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More "Tempo" Quotes from Famous Books
... there will be no difficulty in finding them. The second movement, if played in a very singing but not dragging manner, will be found enjoyable, although by no means sensational. The ideas are musical and the spirit earnest. The finale, in the tempo of a minuet, is very pleasing indeed. Here, also, the purely musical idea rules everything. The problem with the composer is to treat an idea which pleased him, and to carry it through all the changes and modifications which occurred to him ... — The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... played with the same strength and length of bow, otherwise the notes are swallowed. In light spiccato and staccato the detached notes should be played always with a single stroke of the bow. Some players, strange to say, find staccato notes more difficult to play at a moderate tempo than fast. I believe it to be altogether a matter of control—if proper control be there the tempo makes no difference. Wieniawski, I have read, could only play his staccati at a high rate of speed. Spiccato is generally held to be more difficult than ... — Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... tempo so as to include the rhythmic beat of the hammer with the other instruments in his band. The blacksmith looked, smiled and let his hammer fall in consonance with the beat of the boy's hand, and for some moments there was glorious harmony between ... — The Major • Ralph Connor
... "Quicker! My God, can't they pick it up?" Like an echo came LaChaise's "Plus vite! Stringendo, jusque au bout!" and with a gasp the composer greeted the quickened tempo. Then as the song swept to its first tempestuous climax he clutched Mary's arm. "That's it," he cried. "Can't you see ... — Mary Wollaston • Henry Kitchell Webster
... give them here. A yen is a note representing a dollar, or about 3s. 7d. of our money; a sen is something less than a halfpenny; a rin is a thin round coin of iron or bronze, with a square hole in the middle, of which 10 make a sen, and 1000 a yen; and a tempo is a handsome oval bronze coin with a hole in the centre, of which 5 make 4 sen. Distances are measured by ri, cho, and ken. Six feet make one ken, sixty ken one cho, and thirty-six cho one ri, or nearly 2.5 English ... — Unbeaten Tracks in Japan • Isabella L. Bird
... a lithograph of the portrait of "Giorgio Byron," by G.H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary wing," pp. [129], 131, follows the Notes to the Corsair. The translation includes the four additional lines at the end of Canto I. stanza xi., but not the Note on ... — The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... jam faritaj por doni similan ilon. Unu post la alia, ili malgrandigxadis gxis la nuna tempo, kiam Esperanto venkis. Estas kredeble ke, je kuro de agxoj, homara sagxeco povus elpensi lingvon pli idealan ol Esperanto, sed ni ne povas atendi. Ni bezonas helpantan lingvon, kaj ni tuj bezonas gxin. Kaj, cxar per unanima konsento de cxiuj el la plej kompetentaj auxtoritatuloj, Esperanto estas ... — The Esperantist, Vol. 1, No. 1 • Various
... sir. I am glad to see that men of letters are still considerate of their fellow craftsmen. Ah, you would have liked Jack London. Did you know him? You know, we live in an age of jazz. Yes, sir, the tempo is fast. Life has lost its andante. Materialism has triumphed. There is no longer room for the spirit to expand. Machines are in the way. Noises invade ... — A Thousand and One Afternoons in Chicago • Ben Hecht
... with the tempo of the drums in a pitch that steadily descended. The glittering procession had come to rest at its appointed place in the pathway, of light as the wailing came down to a moan. "Oong! Oong!" the voices groaned, while the walls re-echoed the despairing tones. ... — Astounding Stories of Super-Science, June, 1930 • Various
... Quai du Midi, renamed Quai des Etats-Unis in the short-lived burst of enthusiasm of 1918. At least, the aldermen of Nice were more cautious than those of most French cities, and did not call it Quai du President-Wilson nel dolce tempo de la prima etade! Following the quay and keeping the Old Town on the left, you come to the castle hill, still called the Chateau, although the great fortress of the Savoyards was destroyed by the Duke of Berwick in the siege of 1706. The hill is now a park, surmounted ... — Riviera Towns • Herbert Adams Gibbons
... Simmo quite lost in watching something near my tent. He stood beside a great birch tree, one hand resting against the bark that he would claim next winter for his new canoe; the other hand still grasped his axe, which he had picked up a moment before to quicken the tempo of the bean kettle's song. His dark face peered behind the tree with a kind of childlike intensity written all ... — Secret of the Woods • William J. Long
... Conventions. The Supernatural Drama. The Irish National Theatre. The Personality of the Playwright. Themes and Stories of the Stage. Plausibility in Plays. Infirmity of Purpose. Where to Begin a Play. Continuity of Structure. Rhythm and Tempo. The Plays of Yesteryear. A New Defense of Melodrama. The Art of the Moving-Picture Play. The One-Act Play in America. Organizing an Audience. ... — The Theory of the Theatre • Clayton Hamilton
