"Composer" Quotes from Famous Books
 ... is the one instrument which they know and understand, and it has been in use among the Norwegians for hundreds of years. Their most famous violin-player, Ole Bull, who died some few years ago, was looked on as a great composer and musician. But all over the country there are to be found men who can play after a fashion; and a century or so ago, when the people were still very superstitious, they fully believed that anyone who could play at all ...
— Peeps at Many Lands: Norway • A.F. Mockler-Ferryman
... the Arts, More dear to men's hearts? To the bird's inspiration they owe it; For the Nightingale first Sweet music rehearsed, Prima-Donna, Composer, and Poet. 36 ...
— Love's Meinie - Three Lectures on Greek and English Birds • John Ruskin
... table, where every delicacy was sumptuously served up in profusion: a grand concert, too, was given in the chapel-royal, under the direction of the chief musician, the celebrated Haydn; whose famous piece, called the Creation, was performed on this occasion, in a stile worthy of that admirable composer, and particularly gratifying to those distinguished amateurs of musical science, Sir William Hamilton and his most accomplished lady. The prince and princess had, a few years before, during a residence of several months at Naples, received such polite ...
— The Life of the Right Honourable Horatio Lord Viscount Nelson, Vol. II (of 2) • James Harrison
... Elma Ewes of Kenilworth," the Colonel answered, letting loose for a moment his tongue, that unruly member. "She's the composer, you know—writes songs and dances; remotely connected with Reginald Clifford, the man who was Governor of some West Indian Dutch-oven—St. Kitts, I think, or Antigua—he lives down our way, and he's a neighbour of mine ...
— What's Bred In the Bone • Grant Allen
... the other, each willing to yield to the other when the right moment comes.[3] The feet must never use the pedals so as to make the harmonies mingle wrongly, but at just the right moment must make the strings sing together as the composer desires. The thoughts can never for a single moment wander from the playing; they must remain faithful, preparing what is to come and commanding the hands to do exactly the right task in the right way. That shows us, you see, the second ...
— Music Talks with Children • Thomas Tapper
... fame as a dramatist, has been causing his friends and admirers serious misgivings by his article on Sir EDWARD ELGAR in a new musical journal, Music and Letters. Sir EDWARD ELGAR has a great following; he has written oratorios; he is an O.M.; yet Mr. SHAW salutes him as the greatest English composer, the true lineal descendant of BEETHOVEN, one of the Immortals and the only candidate for Westminster Abbey! To find Mr. SHAW taking a majority view is bad enough; it is a case of proving false to the ...
— Punch, or the London Charivari, Volume 158, February 4, 1920 • Various
... French, to whose genius they are better suited than to the British. An analogy may be observed between all the different departments of the belles lettres; and none seem more closely allied, than the pursuits of the dramatic writer, and those of the composer of romances or novels. Both deal in fictitious adventure; both write for amusement; and address themselves nearly to the same class of admirers. Nay, although the pride of the dramatist may be offended by the assertion, it would seem, that the nature of his walk ...
— The Works of John Dryden, Vol. II • Edited by Walter Scott
... came in to breakfast one morning whistling an attractive air. I asked what it was; he said from Carmen, and hummed the air through. He went on to say that he had well known the composer, Bizet, who founded his opera on Merimee's romance. It fell flat, and Bizet died believing it a failure; afterwards it ...
— The Life of the Rt. Hon. Sir Charles W. Dilke, Vol. 2 • Stephen Gwynn
... did not abolish the races of Christian boys and old men. The people detested the Jews, hooted them, hissed them, and maltreated them with and without provocation. Moses Mendelssohn, the father of the composer, wrote to a friend from Berlin late in the eighteenth century, complaining bitterly that in that self-styled city of toleration, the cry of 'Jew' was raised against him when he ventured into the streets with his little children by daylight, and that the boys threw stones at them, as they ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... Eisleben. It often played a certain piece which had just come out, and which was making a great sensation, I mean the 'Huntsmen's Chorus' out of the Freischutz, that had been recently performed at the Opera in Berlin. My uncle and brother asked me eagerly about its composer, Weber, whom I must have seen at my parents' house in Dresden, when he was conductor of the ...
— My Life, Volume I • Richard Wagner
... it the young fellow's face brightened gaily. He stepped back a little way, leaned against a linden, and sang, in the drawling tone peculiar to the west of France, the following Breton ditty, published by Bruguiere, a composer to whom we are indebted for many charming melodies. In Brittany, the young villagers sing this song to all newly-married couples on ...
— Pierrette • Honore de Balzac
... name appears as chief owner in many of them; and it seems clear that the spoils which he gathered from the sea formed the basis of a goodly heritage upon dry land. He was an intimate friend of a certain Parsi millionaire, whom the composer of the ballad has supposed to be Sir Jamserji Jeejeebhoy, but who was more probably a member of the great family of Wadia,—the original ship-builders and dock-masters of the ...
— By-Ways of Bombay • S. M. Edwardes, C.V.O.
... through a period of wildest dissipation, and all his life was easily influenced by alcohol. He was a painter, a writer, and a musician. His ability in the pictorial arts was mainly in caricature and his career as a composer is typically Romantic; though he never but once completed a composition, that he started, he was thoroughly at home in the theory of the art. Like all Romanticists, Hoffmann was interested in and tried all phases of life and refused to recognize ...
— The German Classics of the Nineteenth and Twentieth Centuries: - Masterpieces of German Literature Translated into English, Volume 5. • Various
... days a tenor, for example, could carry up his voice in the adjustment for the middle or in phenomenal cases even for the chest register, instead of changing to the head register, more easily than can be done now. In fact, nowadays, when a composer calls for a very high note, it usually is transposed, so that actually the supposedly high C of Di quella pira nearly always is a B flat. Probably there has been no general deterioration in voices, popular opinion to the contrary notwithstanding. Phenomenal voices always ...
— The Voice - Its Production, Care and Preservation • Frank E. Miller
... playwright, who is a sub-novelist) has been taking the bread out of the mouths of other artists. In the matter of poaching, the painter has done a lot, and the composer has done more, but what the painter and the composer have done is as naught compared to the grasping deeds of the novelist. And whereas the painter and the composer have got into difficulties with their audacious schemes, the novelist has poached, colonised, and annexed ...
— The Author's Craft • Arnold Bennett
... brought to your senses the movements that once took place among these men in real life. Music is inspired by the soul, and likewise has a direct influence upon it. No Sageman was considered an eminent composer if his work lacked the force to convey the soul of the listener to the actual scene from whence the inspiration was derived. No doubt your inferior brain was incapable of grasping the magnificent conception of the author, but the selection being so enrapturous ...
— Born Again • Alfred Lawson
... y obtient par l'entremise de la Mre de Dieu vont jusqu'au miracle. Comme il faudroit composer un livre entier pour dcrire toutes ces faveurs extraordinaires, je n'en rapporterai que deux, ayant t tmoin oculaire de l'une et propre sujet ...
