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More "Paolo" Quotes from Famous Books
 ... she made Alix and Peter laugh by reciting for them long passages from "Paolo and Francesca." They were walking, and had stopped to rest and get breath on a steep climb. Cherry's tender voice, half-amusedly and half-seriously repeating the passionate lines, lingered in Peter's mind like a sort of faint incense ...
— Sisters • Kathleen Norris
... Once in the crowd there was little danger of impertinent observation. Disguise was as often useful to the oligarchy of Venice as it was absolutely necessary to elude its despotism, and to render the town tolerable to the citizen. Paolo saw swarthy, bare-legged men of the Lagunes, entering occasionally into the cathedral. He followed, and found himself standing near the dimly lighted altar at which masses were still saying ...
— The Bravo • J. Fenimore Cooper
... collection was regarded as perfect; it was said that 'no one in the commonwealth of letters had ever brought together such a rich and admirable assembly.' Yet he only had one 'Grolier book,' a magnificent copy of Paolo Giovio's book on Roman Fishes, which passed to the Duc de la Valliere, and went for a few livres at his sale. There were only two other specimens in the Duke's library; and they seem to have been treated with equal indifference. M. de ...
— The Great Book-Collectors • Charles Isaac Elton and Mary Augusta Elton
... from Morani's No. 80 to Domenico Irolli's heavily painted "Violin Player" (64), and Enrico Lionne's gorgeous purple figures in the extreme of Impressionism. One of Nomellini's effects in light and shade appears in No. 86, on the east wall. Paolo Sala's "Along the Thames" (100) deserves better place and notice. Irolli, Lionne and ...
— The Jewel City • Ben Macomber
... is to this realm, where the carnal sinners are punished, that Dante relegates the lovers Paolo and ...
— Legends, Tales and Poems • Gustavo Adolfo Becquer
... in the past have been merely pictures that happened to represent war. Paolo Uccello's battle scenes are but pretexts for his peculiar version of the visible world. They might as well be still life for all the effect the subject has had upon his treatment of it. Leonardo, in ...
— Essays on Art • A. Clutton-Brock
... dominate the action of the drama very subtly and certainly, the other being, though in only the slightest degree, it is true, subordinate to the "principal." The same thing is true in the stories of Damon and Pythias, Paolo and Francesca, and Pelleas and Melisande. You must determine at the very beginning whether it is to be the man or the woman, and, having trained the spot-light upon that one, keep it there until ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... use to him in the conjuncture he had passed through; and he wondered whether thought really helped a man in any of the critical affairs of life: it seemed to him rather that he was swayed by some power alien to and yet within himself, which urged him like that great wind of Hell which drove Paolo and Francesca ceaselessly on. He thought of what he was going to do and, when the time came to act, he was powerless in the grasp of instincts, emotions, he knew not what. He acted as though he were a machine driven by the two forces ...
— Of Human Bondage • W. Somerset Maugham
... learned, that Governor Lanzavecchia, who had heard rumours of some projected enterprise and who suspected that the object aimed at was Gertruydenberg, had suddenly taken his departure for that city, leaving as his lieutenant his nephew Paolo, a raw lad quite incompetent to provide ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... others who may devote themselves to similar studies, the materials necessary for your purpose." The agents he employed travelled through Italy, Greece, Europe, and the East—Hieronymo Donato, Ermolao Barbaro, and Paolo Cortesi being the names of some of his most trusted "commissioners." But the coadjutor whose aid he principally relied on, to whom he committed the care and arrangement of his vast museum and great ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson
... habits already formed would permit, the latter overwhelmingly, felt his influence. The older, who, but for Masaccio, would themselves have been the sole determining personalities in their art, were Fra Angelico, Paolo Uccello, and Andrea del Castagno; the younger, Domenico Veneziano and Fra Filippo. As these were the men who for a whole generation after Masaccio's death remained at the head of their craft, forming the taste of the public, and communicating their habits and aspirations to ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... In the choir of the same church, St. Giov. and Paolo, is another tomb, that of the Doge Andrea Vendramin. This doge died in 1478, after a short reign of two years, the most disastrous in the annals of Venice. He died of a pestilence which followed the ravage of the Turks, carried to the shores of the lagoons. He died, leaving Venice ...
— Stones of Venice [introductions] • John Ruskin
... tableaux vivants constituted the method of collecting the money, and the selections would have made Rabelais chuckle. We had the most flagitiously erotic passages (rendered in costume) from opera and opera bouffe, living reproductions of the tragic pose of Paolo and Francesca that would hare inspired Cabanel anew; of 'Ginevra Da Siena,' of 'Vivien,'—a carnival of the carnal! where nurseries were robbed to supply the mimic ballet, and where bald-headed clergyman, and white-haired mothers in Israel clapped and encored. One fair forsaken dame, ...
— At the Mercy of Tiberius • August Evans Wilson
... the best sailors," Battista went on; "it is the belief of the great Paolo Toscanelli in this very land ...
— The Path of the King • John Buchan
... allude to Krishna in his second avatar; the church, it is true, governs in his name, but not unfrequently gives him the lie, if he happens to have said anything which it dislikes. Did you never hear the reply which Padre Paolo Segani made to the French Protestant Jean Anthoine Guerin, who had asked him whether it was easier for Christ to have been mistaken in his Gospel, than for the Pope to ...
