Werther period, and tried a little Faust—of which experience he spoke to his Marguerite as if it had included an acquaintance with Mephistopheles, Blocksburg, and Auerbach's wine-cellar—he now felt that he was a Wilhelm Meister, serving his apprenticeship to the great masters of life. As she knew the truth of his small sins ...
— Jo's Boys • Louisa May Alcott

... comprehensive scope, its poetry, and its ethical significance. In the poem it is the Man who predominates; it is not the Fiend. Mephistopheles, indeed, might, for the purpose of philosophical apprehension, be viewed as an embodied projection of the mind of Faust; for the power of the one is dependent absolutely upon the weakness and surrender of the other. The object of the poem was the portrayal of universal humanity in a typical form at its highest point of development and in its representative spiritual experience. ...
— Shadows of the Stage • William Winter

... Romeo and Juliet, of Faust and Marguerite, or King Cophetua and the beggar maid. All she knew was that she loved, was conscious only that for a kind word from the lips of the man who had befriended her, for a glance from those dark eyes; she would gladly have given ...
— Adrien Leroy • Charles Garvice

... in his opera of "Mephistopheles," the only work by which he is known to the musical world at large. He studied Goethe profoundly; and the notes which he has appended to the score show a most intimate knowledge of the Faust legend. His text is in one sense polyglot, as he has made use of portions of Marlowe's "Doctor Faustus," as well as excerpts from Blaze de Bury, Lenau, Widmann, and others who have treated the legend. He studied Wagner's music also very closely, and to such purpose ...
— The Standard Operas (12th edition) • George P. Upton

... aspect. Consider for a moment its relations to letters and to arms as contrasted with those of the ancient world." I looked, and saw, that in the place of the rolls of papyrus, libraries were now filled with books. "Behold," the Genius said, "the printing-press; by the invention of Faust the productions of genius are, as it were, made imperishable, capable of indefinite multiplication, and rendered an unalienable heritage of the human mind. By this art, apparently so humble, the progress of society is secured, and man is spared the humiliation ...
— Consolations in Travel - or, the Last Days of a Philosopher • Humphrey Davy

... had come upstairs. When Liszt sat down at one of the two pianos, she drew an armchair close up to it and seated herself expectantly, also with one of the long Havanas in her mouth and pulling delectably at it. We others, too, drew up near Liszt, who had the manuscript of his 'Faust' symphony open before him. Of course he played the whole orchestra; of course the way in which he did it was indescribable; and—of course we all were in the highest state of exaltation. After the ...
— The Loves of Great Composers • Gustav Kobb

... And I must be a cad again. I'm going up to my bedroom, you may come, too, if you like, because it commands a view of Church Road. I shouldn't sleep a wink unless I knew that he had gone in with her. It'll be precisely like Faust and Marguerite going into the house, and you and I are Mephistopheles and Martha. ...
— Queen Lucia • E. F. Benson

... of the period, that of Faust, or Dr. Faustus, has obtained the most lasting popularity. There are good reasons for believing that the hero of this tale was a real personage, who lived in Suabia in the early part of the sixteenth century. He is frequently mentioned ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta

... confidence in Abelard, that no restriction was put upon the companionship of teacher and pupil. The result was that Abelard and Heloise, both equally inexperienced in matters of the heart, soon conceived for each other an overwhelming passion, comparable only to that of Faust and Gretchen. And the result in both cases was the same. Abelard, as a great scholar, could not think of marriage; and if he had, Heloise would have refused to ruin his career by marrying him. So it came to pass that when their secret, ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner

... ardor. The "enthusiasm of humanity" filled her whole soul, was a luminous hope in her heart and an inspiring purpose to her mind. With Goethe and Carlyle she found in work for humanity the substitute for all faith and the cure for all doubt. Faust finds for his life a purpose, and for the universe a solution, when he comes to labor for the practical improvement of humanity. This was George Eliot's own conclusion, that it is enough for us to see the world ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke

... which she lifts from the old family goblet, rings cheerily as a bell, and the vibrations thrill through the woodwork of the great presses. All the painted heads on the china cups look singularly cheerful to-day. Doctor Martin Luther and the sorcerer Faust positively laugh. Even Goethe smiles, and it is impossible to say how amused old Fritz appears. Yet Sabine, the sagacious mistress of the house, knows not what these know. Or does she guess it? Hark! she sings. A merry ...
— Debit and Credit - Translated from the German of Gustav Freytag • Gustav Freytag

... music, fifteen concertos for violin and orchestra, nine symphonies, four oratories, of which "The Last Judgment" is perhaps the best, ten operas, many concert overtures, etc.—in all more than 200 works, many of them of large dimensions. His best operas are "Jessonda" (1823), "Faust" (1818), "The Alchemist" (1832) and "The Crusaders" (1845). His orchestral works are richly instrumented, and the coloring is sweet and mellow, yet ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews

... were pouring out of all the houses, smiling and singing, and bowing to one another; little children were going together with flowers in their hands, singing, and answering the tones of the great bells; and one little child, as it passed, looked right up at the great Doctor Faust, and held out its white lily. The bells chimed, and the singing grew sweeter ...
— Child Stories from the Masters - Being a Few Modest Interpretations of Some Phases of the - Master Works Done in a Child Way • Maud Menefee

... music to match the courses. So instead of sherry with the soup, they ordered the intermezzo from "Cavalleria Rusticana." With the fish we had the overture to "William Tell." With the entrecote we had a pot-pourri from "Faust." With the fowl we had "Demon and Tamar," the Russian opera. With the rest we began on Wagner and worked up to that thrilling "Tannhaeuser" overture, until I was ready to go home a nervous wreck from German music, as ...
— As Seen By Me • Lilian Bell

... be considered quite attractive, and may be again," said Mrs. Phelps, mildly. "And some day your children will think Puccini and Strauss as old-fashioned as you think 'Faust' and Offenbach. But there are other things, like the things that a woman loves to do, for instance, when her children are grown, and her husband is ...
— Poor, Dear Margaret Kirby and Other Stories • Kathleen Norris

... horrors! Music, indeed, is ever resounding: the gipsy bands are everywhere playing—Hungarian, not gipsy music, as Liszt imagined, for they never play to "the white men." The splendid "Rakoczi" March, which Berlioz introduced into his "Faust," is, however, of gipsy origin, having been invented, says tradition, by Cinka Panna, the faithful gipsy girl of Rakoczi II., after his defeat. There are also Betjar melodies, the songs of the brigand cavaliers, ...
— Without Prejudice • Israel Zangwill

... legendary heroes. He is supposed to sleep in the Kyffhauser in Thuringia, and to awaken one day, when he will bring great glory over Germany. Frolic - Frohlich, merry. Froze to de ready - Held fast to the money. Fullenden - Vollenden - To complete, perfect. Fuss,(Ger.) - Foot. Fust or Faust - The partner of Gutemberg, the inventor of ...
— The Breitmann Ballads • Charles G. Leland

... "the pleasure from exertion" Darwin has a point of contact with the practical idealism of former times—with the ideas of Lessing and Goethe, of Condorcet and Fichte. The continual striving which was the condition of salvation to Faust's soul, is also the condition of salvation to mankind. There is a holy fire which we ought to keep burning, if adaptation is really to be improvement. If, as I have tried to show in my Philosophy of Religion, the innermost core of all religion is faith in the persistence of value in the world, ...
— Evolution in Modern Thought • Ernst Haeckel

... had kept house together, leading a life of tranquil happy days. Friends and books and flowers! It was, we said, a good world, and I, simpleton,—pretty and dainty as Margaret was,—deemed it would go on forever. But, alas! one day came a Faust into our garden,—a good Faust, with no friend Mephistopheles,—and took Margaret from me. It is but a month since they were married, and the rice still lingers in the crevices of the pathway down to the quaint old iron-work gate. Yes! they ...
— The Quest of the Golden Girl • Richard le Gallienne