... sense involves the responsibility of having the music performed at the correct tempo, with appropriate dynamic effects, with precise attacks and releases, and in a fitting spirit. This in turn implies that many details have been worked out in rehearsal, these including such items as making certain that all performers sing or play the correct tones in the correct rhythm; ... — Essentials in Conducting • Karl Wilson Gehrkens
... at the measured tempo of her voice and the manner in which she permitted her eyebrows ... — Star-Dust • Fannie Hurst
... expressions as the following are used: Cuntu 'un porta tempu, or lu cuntu 'un metti tempu, or 'Ntra li cunti nun cc'e tempu, which are all equivalent to, "The story takes no note of time." These Sicilian expressions are replaced in Tuscany by the similar one: Il tempo delle novelle passa presto ("Time passes quickly in stories"). Sometimes the narrator will bring himself or herself into the story in a very naive manner; as, for example, when a name is wanted. So in telling a Sicilian story which is another version ... — Italian Popular Tales • Thomas Frederick Crane
... was a quicker tempo and had a better climax. 'Twas the great occasion of the annual military reviews. He graphically described boys driving colts hardly broken; mothers nursing babies, very squally; girls and their beaux sitting in the best wagon holding hands and staring about (as Warner said to me, "Young ... — Memories and Anecdotes • Kate Sanborn
... almost lost in the viewports when a sort of upswept tempo began to run through the ship, an undercurrent of increased activity. Cargo was checked, inventoried and strapped in. Ringg was given four extra men to help him, made an extra tour of the ship, and came back ... — The Colors of Space • Marion Zimmer Bradley
... mouth like that of a greyhound merely flashed now and then in the wild tempo of the waltz she was performing. She danced with such temperament and skill that a storm of applause greeted her. Someone even threw her a bouquet. She picked it up and, retreating from the stage, smiled coquettishly like a veteran actress, sniffing in with distended ... — The Comedienne • Wladyslaw Reymont
... soulfully. Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, ... — Fate Knocks at the Door - A Novel • Will Levington Comfort
... begun with a hymn by the choir. The music for this consisted of a piano, banjo guitar and numerous tambourines. The negroes being naturally born with a great sense of rhythm the songs were not in the same tempo as the songs of the whites but were of a jazz tempo and with the banjo and tambourines it makes one think of the stories of the African jungles. The services start around 7:30 P.M. and usually ... — Slave Narratives: A Folk History of Slavery in the United States - From Interviews with Former Slaves - Kentucky Narratives • Works Projects Administration
... them, black-gowned and stiff-backed, sitting in your little room here, I thought I should never dare offer them anything more wildly exciting than a church service or a lecture on psychology, with perhaps a band concert hinted at, provided the band could be properly instructed beforehand as to tempo and selections. But now—really, Billy, why do you suppose they have taken such a fancy to these ... — Miss Billy • Eleanor H. Porter
... melody undulate to and fro, like a skiff driven on over the bosom of tossing waves. This manner of execution, which set a seal so peculiar upon his own style of playing, was at first indicated by the term 'tempo rubato', affixed to his writings: a Tempo agitated, broken, interrupted, a movement flexible, yet at the same time abrupt and languishing, and vacillating as the flame under the fluctuating breath by which it is agitated. In his later productions we no longer find this mark. He was convinced ... — Life of Chopin • Franz Liszt
... little "Berceuse," which has found a place in the "Nuptial Album" of Haslinger. Perhaps the continuous pedal D-flat will amuse you. The thing ought properly to be played in an American rocking- chair with a Nargileh for accompaniment, in tempo comodissimo con sentimento, so that the player may, willy-nilly, give himself up to a dreamy condition, rocked by the regular movement of the chair-rhythm. It is only when the B-flat minor comes in that there are a couple of painful accents...But why ... — Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... along with maples when elms and beeches are to be had, why one man will exchange a roomful of man-fired porcelain for one bowl of sunlit alabaster. No chance anywhere. We call unto ourselves that which corresponds to our own key and tempo; and so long as we live, there is a continual re-adjustment without, the more unerringly to meet the ... — Child and Country - A Book of the Younger Generation • Will Levington Comfort
... archness.) But I was up to his tricks, sir. I saw the idea coming into his head as he stood there, thinking what new joke he'd have with me. Yes, sir: that's the sort he is: very pleasant, ve—ry off hand and affable indeed, sir. (Again changing his tempo to say to Valentine, who is putting his stick down against the corner of the garden seat) If you'll allow me, sir? (Taking Valentine's stick.) Thank you, sir. (Valentine strolls up to the luncheon table and looks at the menu. The waiter turns to Crampton and resumes his lay.) Even the solicitor ... — You Never Can Tell • [George] Bernard Shaw
