"Plate glass" Quotes from Famous Books
 ... another. It needed no more than a glance to perceive that Johnny was the dominant factor of the little institution. His was the biggest roller-top seen through a maze of gilt letters on a vast sheet of plate glass by commuters turning the corner morning and evening. His, too, chiefly, the deference of clerks and office-boy. He was ruddy and robust, and seemed likely to impose himself anywhere, when the time came. Thus far, a small Forum, perhaps; but he was the Caesar in it. He did not disdain ...
— On the Stairs • Henry B. Fuller
... the thick plate glass, the three people in the shore boat made out the carroty-topped head and freckled, good-humored, honest, homely face of Eph Somers. The boat lay on the water, under no headway, drifting slightly with ...
— The Submarine Boys and the Middies - The Prize Detail at Annapolis • Victor G. Durham
... the country girl's wonder were not the streets and buildings and the works of art, but the unwonted luxury of city life. Velvet carpets, large panes of plate glass, hot and cold water that came for the turning of a stopcock, illumination that burst forth as by magic, mirrors that showed the whole person and reduplicated the room—even doorbells and sliding doors, and dumb waiters ...
— Duffels • Edward Eggleston
... observed with regard to French furniture of this time, mirrors came more generally into use, and the frames were both carved and inlaid. There are several of these at Hampton Court Palace, all with bevelled edged plate glass; some have frames entirely of glass, the short lengths which make the frame, having in some cases the joints covered by rosettes of blue glass, and in others a narrow moulding of gilt work on each side of the frame. In one room (the Queen's ...
— Illustrated History of Furniture - From the Earliest to the Present Time • Frederick Litchfield
... strident concatenation of Coney Island sideshows: the "Cabaret de l'Enfer," with its ballyhoo made up as Satan, the "Cabaret du Ciel," with its "grotto" smelling of Sherwin-Williams' light blue paint, the "Cabaret du Neant," with its Atlantic City plate glass trick of metamorphosing the visiting doodle into a skeleton, the "Lune Rousse," with its mean Marie Lloyd species of lyrical concupiscence, the "Quat'-z-Arts," with its charge of two francs the glass of beer and its concourse of loafers dressed ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
|