— The Jesuits in North America in the Seventeenth Century • Francis Parkman
... dew-dampened fleece of the fields. The women wore bandana handkerchiefs, and picturesquely down the rows their red heads were bobbing. Whence came their tunes, so quaintly weird, so boisterous and yet so full of melancholy? The composer has sought to catch them, has touched them with his refining art and has spoiled them. The playwright has striven to transfer from the field to the stage a cotton-picking scene and has made a travesty of it. To transfer the passions of man and to music-riddle them is an art with stiff-jointed ...
— An Arkansas Planter • Opie Percival Read
... is wrongly assigned to them. We must further remember the importance assigned by the tradition of the Eastern and Western Churches to one of the earliest Roman "bishops," Clement, as the confidant and secretary of the Apostles and as the composer and arranger of ...
— History of Dogma, Volume 2 (of 7) • Adolph Harnack
... at the piano fingered a chord tentatively, then struck into a popular song, an appealing little melody, the words a lyric set to music by a composer ...
— Betty Gordon at Boarding School - The Treasure of Indian Chasm • Alice Emerson
... by Plato amounts to this, that he makes Socrates compel his friends to admit, 'that it belongs to the same man, how to compose comedy and tragedy, and that he who is by skill a composer of tragedies is also a composer of comedies.' (Sympos fin.) * * * But it is mere confusion to speak of this as anticipation. Plato does not say that there would be any greater combination of the ...
— Fables of Infidelity and Facts of Faith - Being an Examination of the Evidences of Infidelity • Robert Patterson
... I said to people, 'You have a brilliant young composer named Pair. Can you put me in the way of procuring his address?' The fortune he had come to seek he would surely have found; he would be a known man. But people looked blank, and declared they had never heard of him. I applied to music-publishers—with ...
— Grey Roses • Henry Harland
... three years ago. Now she was the feature in the big, musical comedy success, "Up in the Air" and had New York at her feet. The critics admitted that she saved the "piece" in spite of composer and librettist. Some one is always doing that very thing for the ...
— What's-His-Name • George Barr McCutcheon
... Egyptian eyes, and a long, red, sensuous mouth, the lips of which were rapaciously drooping at the corners; the baroness Tefting, little, exquisite, pale—she was everywhere seen with the artiste; the famous lawyer Ryazanov; and Volodya Chaplinsky, a rich young man of the world, a composer-dilettante, the author of several darling little ballads and many witticisms upon the topics of the day, which ...
— Yama (The Pit) • Alexandra Kuprin
... which regulated and made beautifull by Art, presenteth the most Harmonious of all other compositions; among which (if we rightly consider) the Dramaticall is the most absolute, in regard of those transcendent Abilities, which should waite upon the Composer; who must have more then the instruction of Libraries which of it selfe is but a cold contemplative knowledge there being required in him a Soule miraculously knowing, and conversing with all mankind, inabling him to expresse not onely the Phlegme and folly ...
— The Works of Francis Beaumont and John Fletcher in Ten Volumes - Volume I. • Beaumont and Fletcher
... The German composer Wolfgang Amadeus Mozart (1756-1791) was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind that were unlike any previously experienced. A true child prodigy, ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... in the soul of genius, that the marble takes its form, the canvas its color, sweet sounds combine in melody, and language weaves itself into the wreath of song. The same divine impulse, the same grasping after a higher excellence inspires the sculptor, the painter, the composer, and the poet, but some chance bent of nature has decided them to ...
— Continental Monthly , Vol V. Issue III. March, 1864 - Devoted to Literature and National Policy • Various
... had no difficulty in framing an idol of parental geniality and wisdom. Fifteen years of failure and mismanagement had, however, impaired the beauty of the domestic fiction; and although old-fashioned Austrians, like Haydn, the composer of the Austrian Hymn, were ready to go down to the grave invoking a blessing on their gracious master, the Emperor himself and his confidants were shrewd enough to see that the newly-excited sense of German patriotism ...
— History of Modern Europe 1792-1878 • C. A. Fyffe
... implications might be cited from the histories of later times and peoples; as the practices of our own early minstrels, who sang to the harp heroic narratives versified by themselves to music of their own composition: thus uniting the now separate offices of poet, composer, vocalist, and instrumentalist. But, without further illustration, the common origin and gradual differentiation of Dancing, Poetry, and Music ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... out for ourselves. Among the paths of conduct, that which is entirely original is likely to be false, and that which is true is likely to have some footprints on it. When a man comes to us with a scheme of life which he has made all by himself, we may safely say to him, as the old composer said to the young musician who brought him a symphony of the future, "It is both new and beautiful; but that which is new is not beautiful, and that which is beautiful is ...
— Joy & Power • Henry van Dyke
... for a consummate interpretation of a musical work so as to permit an appreciation of its real value, a clear view of its physiognomy, or discernment of its real meaning and true character, is only achieved in relatively few cases. Of creative artists, the composer is almost the only one who is dependent upon a multitude of intermediate agents between the public and himself; intermediate agents, either intelligent or stupid, devoted or hostile, active or inert, capable—from first to last—of ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... MASSA, soldier, composer, and French dramatist, was born in Paris, December 5, 1831. He selected the military career and received a commission in the cavalry after leaving the school of St. Cyr. He served in the Imperial Guards, took part in the Italian and Franco-German ...
— Zibeline, Complete • Phillipe de Massa
... an actual and not a potential ecclesiastic is drawn upon for the basic characteristics of the character In the second version of "Evelyn Innes" there is more of Mr. Russell than of Mr. Yeats in Ulick Dean, at least in his appearance and sayings, though Mr. Moore could not divest his composer of the personality of Mr. Yeats. There is less of Ireland in "Sister Theresa" (1901) than in "Evelyn Innes," but "The Untilled Field," short stories written after the removal of Mr. Moore to Dublin and gathered together in 1903, are wholly concerned with Ireland. As Mr. Moore makes Jasper say to ...
— Irish Plays and Playwrights • Cornelius Weygandt
... Mary Duncan. By them I was placed for education in the Irish Convent, Rue du Bacq, Faubourg St. Germain, at Paris, where the immortal Sacchini, the instructor of the Queen, gave me lessons in music. Pleased with my progress, the celebrated composer, when one day teaching Marie Antoinette, so highly overrated to that illustrious lady my infant natural talents and acquired science in his art, in the presence of her very shadow, the Princesse de Lamballe, as to excite in Her Majesty an eager desire for the ...
— The Secret Memoirs of Louis XV./XVI, Complete • Madame du Hausset, an "Unknown English Girl" and the Princess Lamballe
... Europe for her crayon miniatures; and the place produced in the sixteenth century the great maestro Giuseppe Zarlino, "who passes," says Cantu, "for the restorer of modern music," and "whose 'Orfeo' heralded the invention of the musical drama." This composer claimed for his birthplace the doubtful honor of the institution of the order of the Capuchins, which he declared to have been founded by Fra Paolo (Giovanni Sambi) of Chioggia. There is not much now to see in poor little Chioggia ...
— Venetian Life • W. D. Howells
... King Lear the further he felt from forming any definite opinion of it. There was, as it were, a continual beginning, a preparation of the musical expression of some feeling, but it fell to pieces again directly, breaking into new musical motives, or simply nothing but the whims of the composer, exceedingly complex but disconnected sounds. And these fragmentary musical expressions, though sometimes beautiful, were disagreeable, because they were utterly unexpected and not led up to by anything. Gaiety and grief and despair and tenderness and triumph followed one another ...