... prendesse, e lo portasse in questa infelice contrada, procurero che sia alloggiata in camere piu calde, e custodita di quelle della casa Colonna in Sollacaro; ma ella ancora dovra contentarsi di non viaggiare quando la giornata, e la stagione vogliono che si resti in casa per attendere il tempo buono. Io resto ora impaziente per la lettera che ha promesso scrivermi da Genova, dove dubito assai che la delicatezza di quelle dame non le abbia fatto fare qualche giorno di quarantena, per ispurgarsi di ogni anche piu leggiero influsso, che possa avere portato seco dell' aria di questo paese; ... — Boswell's Correspondence with the Honourable Andrew Erskine, and His Journal of a Tour to Corsica • James Boswell
... have the reputation of displaying the least regard for time. In operatic work, however, with an orchestra to follow or be followed, it is especially essential to observe a sane respect for the proper tempo. Otherwise one is liable to get into immediate trouble with the conductor. Of course I do not mean that one should sing in a mechanical way and give nothing of one's own personality. This would naturally rob the music of all charm. There are many singers who cannot or ... — Caruso and Tetrazzini on the Art of Singing • Enrico Caruso and Luisa Tetrazzini
... al calcolar de' punti, Par ch' Asinina Stella a noi predomini, E'l Somaro e'l Castron si sian congiunti. Il tempo d'Apuleio piu non si nomini: Che se allora un sol huom sembrava un Asino, Mille Asini ... — Biographia Literaria • Samuel Taylor Coleridge
... how quickly the tempo of modern warfare could bring into our very midst the physical attack which we must eventually expect if the dictator nations ... — Complete State of the Union Addresses from 1790 to the Present • Various
... da laborantoj, kiel eble plej ili povas, en la nuna tempo penadas por enigxi pli profunde en tiujn interesegajn ... — The Esperantist, Vol. 1, No. 3 • Various
... "Yes, I hear you." Its toneless, mechanical voice droned the words. Then the tempo quickened; the grid of wires in the mouth aperture behind its parted lips vibrated with a faint jangle. "I hear you. I cannot answer that question. He controls me. There is chaos—here,"—one of the hands came up and struck its breastplate ... — Astounding Stories, July, 1931 • Various
... indented," and now along the railroad track, "where the Aeolian harp plays." But his eagerness throws him into the lithe, springy stride of the specie hunter—the naturalist—he is still aware of a restlessness; with these faster steps his rhythm is of shorter span—it is still not the tempo of Nature, it does not bear the mood that the genius of the day calls for, it is too specific, its nature is too external, the introspection too buoyant, and he knows now that he must let Nature flow through him and slowly; he releases his more personal desires to her broader rhythm, conscious that ... — Essays Before a Sonata • Charles Ives
... Non era altri che esso, che sapesse lejere li antichi pataffii. Tutte scritture antiche vulgarizzava; quesse fiure di marmo justamente interpretava. On come spesso diceva, "Dove suono quelli buoni Romani? dove ene loro somma justitia? poleramme trovare in tempo che ... — The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... in Rome, Bianca and Pizzicato repaired to their father's brother-in-law, who was well known as a lavish entertainer. He was one Rapidamente Tempo di Valse, a widower, living with his two sons, Lento and Comprino, handsome lads both in the first flush of manhood, and both destined to fall victims to Bianca's compelling attractions. Contemporary history informs us that Bianca stayed in the Palazzo ... — Terribly Intimate Portraits • Noel Coward
... buzzed with it. It crept into the workroom—into the shipping-room. It penetrated the frowsy head of Jake, the elevator-man. As the days went on and the tempo of the front office slackened with that of the two bright little inner offices, only one member of the whole staff remained unmoved, incurious, taciturn. Pop Henderson listened, one scant old eyebrow raised knowingly, a whimsical half-smile screwing ... — Emma McChesney & Co. • Edna Ferber
... have had recourse to a long and elaborately worked-up "messenger-speech," a pathetic recitation. That was the method best suited to the conditions, and to what may be called the prevailing tempo, of the Greek theatre. I am far from saying that it was a bad method: no method is bad which holds and moves an audience. But in this case it would have had the disadvantage of concentrating attention on the narrator instead of on the child's ... — Play-Making - A Manual of Craftsmanship • William Archer
... quaint song in waltz time, the melody being that of an old Spanish song by Tradier, called "El Aveglito." A serious duet between Michaela and Don Jose ("Mia madre io la rivedo") follows, which is very tender in its character. The next striking number is the dance tempo, "Presso il bastion de Seviglia," a seguidilla sung by Carmen while bewitching Don Jose. In the finale, as she escapes, the Havanaise, which is the Carmen ... — The Standard Operas (12th edition) • George P. Upton
... order and number of movements. No. 1, for instance, has an Adagio, an Allegro, and a Menuett with variations. No. 2, in D, has four movements: Andante, Adagio, Allegro, Giga; the short Adagio is in D minor. No. 3, in G minor: Presto and A Tempo Giusto (a dignified fugue). The influence of Handel is strong, also that of Scarlatti. ... — The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... The tempo was increasing to its highest pitch for the day. That highly complicated organism, a daily newspaper, which is apparently conceived in the wildest disorder, was about to "go to bed." Twenty typewriters were hammering out ... — Death Points a Finger • Will Levinrew