... finished in an hour, and is a pleasant recreation; but the composition of a tragedy requires a severe, protracted and laborious effort. Goethe's finest songs were written in a moment, a flash of inspiration; but Faust may be called the work of his lifetime. He himself describes the difficulties which attend the composition of a tragedy, in such a manner as may well deter others from attempting it. How few, indeed, are the dramatic poets in all times and countries! Even Byron did ...
— Sketches from Concord and Appledore • Frank Preston Stearns

... Gefall'nen die tdliche Wunde zu spenden. Hagen, der Recke, jedoch, des eignen Schmerzes vergessend, Beugt schnell nieder das Haupt und hlt es dem Hiebe entgegen, 1370 Und es vermag der Held die geschwungene Faust nicht zu hemmen. Aber der Helm, geschmiedet mit Fleiss und trefflich bereitet, Trotzt dem Hieb, und es sprhen alsbald in die Hhe die Funken. ber die Hrte betroffen, zerspringt, o Jammer! die Klinge, Und in der ...
— An anthology of German literature • Calvin Thomas

... went to the opera—for Ballarat has an opera! The piece was 'Faust,' and was performed by Lyster and Smith's company from Melbourne. The performers did their best, but I cannot say they are very strong in opera yet ...
— A Boy's Voyage Round the World • The Son of Samuel Smiles

... grand orchestra, and a number of chamber works of different kinds, of which the quintet for piano and strings is perhaps the most successful; about 100 songs, one opera, several cantatas, a series of music pieces for "Faust," to be played in ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews

... "John Faust Cudlington, a German, was requested, in a company of gay people, to perform in their presence some tricks of his trade. He promised to show them a vine loaded with grapes, ripe and ready to gather. They thought, as it was the month of December, he could not execute his promise. He ...
— International Weekly Miscellany Vol. I. No. 3, July 15, 1850 • Various

... middle classes; he was well off; splendidly handsome; thoroughly educated; his genius was recognized on all hands when he was in his teens; and it was developed by travel and princely patronage. Yet what did Goethe do in proof of his advantages? "Faust" is the only play he ever wrote that can rank at all with a dozen of Shakespeare's. Poor Shakespeare brought it further in the sixteenth century than even Goethe at full strain could bring it in the nineteenth. I find Shakespeare ...
— The Man Shakespeare • Frank Harris

... the Epic, critics, indeed, have declared that a supernatural machinery is indispensable. That the Drama has availed itself of the same license as the Epic, it would be unnecessary to say to the countrymen of Shakspeare, or to the generation that is yet studying the enigmas of Goethe's "Faust." Prose Romance has immemorially asserted, no less than the Epic or the Drama, its heritage in the Realm of the Marvellous. The interest which attaches to the supernatural is sought in the earliest Prose Romance ...
— A Strange Story, Complete • Edward Bulwer-Lytton

... simple, innocent girl in Goethe's "Faust," who is the victim of a tragic fatality; Faust meets her as she comes from church, falls in love with her, and seduces her; she slays the infant born, is convicted and condemned to death, and loses her reason; Faust would fain save her, but he ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... this time in that passionate music originally written for the Garden Scene in Faust, and which the church has boldly taken and arranged as a quartette to the words, ...
— An Ambitious Man • Ella Wheeler Wilcox

... him aggressive. As he strode over a gutter, he apostrophized a bearded portress who was worthy to meet Faust on the Brocken, and who had a ...
— Les Miserables - Complete in Five Volumes • Victor Hugo

... she would taste only the sweets and none of the bitternesses of authorship. Her greatest work is a piano trio,[5] which was not published until after her death. Among other compositions, she wrote several choruses for Goethe's "Faust," and a ...
— Woman's Work in Music • Arthur Elson