— Anna Karenina • Leo Tolstoy
... movements chronologically we will begin with his establishment in 1597 (eight years after this first Bourbon took the throne) of a high-warp industry in the house of the Jesuits in the Faubourg St. Antoine, associating here Du Bourg of La Trinite and Laurent, equally renowned, and the composer of ...
— The Tapestry Book • Helen Churchill Candee
... to whom words come not? A dumb composer of unuttered sounds, Ignored by fame and to the world unknown? Thine may be, then, the mission to create Immortal lyrics and immortal strains, For stars to chant together as they swing About the holy centre ...
— Poems of Purpose • Ella Wheeler Wilcox
... enjoyment of his praiseworthy efforts. An almost too vivacious rendering of the Venusberg music brought the scheme to a strepitous conclusion. It may, however, be submitted that so realistic an interpretation of the Pagan revelries depicted by the composer is hardly in accordance with the best traditions of ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... This composer of charming music will furnish better biographical material fifty years hence. At present we must be satisfied to listen to his compositions, and leave the study of the ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon
... Sonata") in 1697, are of great importance and interest in the history of English music, but there is no new departure in them; this, at any rate in the earlier ones of 1683, is fully acknowledged by the composer. ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... them: "Children, remember that to-day you have danced to the playing of Monsieur Auber, the most celebrated composer in France. Such a thing is an event, and you must remember it and tell ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... their profession, but by which their conversation profits. More 'literary' than many 'men of letters' (we were not aware at this period that M. Legrandin had a distinct reputation as a writer, and so were greatly astonished to find that a well-known composer had set some verses of his to music), endowed with a greater ease in execution than many painters, they imagine that the life they are obliged to lead is not that for which they are really fitted, and they bring to their regular occupations either a fantastic ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... lady came up presently and spoke to Delia, who was in full flow of eager talk with the young musical composer. ...
— A Little Girl of Long Ago • Amanda Millie Douglas
... belonged to the literary or musical world, as the garcon had observed as their visitors the eminent author M. Savarin and his wife; and, still more frequently, an old man not less eminent as a musical composer. ...
— The Parisians, Complete • Edward Bulwer-Lytton
... Lettre' for you." Nora faced the piano to render the exquisite inspiration of the noted French composer. "Before I sing it," she added, turning her head toward Mrs. Harlowe, "I had better try to tell you something about it. It is about a letter somebody writes to a loved one, late in the night when everything is absolutely silent in the house. Roughly translated ...
— Grace Harlowe's Golden Summer • Jessie Graham Flower
... authorized to laugh any modern theatrical pretension to scorn."[89] Trotter records a number of families whose musical talent has become world-wide. The Lambert family, one of whom was decorated by the King of Portugal, became a professor in Paris, and composer of the famous Si J'Etais Roi, L'Africaine, and La Somnambula.[90] In this same field Basile Barres ...
— The Journal of Negro History, Volume 2, 1917 • Various
... basis of the Bluebeard libretto. Strauss's symphony is worked out along more tranquil lines, to be sure, but it is only the history of a single day of married life and a day arbitrarily chosen by the composer. It is conceivable that there may have been ...
— Bluebeard • Kate Douglas Wiggin
... it might be more correct to say composer and author, for in this case music preceded words), Rouget de Lisle—a young aristocrat and an artillery officer—had as a friend a citizen of Strasbourg, to whose house, in the early days of the Revolution, ...
— A Soldier's Sketches Under Fire • Harold Harvey
... specifically erotic.[119] In adult life the music which often seems to us to be most definitely sexual in its appeal (such as much of Wagner's Tristan) really produces this effect in part from the association with the story, and in part from the intellectual realization of the composer's effort to translate passion into aesthetic terms; the actual effect of the music is not sexual, and it can well be believed that the results of experiments as regards the sexual influence of the Tristan music on men under ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... adventures. When every doubtful word has to be looked up in the dictionary, and newly acquired knowledge concerning participles and personal pronouns duly applied, letter-writing is a serious business. Sometimes a page was copied three times before it met with the critical approval of the composer. ...
— Quin • Alice Hegan Rice
... in college he was a valuable member of the Handel Society, his influence being always in favor of the introduction for practice of the standard and classic authors. Haydn's 'Creation' and other works of that great composer were an unfailing source of delight to him. Their naturalness and spontaneity, their brightness and cheerfulness, their artistic finish and exquisite grace, met precisely the corresponding qualities in his own mind. As we often choose those authors who are most ...
— The History of Dartmouth College • Baxter Perry Smith
... brother-in-law of De Vitry, and De Bournonville his brother, who were entrusted with the safe keeping of Barbin in the Bastille, and by whom he had been indirectly permitted to maintain a correspondence with his exiled mistress; together with the brothers Siti, of Florence, and Durand, the composer of the King's ballets. The result of the trial proved the virulence of the prosecutors, but at the same time revealed their actual weakness, as they feared to execute the sentence pronounced against the three principal offenders; and were compelled to satiate their vengeance upon the more ...
— The Life of Marie de Medicis, Vol. 3 (of 3) • Julia Pardoe
... of his fancy. Sometimes his voice was rough and harsh and screeching, and sometimes it was low and drawling and singing; but at no time did it harmonize with what he was about. Music was the subject of conversation; the praises of a new composer were being sung, when Krespel, smiling, said in his low, singing tones, "I wish the devil with his pitchfork would hurl that atrocious garbler of music millions of fathoms down to the bottomless pit of hell!" Then he burst out passionately and wildly, "She is an angel of heaven, nothing ...
— Stories by Foreign Authors: German • Various
... peremptory questions. He replied very placidly, "I am afraid I have but a superficial outside acquaintance with the secrets, the unfathomable mysteries, of music. I can no more conceive of the working conditions of the great composer, ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... the fabulist came to be regarded as a humorist. This feeling gained ground so much afterwards that Lucian makes AEsop act the part of a buffoon in "The Isles of the Blessed." Such views no doubt influenced the traditions with regard to the condition and characteristics of their composer. There was the more field for this, inasmuch as even the fables were only handed down orally. Some biographer, formerly supposed to have been Planudes the monk, seems to have fertilized with his own inventive genius many tales which ...
— History of English Humour, Vol. 1 (of 2) - With an Introduction upon Ancient Humour • Alfred Guy Kingan L'Estrange
... This celebrated composer was married at Bologna, on the 16th of August, after a courtship of 16 years, to Mademoiselle Olympe Bearrien of Paris. It may change the ...
— Scientific American magazine Vol 2. No. 3 Oct 10 1846 • Various
... advancement; but his reveng was so sweet that he is his Justice Clodpate, and calls him a great man, and that in allusion to his name bore three lowses rampant for his arms. From an actor of playes he became a composer. He dyed Apr. 23, 1616, aetat 53, probably at Stratford, for there he is buried, and hath a monument (Dugd. p. 520), on which he lays a heavy curse upon any one who shall remove his bones. He dyed a papist." The inaccuracy of Davies's version of facts ...