... clock ticked in that hurried tempo of five ticks to the second which has been the habit of clocks since time immemorial. Very small and trivial noises came from the background tape, preventing utter silence from hanging intolerably in the ship. They were traffic-sounds, recorded on a world no one knew how ... — Pariah Planet • Murray Leinster
... his stock. From a back corner he brought out a small machine with an especially meditative tempo in its standby-lamp flicker. The tempo accelerated a little when he put ... — The Machine That Saved The World • William Fitzgerald Jenkins
... nearer to Hughie and murmured, "The Tango." He changed his tempo immediately, and almost without a pause of transition she began that provocative measure—the dance of desire. Thrilling with the joy of expressing her love, her beautiful new love for Seagreave, through her art, she danced with a verve, an abandon, a more spontaneous impulse than she ... — The Black Pearl • Mrs. Wilson Woodrow
... war. Instead of renewing ourselves inwardly through freedom and the spirit, and carrying on a defensive policy as quietly, discreetly, and inconspicuously as possible, we took to arming and hurrahing. Worse than any playing of false notes was the mistake we made in key and in tempo: D major, Allegro, Marcia, ... — The New Society • Walther Rathenau
... brings heaven and elysian bowers into any parlor when he says or sings it to me." Mr. Arthur Symons has recently said: "'Christabel' is composed like music; you might set at the side of each section, especially of the opening, 'largo vivacissimo', and as the general expressive signature, 'tempo rubato'." Tennyson realized the musical effect of "Paradise Lost" when he spoke of Milton as "England's God-gifted organ-voice"; and he himself in such lyrics as those in the "Princess" and the eighty-sixth canto of ... — Sidney Lanier • Edwin Mims
... the sea, but spends as much of it on its way there, and at its various twists and turns, as it ultimately disgorges at its mouth. True, a nature like Goethe's not only has, but also engenders, more pleasure than any other; there is more mildness and noble profligacy in it; whereas the tenor and tempo of Wagner's power at times provoke both fear and flight. But let him fear who will, we shall only be the more courageous, in that we shall be permitted to come face to face with a hero who, in regard to modern culture, "has never learned the meaning ... — Thoughts out of Season (Part One) • Friedrich Nietzsche
... to render from one language into another is the TEMPO of its style, which has its basis in the character of the race, or to speak more physiologically, in the average TEMPO of the assimilation of its nutriment. There are honestly meant translations, which, as involuntary vulgarizations, are almost falsifications of the original, merely because ... — Beyond Good and Evil • Friedrich Nietzsche
... Captain Monk, on the bridge with Mr. Swain, arrived at a decision of exasperation. Through the engine-room ventilators a long jingle of the telegraph was heard; and directly the Sybarite's pulses began to beat in quicker tempo, while darker volutes of smoke rolled in dense volume from her funnel and streamed away astern, resting low and preserving their individuality as long as visible, like a streak of oxidization on a field of frosted silver. For the first ... — Alias The Lone Wolf • Louis Joseph Vance
... extra clothing. It was a bad time, however, for my pursuit, as birds and insects all betook themselves to places of concealment, and remained inactive. The period during which this wind prevails is called the "tempo da friagem," or the season of coldness. The phenomenon, I presume, is to be accounted for by the fact that in May it is winter in the southern temperate zone, and that the cool currents of air travelling thence northwards towards the ... — The Naturalist on the River Amazons • Henry Walter Bates
... The metronome tempo is mostly 88, but varies at times and runs as-high as 92 per minute in the last half ... — The Tinguian - Social, Religious, and Economic Life of a Philippine Tribe • Fay-Cooper Cole
... itself waited for nothing. It seemed to take new strength from the indignities inflicted upon it and it increased, if anything, its tempo of growth. It plunged into the ocean in a dozen spots at once. It swarmed over sand which had never known anything but cactus and the Sierra Madres became great humps of green against the skyline. This last conquest shocked ... — Greener Than You Think • Ward Moore
... the idea coming into his head as he stood there, thinking what new joke he'd have with me. Yes, sir: that's the sort he is: very pleasant, ve—ry off hand and affable indeed, sir. (Again changing his tempo to say to Valentine, who is putting his stick down against the corner of the garden seat) If you'll allow me, sir? (Taking Valentine's stick.) Thank you, sir. (Valentine strolls up to the luncheon table and looks at the menu. The waiter turns to Crampton and resumes his lay.) Even ... — You Never Can Tell • [George] Bernard Shaw
... nasce da un Racsaso per nome Ravano, spavento dell' universo. Vestendo umano corpo, tu debbi esterminar costui. Nessuno fra i Celesti, fuorche tu solo, e valevole ad uccidere quell' iniquo. Egli, O domator de' tuoi nemici, sostenne per lungo tempo acerbissime macerazioni: per esse fu di lui contento l'augusto sommo Genitore: e un di gli accordo propizio la sicurezza da tutti gli esseri, eccettutine gli uomini. Per questo favore a lui concesso nou ha egli a temere offesa da alcuna parte, fuorche dall' uomo, percio, assumendo ... — The Ramayana • VALMIKI