... with having desecrated the Sabbath. R. Meir, his pupil, maintained a close intimacy with him, in spite of his apostacy, having high regard for Elisha's intellectual worth. When reproached for this, R. Meir said, "I eat the kernel, and throw away the husks." Elisha is often referred to as the "Faust of the Talmud." On his identification with the Apostle Paul, see I. M. Wise, The Origin of Christianity, p. 311, and Danziger, ibid., pp. 304-306. Some have even identified him with Jesus. In Abot de-Rabbi Natan, a parable that is very similar to that of Jesus, in ...
— Pirke Avot - Sayings of the Jewish Fathers • Traditional Text

... on "Faust" three-quarters of an hour late. This was not bad, considering all things. Although the house was sold out, there was hardly any audience, and only a harp and two violins in the orchestra. But discipline was so strong in the Lyceum ...
— McClure's Magazine, Vol. XXXI, No. 3, July 1908. • Various

... only comes to Faust when at last he is labouring for others. As Wolsey puts it in Henry VIII: "Love thyself last," and "bear peace in ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones

... room, which was blazing with light and resounding with music. As the guests were now nearly all assembled, the gentlemen selected partners and opened the ball with a grand promenade to the music of the grand march in "Faust." ...
— Cruel As The Grave • Mrs. Emma D. E. N. Southworth

... wish to drink your reeking pots of beer, whisky, wine, or other disgusting alcoholic liquors; if you wish to go to the theatre and listen to Mephistopheles, to the devil, to Marguerite, the dissolute hussy, and Doctor Faust, her foul accomplice; if you wish to gorge yourselves upon the oyster, scavenger of the sea, and the pig, scavenger of the earth—a scavenger that there is some question of making use of in the ...
— Modern Saints and Seers • Jean Finot

... "Here Nick says he'd give up his life if the war could be stopped and you bob up and tell him to make good, throwing sort of a Faust effect over the whole dinner. All right for Nick and Arnold Bates—but how about you, Simec? How will you stop the war if they shuffle off? I'll bite once on anything; how will you do it?" There was a general movement of the diners. Dane's wife ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various

... "La premiere fois que je la vis, ce fut a l'eglise",—says Diderot's St. Albin, in recounting the beginning of his infatuation for Sophie. So with Faust and Margaret, and with Schiller's beautiful Greek lady ...
— The Life and Works of Friedrich Schiller • Calvin Thomas

... has its use, it has its abuse also. If visions of truth and beauty can exalt, visions of vice can debase and degrade. In that picture where Faust and Satan battle together for the scholar's soul, the angels share in the conflict. Plucking the roses of Paradise, they fling them over the battlements down upon the heads of the combatants. When the roses fall on Faust they heal his wounds; when they fall on Satan they turn into ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis

... in his elegant Tiffany apartments. She and Mrs. Stanton, Mrs. Josephine Shaw Lowell, Mrs. Henry M. Sanders and Mrs. George Putnam, had a delightful luncheon with Dr. Mary Putnam Jacobi. She was invited by Mr. and Mrs. Edward Lauterbach to hear the opera of Faust, which was followed by a supper at the Waldorf. With a relative she attended the "Authors' Uncut Leaves Club," at Sherry's. One Sunday she went to hear Robert Collyer and the diary says: "His grand face, his rich voice, his white hair, ...
— The Life and Work of Susan B. Anthony (Volume 2 of 2) • Ida Husted Harper

... bricks and smoke, the old crowd of busy stupid faces, the old occupations, the old sleepy amusements; and the latest news that reaches us daily has an air of tiresome, doting antiquity. The world has nothing for it but to exclaim with Faust, "Give me my youth again." And as for me, my month of Cornish amusement is over; and I must tie myself to my old employments. I have not much to tell you about these; but perhaps you may like to hear of my expedition ...
— The Life of John Sterling • Thomas Carlyle



Words linked to "Faust" :   Faustian, Faustus, fictitious character, character



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