— The Facts About Shakespeare • William Allan Nielson
... of my secret self-disgust, a little flattered to have the attention of these big fellows. I remember particularly a moment of pleasure caused by the praise of Crawshaw—you remember Crawshaw major, the son of Crawshaw the composer?—who said it was the best lie he had ever heard. But at the same time there was a really painful undertow of shame at telling what I felt was indeed a sacred secret. That beast Fawcett made a joke about the girl ...
— The Door in the Wall And Other Stories • H. G. Wells
... Creation. When one arises among us, who, like Pygmalion, makes no useless appeal to the Goddess of Beauty for the gift of life for his Ideal, and who creates as he was created, we cherish him as a great interpreter of human love. We call him poet, composer, artist, and speak of him reverently as Master. We say that his lips have been wet with dews of Hybla,—that, like the sage of Crotona, he has heard the music of the spheres,—that he comes to us, another Numa, radiant and inspired from ...
— Atlantic Monthly, Vol. 7, No. 44, June, 1861 • Various
... Facts to be thought to deserve what she now enjoys: for though we do not imagine her the Author of the Narrative itself, yet we must suppose the Instructions were given by her, as well as the Reward, to the Composer. Who that is, though you so earnestly require of me, I shall leave you to guess from that Ciceronian Eloquence, with which the Work abounds; and that excellent Knack of making every Character amiable, which ...
— An Apology for the Life of Mrs. Shamela Andrews • Conny Keyber
... lash. Thus too Europa trusted her fair side to the deceitful bull, and bold as she was, turned pale at the sea abounding with monsters, and the cheat now become manifest. She, who lately in the meadows was busied about flowers, and a composer of the chaplet meet for nymphs, saw nothing in the dusky night put stars and water. Who as soon as she arrived at Crete, powerful with its hundred cities, cried out, overcome with rage, "O father, name abandoned by thy daughter! O my duty! Whence, ...
— The Works of Horace • Horace
... Another and another took it up until all four were engaged on it. It was not precisely in tune nor were the performers in unison, but it produced a vaguely pleasant effect, and if not in tune with the notes as the composer wrote them, the sight and sound of those four whistling and idle soldiers was in tune with the air of ...
— Michael • E. F. Benson
... going—some are coming. Presently I see an opening in the bushes on my left; the path leads me to a clump of evergreens. I follow it, and come suddenly on the great composer's grave. All about the green square mound the trees are thick—laurel, fir, and yew. The shades fall funereally across the immense gray granite slab; but over the dark foliage the sky is bright blue, and straight in front of me, above the ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... probability. But few of us would have supposed that this race of vagabonds and outcasts had ever risen much above their traditional occupation of tinkering, far less that any portion of it had displayed original artistic genius. We have, however, from Robert Franz the composer a most interesting account of the wonderful music of the Hungarian gypsies or Tziganys, which he had several opportunities of hearing during a visit to a friend in Hungary. He had been much impressed in his ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 86, February, 1875 • Various
... stories, and ranks deservedly high among the short novels of its prolific author. Dumas visited Holland in May, 1849, in order to be present at the coronation of William III. at Amsterdam, and according to Flotow, the composer, it was the king himself who told Dumas the story of "The Black Tulip," and mentioned that none of the author's romances were concerned with the Dutch. Dumas, however, never gave any credit to this anecdote, and others have alleged that Paul Lacroix, ...
— The World's Greatest Books, Vol III • Arthur Mee and J.A. Hammerton, Eds.
... Tasso (a practice which was suspended for some reason during my stay in Venice: at least no gondolier ever did it in my hearing). Shakespear is no more a popular author than Rodin is a popular sculptor or Richard Strauss a popular composer. But Shakespear was certainly not such a fool as to expect the Toms, Dicks, and Harrys of his time to be any more interested in dramatic poetry than Newton, later on, expected them to be interested in fluxions. And when we come to the question whether Shakespear missed that assurance which ...
— Dark Lady of the Sonnets • George Bernard Shaw
... his wife. Dressed as a sailor, he conducted her, disguised as Flora, in an ornamented barge, all festooned with garlands, and illuminated with coloured lamps. It was a truly fairy scene, and the Dame Lebrun did not at that time look on the composer of the spectacle as a malignant cobold, the enemy of ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... been congratulating me again today upon being the only composer of our days—of these days of deafening orchestral effects and poetical quackery—who has despised the new-fangled nonsense of Wagner, and returned boldly to the traditions of Handel and Gluck ...
— Hauntings • Vernon Lee
... inexorable in great things; no city of the globe so disdainfully indulgent in small. Pons' notes were drowned before long in floods of German harmony and the music of Rossini; and if in 1824 he was known as an agreeable musician, a composer of various drawing-room melodies, judge if he was likely to be famous in 183l! In 1844, the year in which the single drama of this obscure life began, Sylvain Pons was of no more value than an antediluvian semiquaver; dealers in music had never heard of his name, though he was still composing, ...
— Cousin Pons • Honore de Balzac
... of the cloister sang; somewhat precariously and pathetically, the Ave Maria. Its pathos was of the past, and after she had finished, as we fled into the open air, we were conscious of having turned our backs irrevocably yet determinedly upon an era whose life and convictions the music of the composer so beautifully expressed. And the sister's sweet withered face was reminiscent of a missal, one bright with colour, and still shining faintly. A missal in a library of ...
— The Crossing • Winston Churchill
... a subject of surpassing interest to the musician. Whatever may be thought the true purpose of music, there can be no question as to one demand made on each individual instrument,—it must produce tones of sensuous beauty. A composer may delight in dissonances; but no instrument of the orchestra may produce harsh or discordant tones. Of beauty of tone the ear is the sole judge; naturally so, for the only appeal of the individual tone is to the ear. Melody, rhythm, and ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... of his fair pupils—a young lady of birth and fortune—whom he married, much to the displeasure of her relations. He fell into impaired health, and died on the 23d of September 1814, in the fifty-third year of his age. To the lovers of Scottish melody the name of Mr Hamilton is familiar, as a composer of several esteemed and beautiful airs. His contributions to the department of Scottish song entitle his name ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... many years German musicians insisted that Wagner was not a composer. They declared that he produced only a succession of discordant noises. I account for this by the fact that the music of Wagner was not German. His countrymen could not understand it. They had to be educated. There was no orchestra in Germany that could really play "Tristan ...
— The Works of Robert G. Ingersoll, Volume VIII. - Interviews • Robert Green Ingersoll
... written Lamartine already knew that she was hopelessly ill. This experience of his colors many poems of his first two volumes. Le Lac has often been set to music; most successfully by the Swiss composer Niedermeyer (1802-1861). For interesting variants in the text see Reyssi, la Jeunesse ...
— French Lyrics • Arthur Graves Canfield
... of Allessandro Scarlatti was then current and universally popular in Italy. This composer was particularly famous for the excellence of his recitative; and his general merit may be judged of by the fact, that he is placed by Arteaga, in his work on the revolutions of the musical drama in Italy, among the early authors belonging to the period which he ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... existing admirers of the once enormously popular composer, OFFENBACH, among whom I certainly include myself, will be much gratified by the delicately introduced reminiscences of the work of that master of opera bouffe which occasionally crop up during the performance ...