... Tennyson says that "a sorrow's crown of sorrow is rememb'ring better things." The original is in Dante's words:- - "Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria." — "Inferno," v. 121. ("There is no greater sorrow than to remember happy times when ... — The Canterbury Tales and Other Poems • Geoffrey Chaucer
... about 3s. 7d. of our money; a sen is something less than a halfpenny; a rin is a thin round coin of iron or bronze, with a square hole in the middle, of which 10 make a sen, and 1000 a yen; and a tempo is a handsome oval bronze coin with a hole in the centre, of which 5 make 4 sen. Distances are measured by ri, cho, and ken. Six feet make one ken, sixty ken one cho, and thirty-six cho one ri, or nearly 2.5 English miles. ... — Unbeaten Tracks in Japan • Isabella L. Bird
... non erro al calcolar de' punti, Par ch' Asinina Stella a noi predomini, E'l Somaro e'l Castron si sian congiunti. Il tempo d'Apuleio piu non si nomini: Che se allora un sol huom sembrava un Asino, Mille Asini ... — Biographia Literaria • Samuel Taylor Coleridge
... to the Venetian accounts (Dispaccio di Spagna, Marzo 1584) the King had sent an experienced soldier as a spy to England to investigate the possibility of a landing, 'havendo pensato di concertarsi bene con il re di Scotia, perche ancora egli a un tempo medesimo si ... — A History of England Principally in the Seventeenth Century, Volume I (of 6) • Leopold von Ranke
... surprised at the measured tempo of her voice and the manner in which she permitted her eyebrows to ... — Star-Dust • Fannie Hurst
... lifted to new levels of efficiency by electronic communication, the tank and the airplane. It was further escalated by atomic fission and nuclear fusion. Advances in science and technology had made dramatic increases in the tempo of production and construction. Utilization of atomic energy had stepped up destructivity ... — Civilization and Beyond - Learning From History • Scott Nearing
... "Ed un tempo propizio la accompagna: la ricostituzione dell' Epiro nei suoi quattro vilayet autonomi quale e nei propri consigli e nei propri desideri; ricostituzione, che pel suo Giornale, quello dell' ottimo A. Lorecchio—cui ... — Old Calabria • Norman Douglas
... arrivato il tempo in cui il fiore della reale nostro gioventu deve maturare i Frutti della nostra vecchiezza, e confortare con quell i desiderii dei populi nostri divoti, e propogare il seme di quella pianta che deve proteggerli, habbiamo Stabilito d'accompagnarci con una virgine eccelsa ed amorosa allattata ... — The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... disse: 'O bella dama, Conosci l'ora de la tua ventura, Dapoi che un tal Baron piu the che se t'ama, Che non ha il Ciel piu vaga creatura. Forse anco avrai di questo tempo brama, Che'l felice destin sempre non dura; Prendi diletto, mentre sei su 'l verde, Che l'avuto piacer mai non si perde. Questa eta giovenil, ch' e si gioiosa, Tutta in diletto consumar si deve, Perche quasi in un punto ci e nas cosa: Como dissolve 'l sol la bianca neve, Como ... — History of Friedrich II. of Prussia, Vol. XXI. (of XXI.) • Thomas Carlyle
... scrappiness is avoided, and the music is of a high quality and full of vitality. Purcell frequently set a double bar at the end of a section, and makes two or more numbers where a modern composer would simply change the tempo and key-signature and go straight on, so that the scrappiness is only apparent. In this ode an instance occurs. There are fourteen numbers, but the last three are in reality one—a chorus, a quartet and a chorus repeating the opening bars of the first chorus. ... — Purcell • John F. Runciman
... Donagh returned, the Dona was placed in the monastery of Aughadurcher (now Aughalurcher). But at the time, when Cromwell was in this country, the monastery was destroyed, and this Ark of the Covenant hid by some of the faithful at a small lake, named Lough Eye, between Lisbellaw and Tempo. It was removed thence when peace was restored, and again placed in some one of the neighboring chapels, when, as before in Aughalurcher, the oaths were administered with all the superstition that a depraved imagination could, invent, as "that their thighs might rot off," "that ... — The Hedge School; The Midnight Mass; The Donagh • William Carleton
... been making love to Eden is his son. Characteristic of Saltus is the use of the Spanish word for nightingale. There are no deaths, no suicides, no murders in these pages: a very eunuch of a book! A motto from Tasso, "Perdute e tutto il tempo che in amor non si spende" adorns the title page and the work is dedicated ... — The Merry-Go-Round • Carl Van Vechten
... Architetto si vide qualche leggiero barlume di buona Architettura, come di Pittura in Cimabue suo contemporaneo. Ma in tutte le cose e fisiche e morali i passaggi si fanno per insensibili gradagioni; onde per lungo tempo ancora si mantenne il corrotto gusto, che ... — Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... a quicker tempo and had a better climax. 'Twas the great occasion of the annual military reviews. He graphically described boys driving colts hardly broken; mothers nursing babies, very squally; girls and their beaux sitting ... — Memories and Anecdotes • Kate Sanborn
... has at least the advantage that it will secure for this 'epic of fox-hunting' a place in the library of every country house), is as deeply debilitated by reaction as any of our time. Its colour is hectic; its tempo feverish. He has sought the healing virtue where he believed it undefiled, in that miraculous English country whose magic (as Mr Masefield so well knows) is in Shakespeare, and whose strong rhythm is in Hardy. But the virtue eludes all conscious inquisition. The man who seeks it feverishly ... — Aspects of Literature • J. Middleton Murry
... orchestrelle added to the Island something he needed soulfully. Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, prayers, requiems, ... — Fate Knocks at the Door - A Novel • Will Levington Comfort
... under the clear wave, and shooting round the crumbs thrown to them. They made an Arcadia of the dull road up to their dread Thermopylae, the war against the million that waited them on the other side of their pass through Tempo. ... — My Novel, Complete • Edward Bulwer-Lytton
... II, 385, speaks of the inferiority of the Roman Church in this respect. I would allude to the medieaval prohibition "to sell time" as one of the chief grounds of the prohibition of usury. (See Roscher, Gesch. der N. OEk. in Deutschland, 7.) Economia di tempo equivale ... — Principles Of Political Economy • William Roscher
... becomes the Quai du Midi, renamed Quai des Etats-Unis in the short-lived burst of enthusiasm of 1918. At least, the aldermen of Nice were more cautious than those of most French cities, and did not call it Quai du President-Wilson nel dolce tempo de la prima etade! Following the quay and keeping the Old Town on the left, you come to the castle hill, still called the Chateau, although the great fortress of the Savoyards was destroyed by the Duke of Berwick in the siege of 1706. The hill ... — Riviera Towns • Herbert Adams Gibbons
... despair &c. 859. Phr. "the iron entered into our soul"; haeret lateri lethalis arundo [Lat][Vergil]; one's heart bleeding; "down, thou climbing sorrow" [Lear]; "mirth cannot move a soul in agony" [Love's Labor's Lost]; nessun maggior dolere che ricordarsi del tempo felice nella miseria [It]; "sorrow's crown of sorrow is remembering happier things" [Tennyson]; "the Niobe of ... — Roget's Thesaurus
... was the clink of a myriad of glasses, the hurrying of anxious and expectant waiters, the tinkle of silverware on china, mingled with the ignored strains of an orchestra invisible and sufficiently remote not to dictate offensively the tempo of mastication of the diners. It was nothing if not a cosmopolitan gathering. In the crowd were, to judge from appearances, foreigners of many races; but all were masquerading ... — White Ashes • Sidney R. Kennedy and Alden C. Noble
... was brought up in the school of Wagner, the essence of which lies in correctness, in rendering the work as the composer intended it, with conscientious attention to every detail, not only of notes, but of rhythm, tempo, phrasing, dynamics, instead of the slovenly muddling which then passed for breadth of style, and the substitution of the conductor's own subjectivity for that of the composer. It has been well expressed in a few incisive words by one of the greatest ... — Wagner's Tristan und Isolde • George Ainslie Hight
... satisfaction exhibited by the Nuncio Aleander when noting the reported death of Lambert and his entire family: "Mi ha detto hoggi, che Francesco Lamberto d'Avignon, qual fugito dal monasterio, et ito astar un tempo con Luther ha scritto infiniti libri contra la Chiesa di Dio, quest' anno in terra del Langravio di Hassia insieme con la moglie et figliuoli tutti miserabilmente, et come da miracolo, in gran calamita son crepati." Aleander to Sanga, Brussels, November 25, 1531, ... — The Rise of the Hugenots, Vol. 1 (of 2) • Henry Martyn Baird
... Victor permitted himself a smile of satisfaction as he noted the rapidity with which she yielded to the hypnogenic spell of the translucent quartz; how her breathing quickened, then took on a measured tempo like that of a sleeper; how a faint flush warmed the unnatural pallor of her cheeks, how her dilate eyes grew fixed in an unwinking stare, ... — Red Masquerade • Louis Joseph Vance
... first letter to Lorenzo de Medici in 1500, within a month after his return from the voyage he had actually made to Paria, and apologizes for his long silence, by saying that nothing had occurred worthy of mention, ("e gran tempo che non ho scritto a vostra magnifizensa, e non lo ha causato altra cosa ne nessuna salvo non mi essere occorso cosa degna di memoria,") and proceeds eagerly to tell him the wonders he had witnessed ... — The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... alike,—variations of a simple statement. In content the younger child keeps her attention on one point, so to speak, while the older child allows a slight movement like an embryonic narrative. The pattern of the three-year-old's is considerably more complex. The phrases shorten, the tempo quickens, until the whole swings off into wordless melody. The fourth probably started from some remembered lullaby but quickly became the child's own. I give two more examples of stories. In the first, does not this five-year-old girl give us her vivid impressions ... — Here and Now Story Book - Two- to seven-year-olds • Lucy Sprague Mitchell
... gran tempo perduto e hora ritrovato.—Descriptio Reductionis Angliae: Epist. Reg. ... — The Reign of Mary Tudor • James Anthony Froude
... social change are associated with certain social manifestations that we call social unrest. Social unrest issues, under ordinary conditions, as an incident of new social contacts, and is an indication of a more lively tempo in the process of ... — Introduction to the Science of Sociology • Robert E. Park