— Punch, Or The London Charivari, VOL. 100. Feb. 28, 1891 • Various
... witness, scarcely even a writer who took the history from the narrative of an eye witness. Even if we consider the person who in different places comprehends himself and the Apostle Paul under the word 'we' or 'us' to have been the composer of the whole work, that person was not on the occasion of the occurrence before Damascus as yet in the company of the Apostle. Into this he did not enter until much later, in the Troad, on the Apostle's second missionary journey (Acts xvi., 10). But that hypothesis with regard ...
— The Fair Haven • Samuel Butler
... she cried. "The day will be so happy; for I've seen you at the dawn." There was all the emotional fervour and pathetic tenderness which the great composer has compressed into the love-music of "Tristan and Isolde" ...
— Mistress Nell - A Merry Tale of a Merry Time • George C. Hazelton, Jr.
... replied the anti-Marconi Colossus. "But what's in a title anyway? Books should not have titles at all, but be numbered, like a composer's operas, Op. 1, ...
— Punch, or the London Charivari, Vol. 152, June 13, 1917 • Various
... imagined is cast upon the canvas, too little is laid aside, so that the poems run to a length which weakens instead of strengthening the main impression. A number of the poems have, that is, the faults of a composer whose fancy runs away with him, who does not ride it as a master; and in whom therefore, for a time, imagination has gone to sleep. Moreover, only too often, they have those faults of composition which naturally belong to a poet when he writes as if ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... be deprecated, if merely for the reason that it may debar a singer from interpreting accurately the composer's ideas. How seldom, if ever, even in the best lyric theatres, is the following passage heard as the ...
— Style in Singing • W. E. Haslam
... musicians on the afternoon of October 9, 1770. They had gathered to welcome a small boy who had recently come with his father from the town of Salzburg in Austria. The most marvelous stories of his genius as a composer had preceded him, and his travels through Europe had been one long success. Yet it scarcely seemed possible that a boy of fourteen could know so much about music as this one was said to. That was why the learned men of Bologna had gathered ...
— Historic Boyhoods • Rupert Sargent Holland
... endured for two weeks, and the symphonic poem was progressing as well as its composer had any reason to expect. Already it was bidding fair to rival the Alan Overture and Mr. Barrett began to carry his nose tilted at an angle higher than ever, as if in imagination he already scented the fresh laurels in store for him. Pride goeth ...
— Phebe, Her Profession - A Sequel to Teddy: Her Book • Anna Chapin Ray
... a well-known Italian composer of the same name. He was a pupil of the celebrated Conservatorio of Naples, and, as I have been informed, was about to obtain a professorship in the Conservatorio of Paris, when political circumstances diverted his course to America. He was the friend of General Moreau and President Madison. ...
— The Continental Monthly, Vol. 5, No. 5, May, 1864 - Devoted To Literature And National Policy • Various
... have been turned out into the sunshine; that pretty violin—one can easily understand that he was fond of it himself—ought to have been taken away from him, and a kite-string placed in his hand instead. If God had set the germ of a great musician or a great composer in that slight body, surely it would have been wise to let the precious gift ripen and flower in its ...
— The Little Violinist • Thomas Bailey Aldrich
... under protest. But there are some quiet songs I like so much that I sing them to myself when I am out of spirits, and it does me good. Don't you like the old-fashioned ones best? I fancy, in those days, people felt more what they wrote, and did not consider only how the words would suit the composer." ...
— Sword and Gown - A Novel • George A. Lawrence
... programme as usual reflects her catholic and cosmopolitan taste, for she will sing not only Welsh and Cornish folk-songs, but works by PALESTRINA, Gasolini, Larranaga, Sparafucile, and the young American composer, Ploffskin Jee, so that both classical and modern masters will ...
— Punch, 1917.07.04, Vol. 153, Issue No. 1 • Various
... the only sources of information respecting the great master, and the history of his works, available to the public, even the German public. Wegeler's "Notizen" are indispensable for the early history of the composer; Schindler's "Biographie," for that of his later years. Careful scrutiny has failed to detect any important error in the statements of the former, or in those of the latter, where he professedly speaks from personal knowledge. Schindler ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... not of general interest. One of them is a Requiem on the Prince de Ligne, who died in 1814, and whom Goethe calls "the happiest man of the century," and the other was composed in honour of the 70th birthday of his friend Zelter the composer, when Goethe was himself more than 79 (1828). The following sweet aria introduced in the latter is, ...
— The Poems of Goethe • Goethe
... let us hear what Berlin has to say about the inseparable quality of words and music: "The song writer who writes both words and music, has the advantage over the lyric writer who must fit his words to somebody else's music and the composer who must make his music fit someone else's words. Latitude—the mother of novelty—is denied them, and in consequence both lyrics and melody suffer. Since I write both words and music, I can compose them together and make them fit. I sacrifice one ...
— Writing for Vaudeville • Brett Page
... speaking of Signior Nicolini. [1] The Town is highly obliged to that Excellent Artist, for having shewn us the Italian Musick in its Perfection, as well as for that generous Approbation he lately gave to an Opera of our own Country, in which the Composer endeavoured to do Justice to the Beauty of the Words, by following that Noble Example, which has been set him by the greatest Foreign ...
— The Spectator, Volume 2. • Addison and Steele
... tenor and the composer of "The Death of Nelson." Lamb praised him again in his Elia essay "Imperfect Sympathies," and later wrote an amusing article on Braham's recantation of Hebraism (see "The Religion of Actors," Vol. I.). "Kais," composed by Braham and Reeve, was produced at Drury ...
— The Works of Charles and Mary Lamb, Vol. 5 • Edited by E. V. Lucas
... has little time for golf nowadays, finds his most refreshing recreation in reading the speeches of Lord NORTHCLIFFE, co-ordinating them with those of BURKE and PERICLES, and setting them to music in the style of HANDEL, his favourite composer. ...
— Punch, or the London Charivari, Vol. 153, Aug. 22, 1917 • Various
... Musiker? But no. My ideas of musicians were somewhat hazy, not to say utterly chaotic; they embraced only two classes: those who performed or gave lessons, and those who composed. I had never formed to myself the faintest idea of a composer, and my experience of teachers and performers was limited to one specimen—Mr. Smythe, of Darton, whose method and performances would, as I have since learned, have made the hair of a musician stand horrent on end. No—I did not think he was a musician. An actor? Perish ...
— The First Violin - A Novel • Jessie Fothergill
... humors of my imagination. It is scarcely necessary to say that I assume the existence of such a power, at the outset. I recognize it as a normal faculty of the human mind,—not therefore universal, any more than the genius which makes a poet, a painter, or a composer. ...
— Atlantic Monthly, Volume 6, No. 38, December, 1860 • Various
... his son, was forty-five years of age at the death of his father. He did not possess his father's brilliant genius or power of personal influence, but was fondly devoted to the fine arts, himself a talented painter and composer. He was a hard worker, and also fond of the pleasures of life. His health was injured through illness, in 1857, and he never recovered. The premature death of his second son, Prince Gustavus, a talented composer and highly popular, had a disastrous effect ...