... pleasing to his ear; he did not even hesitate to repeat them arbitrarily, when an expression of ecstasy frequently passed over his face. Since he disposed of the dissonances as rapidly as possible and played the passages that were too difficult for him in a tempo that was too slow compared with the rest of the piece, his conscientiousness not permitting him to omit even a single note, one may easily form an idea of the resulting confusion. After some time, even I couldn't endure it any longer. In order ... — The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... lithograph of the portrait of "Giorgio Byron," by G.H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary wing," pp. [129], 131, follows the Notes to the Corsair. The translation includes the four additional lines at the end of Canto I. stanza xi., but not the Note on the ... — The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... giorni fa, come vengo sacrificato in tutte le maniere seza sapere il perche e il come. La tragedia di cui si parla non e (e non era mai) ne scritta ne adattata al teatro; ma non e pero romantico il disegno, e piuttosto regolare—regolarissimo per l' unita del tempo, c mancando poco a quella del sito. Voi sapete bene se io aveva intenzione di farla rappresentare, poiche era scritta al vostro fianco e nei momenti per certo piu tragici per me come uomo che come autore,—perche voi eravate in ... — Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... alcohol, even moderately, dies slightly sooner than the teetotaler—these proofs merely show that this man is one who leads an active and vigorous life, and so faces hazards and uses himself up—in brief, one who lives at high tempo and with full joy, what Nietzsche used to call the ja-sager, or yes-sayer. He may, in fact, die slightly sooner than the teetotaler, but he lives infinitely longer. Moreover, his life, humanly speaking, is much more worth while, to himself and to the race. He does the hard and dangerous work ... — Damn! - A Book of Calumny • Henry Louis Mencken
... The wide arpeggios in the left hand, maintained in a continuous stream of tone by the strict legato and fine and constant use of the damper-pedal, formed an harmonious substructure for a wonderfully poetic cantabile. His delicate pianissimo, the ever-changing modifications of tone and time (tempo rubato) were of indescribable effect. Even in energetic passages he scarcely ever exceeded an ordinary mezzoforte. His playing as a whole was unique in its kind, and no traditions of it can remain, for there is no school of Chopin the pianist, for the obvious reason that he could never be regarded ... — Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 3 - "Chitral" to "Cincinnati" • Various
... or the Sibyl of the tempest that was rolling around her, the only living thing within hail at that moment, except ourselves. On seeing me safe she did not wait to greet me, as might have been expected; but, calling out to me, 'Ah! can' della Madonna, xe esto il tempo per andar' al' Lido,' ran into the house, and solaced herself with scolding the boatmen for not foreseeing the 'temporale.' Her joy at seeing me again was moderately mixed with ferocity, and gave me the idea of a tigress over her ... — Byron • John Nichol
... pianoforte for all time. Universal rather than individual experiences. National tonality. Zwyny and Elsner. Intimate acquaintance with Bach. Prince Charming of the piano. Liszt on Chopin. Raphael of music. Playing and teaching. Tempo rubato. Compositions. ... — For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... the matter are convinced that while some caution is in order, the new era is not one to be approached with timidity, inhibited imagination or too much convention. Neither is there any point in trying to hold off the tempo of this oncoming age or, in any other way, to ... — The Practical Values of Space Exploration • Committee on Science and Astronautics
... and delectable one, to switch from humble stating to loud singing. Only don't do it. State on. State how the rage into which he had fallen served to lend precision to the major's eye, steel to his wrist, rhythm to his tempo, and fiery ambition to his gentle and retiring soul. He is filled with memories of daring: of other battles in other days. He remembers what times he sought the bubble reputation in the cannon's mouth, and spiked the aforementioned ... — IT and Other Stories • Gouverneur Morris
... spare, and grizzled. The torpor of the little town had taken the light from his eyes and reduced the tempo of his movements, but, in spite of all, he had preserved certain vivid features of his personality. He had the long, educated hands of the surgeon and the tyrannical aspect of the physician who has struggled all his life with disobedience and perversity. ... — The Precipice • Elia Wilkinson Peattie
... more serenely than Mrs. Prichard, per contra, could mention Phoebe. But, then, think how differently the forty-five years had been filled out in either case. Maisie had been forced to ricordarsi del tempo felice through so many years of miseria. Phoebe's journey across the desert of Life had paused at many an oasis, and their images remained in her mind to blunt the tooth of Memory. The two ladies at least heard nothing in the old woman's voice that ... — When Ghost Meets Ghost • William Frend De Morgan
... la nuna tempo neniu 2. Because at the present time no esploranto en la tuta mondo one who looks out over the whole jam dubas pri tio, ke lingvo world any longer doubts that internacia povas esti nur lingvo an international language can arta, kaj cxar, el cxiuj multegaj only ... — International Language - Past, Present and Future: With Specimens of Esperanto and Grammar • Walter J. Clark
... and the celli began to sigh the mournful phrase which ushers in the symphony. Milton leaned back luxuriously as the woodwind commenced the next phrase; and then, while the introduction ended with a sweeping crescendo and the tempo suddenly increased, Elkan sat up and his eyes became fixed on the ... — Elkan Lubliner, American • Montague Glass
... singing have given to France, gives voice to the Ceremonial Beauty "ever ancient yet ever new." Very little need, there, for books; most young and old sing Introit, Credo, Preface and Agnus Dei from memory, artistically exact in pronunciation, expression and tempo. ... — The Greater Love • George T. McCarthy
... in each word and phrase comes contrast. This may be made in the power of the tone by means of cres. dim. sfz. It may be made in the tempo by means of the retard, accelerando, the hold, etc. It may also be made in the quality of the tone by using the various ... — The Head Voice and Other Problems - Practical Talks on Singing • D. A. Clippinger
... tremante e contra l' ordinario costume della natura sua quasi smarrita. Le dimostrazioni del Duca di Guisa furono piene d' affettuosa umilta e di profonda sommissione: le parole della Reina ambigue, dicendoli; che lo vedeva volentieri, ma che molto piu volontieri l' arebbe veduto in altro tempo; alla quale egli rispose con sembiante modestissimo ma con parole altiere: Ch' egli era buon servitore del Re, e che avendo intese le calunnie date all' innocenza sua, e le cose che si trattavano contra ... — The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... began talking, arguing. He tried to speak at an ordinary tempo, but his words kept edging on ... — Birthright - A Novel • T.S. Stribling
... was that the organization was a bit lethargic. But nut trees are slow in showing results, despite the nurserymen's attractive visions of quick, big harvests of nuts and even timber!!! This slow patience of the black walnut has determined the tempo ... — Northern Nut Growers Association Incorporated 39th Annual Report - at Norris, Tenn. September 13-15 1948 • Various
... comes the question, how do drugs, hygiene, and animal magnetism heal? It may be affirmed that they 483:3 do not heal, but only relieve suffering tempo- rarily, exchanging one disease for another. We classify disease as error, which nothing but Truth or 483:6 Mind can heal, and this Mind must be divine, not human. Mind transcends all other power, and will ultimately su- persede all other means in healing. In order ... — Science and Health With Key to the Scriptures • Mary Baker Eddy
... none; I have therefore been obliged to send them after all by post. I beg you will ask Herr v. Kees to have a rehearsal of both these symphonies, as they are very delicate, particularly the last movement in D, which I recommend to be given as pianissimo as possible, and the tempo very quick. I will write to you again in a few days. Nota bene, I was obliged to enclose both the symphonies to you, not knowing the address ... — Haydn • J. Cuthbert Hadden
... is not to be measured in terms of the past, and the tempo of the present and of the calculable future is in many bearings very different from that which has ruled even in the recent historical past. But then, on the other hand, habituation always requires time; more particularly such habituation as is to take effect throughout a populous ... — An Inquiry Into The Nature Of Peace And The Terms Of Its Perpetuation • Thorstein Veblen
... cerca al mondo haver thesoro, Over diletto, o segue onore e stato, Ponga la mano a questa chioma d' oro, Ch' io porto in fronte, e quel fara beato. Ma quando ha il destro a far cotal lavoro, Non prenda indugio, che 'l tempo passato Piu non ritorna, e non si trova mai; Ed io mi volto, e lui ... — Gryll Grange • Thomas Love Peacock
... of a woman, and costumed after the bizarre fashion of the Ardcarran dancing girls. Evarin touched no button or key that I could see, but when he set the figure on its feet, it executed a whirling, armtossing dance in a fast, tricky tempo. ... — The Door Through Space • Marion Zimmer Bradley
... torni ben, tu torni, Ma teco altro non torna Che del perduto mio caro tesoro La rimembranza misera e dolente: Tu quella sei, tu quella, Ch'era pur dianzi si vezzosa e bella; Ma non son io gia quel ch'un tempo fui, Si caro a ... — Primavera - Poems by Four Authors • Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
... the justice of the peace sounded out as the pair—or rather the trio—stood before him at the foot of the great walnut, the astonishment which had been simmering in the crowd broke into audible being again and with a rising tempo. ... — The Roof Tree • Charles Neville Buck
... battles and the hole in his knee, even more than their mother had before them, being younger and boys. It was as lovely a land as I had remembered it, only, of course, there were changes. The motor showed that. I should not say that the tempo of life had been quickened so much as that its radius had been widened, or that the focus was different; the old spell was the same. To reconcile the past and the present, I have thought of a beautiful ... — The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
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