— Norwegian Life • Ethlyn T. Clough
... it can be elaborated into the finest lines and cracks, and against almost the weakest walls, and teeth are sometimes lost with gold that might have been well preserved with tin. I saw an effective tin stopping in a tooth of Cramer's, the celebrated musical composer, which had been placed there thirty-five years ago by Talma, of Paris." ("The Odontalgist," by J. Paterson Clark, ...
— Tin Foil and Its Combinations for Filling Teeth • Henry L. Ambler
... notion that William Basse was a musical composer, as well as a writer of verses; but here, again, I am at fault, and particularly request the aid of Dr. Rimbault, who has paid special attention to such matters, and who has just published a learned and valuable work on the music of the ballads in Percy's Reliques. If the volume were not ...
— Notes & Queries 1850.01.26 • Various
... the celebrated song composer, in St. Martin's, by Pancras New Church, is the first verse of ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 563, August 25, 1832 • Various
... to produce a tastefully-blended effect, while at the same time providing for solos and also for the rendering of parts in which a small number of performers may contribute to the unfolding of the composer's ideas. The orchestra cannot therefore be examined or discussed from a mechanical point of view, however much some of the instruments of which it is composed may be ...
— Twentieth Century Inventions - A Forecast • George Sutherland
... musician and composer, the late Dr. Ritter, told me that reading "Leaves of Grass" excited him to composition as no other poetry did. Tennyson left him passive and cold, but Whitman set his fingers in motion at once; he was so fruitful in themes, so suggestive ...
— Whitman - A Study • John Burroughs
... a small bracelet that was given to her when an infant by Gounod. She has grown somewhat stout of late years, and the hoop of gold has been reenforced so often that there is hardly any of the great composer's original gift left. Still, she feels that it is a charm which has made her success, and whether she sings the part of a lowly peasant or of a princess the bracelet is ...
— Caruso and Tetrazzini on the Art of Singing • Enrico Caruso and Luisa Tetrazzini
... strings are admirably fitted. There is one chord (will it be recognised as belonging to Box?) which— But, as Sir ARTHUR says, "Where will be the surprise, if your Musical Critic tells everything beforehand?" He is right, quite right, and, thank goodness, he is quite well, and not ; but the Composer is in the playfullest of humours, and laughs over his recent row with ; in fact, he was in such good spirits, that, when I wanted to hear all about it, and I told him he could either sing it or play it to me, he replied, "You !" Exactly like him, which neither of these two is. However, I'm ...
— Punch, Or The London Charivari, Vol. 100., Jan. 10, 1891 • Various
... admiration of the vulgar: to you they would have brought no delight." This ostentatious stage-display finds its counterpart to some extent at the present day, and may remind us also of the huge orchestras of blaring sound which are the delight of the modern composer and the modern musical audience. And the plays were by no means the only part of the show. There were displays of athletes; but these never seem to have greatly interested a Roman audience, and Cicero says that Pompey confessed that they were a ...
— Social life at Rome in the Age of Cicero • W. Warde Fowler
... states the idea in so many words: "Unto them that look for him he shall appear the second time." That expectation of the speedy second coming of the Messiah which haunted the early Christians, therefore, unquestionably occupied the mind of the composer of the ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... In the former case the relation of God to the world is made an external relation; in the latter, an internal one. In the one the world is thought of as a clock, which once wound up runs on mechanically, in the second it is likened to a piece of music which the composer himself recites. If God preserves created things by continually recreating them they are not substances at all; if they are substances, preservation becomes an empty word, which we repeat after the theologians without giving it ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... course of this spring that she made the acquaintance of M. de Lamennais, introduced to her by their common friend, the composer, Franz Liszt. The famous author of the Paroles d'un Croyant had virtually severed himself from the Church of Rome by his recent publication of this little volume, pronounced by the Pope, "small ...
— Famous Women: George Sand • Bertha Thomas
... absently out of the window. It was a sultry afternoon of swollen clouds that hung low over the river. The windmill on the hilltop opposite was motionless. He seemed to hear Genevieve's voice the last time he had seen her, so long ago. "You would have been a great composer." He walked over to the table and turned over some sheets without looking at them. "Would have been!" He shrugged his shoulders. So you couldn't be a great composer and a deserter too in the year 1919. Probably Genevieve was right. But he ...
— Three Soldiers • John Dos Passos
... Hate Against England" to music for male voices. The song was rendered publicly at a great meeting in a concert in the Alberthalle at Leipsic, and was taken up in roaring chorus by the audience. The composer himself accompanied his composition ...
— The New York Times Current History: the European War, February, 1915 • Various
... the inward reaches us not solely through the eye. The ear has an even higher function. Perhaps the composer of great music speaks, in the course of the ages, to a larger number of human hearts than are touched by any other form of genius. Thousands, listening enraptured to his strain, hear "the outpourings of eternal harmony in the medium of created sound." ...
— Prime Ministers and Some Others - A Book of Reminiscences • George W. E. Russell
... Puritan forbears, and on his father's side from Huguenot (French) exiles who were musicians at the English court. One of his ancestors, Nicholas Lanier, is described as "a musician, painter and engraver" for Queen Elizabeth and King James, and as the composer of music for some of ...
— Outlines of English and American Literature • William J. Long
... possibilities of experience which he can make his own. He does not pretend to judge painting; but he feels that he has some right to appreciate art. In reducing all art to a matter of technique artists themselves are not quite consistent. My friends Jones, a painter, and Smith, a composer, do not withhold their opinion of this or that novel and poem and play, and they discourse easily on the performances of Mr. James and Mr. Swinburne and Mr. Shaw; but I have no right to talk about the meaning to me of Jones's picture or Smith's sonata, ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... and Switzerland were written during the two years with which he prefaced his quarter-century of labor as composer, director, and virtuoso. They relate much to Italian painting, the music of Passion Week, Swiss scenery, his stay with Goethe, and his brilliant reception in England on his return. They disclose a ...
— The Atlantic Monthly, Volume 15, No. 87, January, 1865 • Various
... "Messiah," which is still performed in both Protestant and Catholic cathedrals; and Graun, with whom Frederick the Great played the flute, brought private singing into vogue by his musical compositions. Gluck was the first composer who introduced the depth and pathos of more solemn music into the opera. He gained a complete triumph at Paris over Piccini, the celebrated Italian musician, in his contest respecting the comparative excellencies of the German and Italian schools. Haydn introduced the variety and melody of the ...
— Germany from the Earliest Period Vol. 4 • Wolfgang Menzel, Trans. Mrs. George Horrocks
... believe that the hearing of music is always attended with movements, however imperceptible, in the throat, which, being true, would prove that, in a fashion, we perform the melodies which we think we only hear; living echoes, nerves vibrating beneath the composer's touch as literally as does the string of the fiddle, or its wooden fibres. A very delicate instrument this, called the Hearer, and, as we all know, more liable to being out of tune, to refusing to ...
— Hortus Vitae - Essays on the Gardening of Life • Violet Paget, AKA Vernon Lee
... training under the same rough tutelage. At the age of thirteen he entered the office of the Newburyport Herald to learn to set types. At last his boy's hands had found work which his boy's heart did joy to have done. He soon mastered the compositor's art, became a remarkably rapid composer. As he set up the thoughts of others, he was not slow in discovering thoughts of his own demanding utterance. The printer's apprentice felt the stirrings of a new life. A passion for self-improvement took possession of him. He began to read the English classics, study American ...
— William Lloyd Garrison - The Abolitionist • Archibald H. Grimke
... platform in front of it. It was a never to be forgotten scene. The grand old church was crowded to the last inch of space, although admission was by ticket. Facing the chancel were the thirty famous women singers of Goeteborg, their cantor a woman, and the noted woman organist and composer, Elfrida Andree, who composed the music for the occasion. In the center of all was the little black-robed minister. It was said by many to be the most wonderful sermon of her life and after the service was over the pastor, with tears rolling down his cheeks, went up to ...
— The History of Woman Suffrage, Volume VI • Various
... Mendelssohn—whose Lieder he was specially fond of[1]—Chopin, and Mozart. He heard Gounod's Faust whilst he was in Paris, and confesses to having been quite overcome with the beauty of the music. 'I couldn't bear it,' he says, in one of his letters, 'and gave in completely. The composer must be a very remarkable man indeed.' At the same time he became acquainted with Offenbach's music, and heard Orphee aux enfers. This was in February, 1863. Here also he made the acquaintance of Auber, 'a ...
— Charles Dickens and Music • James T. Lightwood
... too, when the maker of ballets was locked in his domain and his servant had strict orders to admit no one—neither Monsieur le Cure nor the mayor, nor so intimate a comrade as myself—during such hours as these the little boy was generally beside the composer, his chubby toes scarcely reaching to the rungs of the ...
— A Village of Vagabonds • F. Berkeley Smith
... represented as having "saved it from its enemies on every side," was after all, probably only a spiritual saviour of the souls of the Israelites, by having distinguished himself as a prophet, a preacher of righteousness, and a composer of ...
— Five Pebbles from the Brook • George Bethune English
... hear me, but went on dreamily, "And the sounds it makes! My God, A W, a composer'd give half the years of his life to reproduce those sounds. High and piercing; soft and muted; creating tonepoems and etudes there in ...
— Greener Than You Think • Ward Moore
... curious fact is only a fact of aesthetic theory. The common art-principle of the class of poems under present consideration is identical with the common principle of Japanese pictorial illustration. By the use of a few chosen words the composer of a short poem endeavors to do exactly what the painter endeavors to do with a few strokes of the brush,—to evoke an image or a mood,—to revive a sensation or an emotion. And the accomplishment of this purpose,—by poet or by picture-maker,— depends altogether upon capacity ...
— In Ghostly Japan • Lafcadio Hearn
... Borodin, the composer of 'Prince Igor,' is little known in England, apart from the Polovtsienne Dances which, owing to their wind and barbaric character, have been so popular a feature of the performances of the Russian ...
— Punch, or the London Charivari, Vol. 147, July 29, 1914 • Various
... and wiped away the perspiration from his bulging forehead, for the third movement of the sonata, marked in the score Allegro con fuoco, had taxed even the technic of its composer. ...
— Elkan Lubliner, American • Montague Glass
... "prud' hommes" fishermen dressed in Henri Quatre costumes. And secondly, that of a violoncello solo, admirably played by Offenbach, who was then quite young, and a musician in heart and soul, but who had not yet shown his great talent as a composer. ...
— Memoirs • Prince De Joinville
... at one stroke sculptured figures made from one block, such as rise before us from Tolstoi's pages. His art is rather that of a painter or musical composer than of a sculptor. He has more colour, a deeper perspective, a greater variety of lights and shadows—a more complete portraiture of the spiritual man. Tolstoi's people stand so living and concrete that one feels one can recognise them ...
— Rudin • Ivan Turgenev
... we have here reached an extreme which is contrary to the very construction of the human vocal organs. Scarcely is moderate and natural compass of tone still permitted, even in a song. In every age the song-composer had been allowed to construct his melodies out of the fewest possible tones. While the elder Bach in his arias often chases the human voice in the most ruthless manner from one extreme to the other, his sons and pupils in their little German songs confine themselves to the most ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... count?" asked Marie Antoinette. "I beg your pardon, if I leave your question unanswered," replied the count, with a gentle inclination of the head. "Your majesty has such a fine ear, that you must doubtless recognize the composer in the music. It is an entirely new composition, and I have taken the license of arranging it for four hands. If your ...
— Marie Antoinette And Her Son • Louise Muhlbach
... superiority of the great French moralists by supposing in them a fancy and imagination too defective for poetic art. It was the circumstances of the national literature during the seventeenth and eighteenth centuries which made Vauvenargues for instance a composer of aphorisms, rather than a moral poet like Pope. Let us remember some of his own most discriminating words. 'Who has more imagination,' he asks, 'than Bossuet, Montaigne, Descartes, Pascal, all of them ...
— Critical Miscellanies (Vol 2 of 3) - Essay 1: Vauvenargues • John Morley
... some of the best books in the English language. Her musical education had been received from a German uncle, who had been instructed by Herr Wieck, the father of Clara Schumann. He had been a great lover of Schumann's dreamy and spiritual music, and had taught her the young composer's pieces for children, and among them Romance and the Traumerei. He had taught her to play the two tone poems together in changing keys, beginning with the Traumerei and returning again to its beautiful and haunting ...
— The Log School-House on the Columbia • Hezekiah Butterworth
... of the Mars (Bacon), both at Trafalgar. Tablets, busts, or brasses, are in honour of Lord Mayo, the Canadian statesman Macdonald, the Australian statesman Dally, the Press correspondents who fell in the Soudan, the soldiers who fell in the Transvaal, Goss, the organist and composer, and Bishop Piers Claughton, a residentiary. At the east end, where service is held on a weekday morning at eight, are a few fragments of the old monuments—Nicholas Bacon (in armour and legs missing), Christopher Hatton, John ...
— Bell's Cathedrals: The Cathedral Church of St. Paul - An Account of the Old and New Buildings with a Short Historical Sketch • Arthur Dimock
... accumulations with which he bought land and house and tithes at Stratford, must have been his share in the takings of the theatre—a share which would doubtless increase as the earlier partners disappeared. He must have speedily become the principal man in the firm, combining as he did the work of composer, reviser, and adaptor of plays with that of actor and working partner. We are thus dealing with a temperament or mentality not at all obviously original or masterly, not at all conspicuous at the outset for intellectual ...
— Montaigne and Shakspere • John M. Robertson
... how the hill of Cyriaca was cut away, and how, in consequence of the excavation, the church became light, accessible, and free from the danger of landslips and inundations. The importance of the work of Pelagius is rather exaggerated by the composer of the poem. The church was never free from dampness and want of air and light until the pontificate of Pius IX., who cut away another section of ...
— Pagan and Christian Rome • Rodolfo Lanciani
... pleased with all that he had arranged for his church service. One of his friends, Abbe Vignon, a most interesting man and eloquent preacher, promised to deliver a lecture on Racine from the pulpit; and M. Vincent d'Indy, the distinguished composer and leader of the modern school of music, undertook the music with Mme. Jeanne Maunay as singer; he himself presiding ...
— Chateau and Country Life in France • Mary King Waddington
... well-known Britishers who have given their lives for their country. There was Rupert Brooke, the poet; Denis Browne, formerly musical critic of The Times; F. S. Kelly, holder of the Diamond Sculls record, who also was an exceptionally clever composer and pianist; and Arthur Waldene St. Clair Tisdall, a great scholar and poet of Cambridge. He was awarded the Victoria Cross for his valour on the 25th of April, at Gallipoli, for going to the rescue of wounded men on ...
— Some Naval Yarns • Mordaunt Hall
... mentioned having a letter from a friend in Boston who had lately heard a great chorus rendered. He could not be quite sure of the name of the composer because he had read the letter hurriedly and his friend was a blind-writer, but that made no difference to Harry. He could fill in facts enough about the grandeur of the music from his own imagination to make up for the lack of a little matter like the name ...
— Marcia Schuyler • Grace Livingston Hill Lutz
... NOTE.—The composer of the music and the author of the mele was a Hawaiian named John Meha, of the Hawaiian Band, who died some ten years ago, at the age ...
— Unwritten Literature of Hawaii - The Sacred Songs of the Hula • Nathaniel Bright Emerson
... got her style from Ruskin's "Principles of Drawing"; and of a landscape painter that to sculpture he owed his discernment of the forest secrets, by daily observing the long lines of statues in the corridor of the Royal Academy; or by the composer of pictures to the composer of music; or by the preacher that suggestions to discourse had come to him through the pictorial processes ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... to Kallem, "is at school here. I wish you would let him come, now and then, to your house. He is only nineteen years old, but he promises to be a first-rate composer. Your wife plays the piano beautifully. They ought to get ...
— The World's Greatest Books, Vol. I • Various
... wastes of recitative that were most aptly called 'dry'; and as it was left to a modern poet to tell, in a series of lyrics succeeding one another without interval, a dramatic story such as that of Maud, so was it a modern composer who carried to completion, in 'Tristan und Isolde', the dramatic expression of passion at the highest point of lyrical utterance. It is no more unnatural for the raptures of Wagner's lovers, or the swan-song of ecstasy, to be ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... was Norton Pyford, the modernist composer, who had developed the study of discord to such a point that his very features seemed to lack proportion, and when he smiled his face presented a lop-sided appearance. He had given a recital which set every one who ...
— The Parts Men Play • Arthur Beverley Baxter
... of this kind, the Reader comes in for half of the Performance; every thing appears to him like a Discovery of his own; he is busied all the while in applying Characters and Circumstances, and is in this respect both a Reader and a Composer. It is no wonder therefore that on such Occasions, when the Mind is thus pleased with it self, and amused with its own Discoveries, that it is highly delighted with the Writing which is the occasion ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... least those portions which they were supposed to embellish. Harmony was then first struck between the works of the horticulturist—the garden-maker—and those of the architect—the builder in stone and wood. This was the prelude to those majestic ensembles of which Le Notre was to be the composer. ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield
... Wellington, before he received a dukedom, was Wesley or Wellesley. As a boy he was known as Arthur Wellesley. His father was the Earl of Mornington, his mother a daughter of Lord Dungannon. The Earl is spoken of as a lover and composer of music. Arthur had three brothers who were all destined to do noteworthy things. His oldest brother, who bore the title of Lord Wellesley, aided him no little in choosing his profession ...
— Boys' Book of Famous Soldiers • J. Walker McSpadden
... may be supposed, are the personal correlates of the rhapsodia. This being the poem adapted to chanting, those were the chanters. And the only important question which we can imagine to arise is, How far in any given age we may presume the functions of the poetical composer and the musical deliverer to have been united. We cannot perceive that any possible relation between a rhapsody considered as a section of a poem and the whole of that poem, or any possible relation which this same rhapsody considered as a thing to be sung or accompanied instrumentally could bear ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... that the chief landmarks of music emerged from the mists in which, for Maurice, they had hitherto been enveloped; here he learned that Bach and Beethoven were giants, and made uncertain efforts at appreciation; learnt that Gluck was a great composer, Mozart a genius of many parts, Mendelssohn the direct successor in this line of kings. Sonatas, symphonies, operas, were hammered out with tremendous force and precision on the harsh, scrupulously tuned piano; and all were dominated alike by the ...
— Maurice Guest • Henry Handel Richardson
... table, that of all the amusements of old age, the most grateful and soothing was the renewal of acquaintance with the favourite studies and the favourite authors of our youth.[290] Besides, the work of composition seems to have grown really more arduous to him. He was always a slow composer, and had never acquired increased facility from increased practice. Much of his time too was now given to the enjoyments of friendship. I have already mentioned his Sunday suppers, but besides these he founded, soon after settling in Edinburgh, in co-operation with the two friends ...
— Life of Adam Smith • John Rae
... inward vision, the faculty of imagination, can be no more learnt than it can be dispensed with. In this, and this only it is true that poeta nascitur non fit; just as no musical learning or practice can make a composer, unless he first possess an innate ear for harmony and melody. And it must be said that it is just in the passages where Mr. Smith is not copying, where he forgets for awhile Shelley, Keats, and the ...
— Literary and General Lectures and Essays • Charles Kingsley
... interposes in theatrical matters. Whether far away in Prussia or at home in France, he leads tragic authors by the hand, Raynouard, Legouve, Luce de Lancival; he listens to the first reading of the "Mort d'Henri IV." and the "Etats de Blois." He gives to Gardel, a ballet-composer, "a fine theme in the Return of Ulysses." He explains to authors how dramatic effect should, in their hands, become a political lesson; for lack of anything better, and waiting for these to comprehend it, he uses the theatre the same as a tribune for the reading to the spectators of ...
— The Origins of Contemporary France, Volume 6 (of 6) - The Modern Regime, Volume 2 (of 2) • Hippolyte A. Taine
... aspirations of "Owen Meredith," the poet. Good came out of Nazareth, but it is not in our faith to believe that foreign courts can bear the rare fruit of ideal truth and beauty.—Then there was Blumenthal, the composer, who talked Buckle in admirable English, and played his own Reveries most daintily,—Reveries that are all languor, sighs, and tears, whose fitting home is the boudoirs of French marquises. Blumenthal is a Thalberg in small.—We have pleasant recollections of certain clever Oxonians, "Double-Firsts," ...
— The Atlantic Monthly, Volume 14, No. 86, December, 1864 • Various
... worked out through centuries of free experimentation on the part of some of the best minds in the world, and thus any great musical composition is an intellectual achievement of high rank. Behind the sensuous factors, sound and rhythm, lies always the personal message of the composer, and if we are to grasp this and to make it our own, we must go with him hand in hand so that the music actually lives again in our minds and imaginations. The practical inference from this dual nature of the ...
— Music: An Art and a Language • Walter Raymond Spalding |