— The Romany Rye - A Sequel to 'Lavengro' • George Borrow
... punishment was to be beaten hither and thither by the winds,—Semiramis, Dido, Cleopatra, Paris, Tristan, and all those who had sinned for love, and here Dante conversed with the spirit of Francesca da Rimini, whom he had known in life, and her lover Paolo, slain for their sin by her husband. Though there is no greater sorrow than to be mindful of the happy time in misery, she assured Dante that the sorrows of Hell were lightened by ...
— National Epics • Kate Milner Rabb
... to sanction the Rule but only to give his approbation to the missions of the little band. Some of the cardinals expressed their doubts about the mode of life provided for in the rules. "But," replied Giovanni di San Paolo, "if we hold that to observe gospel perfection and make profession of it is an irrational and impossible innovation, are we not convicted of blasphemy against Christ, the Author ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart
... popular and great ones of the earth floated about the table. Here, it appeared, Mario Costa and Paolo Tosti had composed their most celebrated songs between one course and another. Here Zola and Tolstoy had written. Here Sarah Bernhardt had ordered a dozen bottles of famous old wine to be sent to the Avenue Pereire from the cellars of Frisio, and had fallen in love ...
— A Spirit in Prison • Robert Hichens
... edifices, on which his eyes lighted at random. Close at hand, by its loggia turned towards the river, he recognised the huge tawny cube of the Palazzo Farnese. The low cupola, farther away and scarcely visible, was probably that of the Pantheon. Then by sudden leaps came the freshly whitened walls of San Paolo-fuori-le-Mura,* similar to those of some huge barn, and the statues crowning San Giovanni in Laterano, delicate, scarcely as big as insects. Next the swarming of domes, that of the Gesu, that of San Carlo, that of St'. ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... was,—a purgatory lightened for Charles by love, he playing the role assigned by Dante to Paolo, though the infanta was little inclined to imitate Francesca da Rimini. Buckingham fumed and fretted, was insolent to the Spanish ministers, and sought as earnestly to get Charles out of Madrid as he had done to get him there, and less successfully. ...
— Historical Tales, Vol. 4 (of 15) - The Romance of Reality • Charles Morris
... retort, as the detective thus released, stooped for the book still lying on the floor. "Paolo and Francesca," he read, from the back, as he laid it on ...
— Initials Only • Anna Katharine Green
... was sent by Charlemagne as ambassador to Nicephorus Emperor of Constantinople, in 811. He published an account of his journey which he called his Itinerarium. There is a curious capitulary of his, inserted in Lucas of Acheri's Spicilegium.] [Footnote 2: Better known as Fra Paolo, or Paul Sarpi, the citizen monk of Venice who has been said to have been "a Catholic in general, but a Protestant in particular". His attempted assassination on the Piazza of St Mark at Venice by order of Paul V, the Pope is still one of the fauourite legends of the City of Gondolas. He is ...
— The Principal Navigations, Voyages, Traffiques, and Discoveries - Vol. II • Richard Hakluyt
... the beginning of such more faithful and accurate observation in former art, is exactly coeval with the commencement of its decline. The feverish and ungraceful natural history of Paul, called, "of the birds," Paolo degli Uccelli, produced, indeed, no harmful result on the minds of his contemporaries, they watched in him, with only contemptuous admiration, the fantasy of zoological instinct which filled his house with painted dogs, cats, and birds, because he was too poor to fill it with real ...
— Love's Meinie - Three Lectures on Greek and English Birds • John Ruskin
... been realized, Polish nationalism might have become an anachronism. To-day it is a large factor in European politics and is little understood in the West. M. Dmowski lives for his country. Her interests absorb his energies. He would probably agree with the historian Paolo Sarpi, who said, 'Let us be Venetians first and Christians after.' Of the two widely divergent currents into which the main stream of political thought and sentiment throughout the world is fast dividing itself, M. Dmowski moves with the national away from the international championed ...
— The Inside Story Of The Peace Conference • Emile Joseph Dillon
... however, never gained great favour in the capital. Those whom Venice drew to herself when her own strength was waning and when, like Rome in her decline, she began to absorb into herself the talent of the provinces, were rather painters such as Paolo Veronese whose art, although of independent growth, was sufficiently like her own to be readily understood, or painters with an entirely new ...
— The Venetian Painters of the Renaissance - Third Edition • Bernhard Berenson
... "Yes, Paolo," said Phil, his eyes fixed nervously upon his pursuer, who maintained his place, and was watching ...
— Phil the Fiddler • Horatio Alger, Jr.
... the formal memorial addressed to the grandduke was drawn up in the name of Florentines; among whom were the celebrated Bartolini, now President of the School of Sculpture in the Imperial and Royal Academy, Signor Paolo Ferroni, of the noble family of that name, who has exhibited considerable talent for painting, and Signor Gasparini, also an artist. This petition was urged and supported with indefatigable zeal by Signor Bezzi; and ...
— The Crayon Papers • Washington Irving
... rest a young man called Nastagio degli Onesti, who had, by the death of his father and an uncle of his, been left rich beyond all estimation and who, as it happeneth often with young men, being without a wife, fell in love with a daughter of Messer Paolo Traversari, a young lady of much greater family than his own, hoping by his fashions to bring her to love him in return. But these, though great and goodly and commendable, not only profited him nothing; nay, it seemed they did him harm, ...
— The Decameron of Giovanni Boccaccio • Giovanni Boccaccio
... you singing, Paolo France?" said Orso. "Was it a ballata or a vocero? Mademoiselle understands you, and would like ...
— Columba • Prosper Merimee
... close of the century the confidence in the status of the imponderables was rudely shaken in the minds of philosophers by the revival of the old idea of Fra Paolo and Bacon and Boyle, that heat, at any rate, is not a material fluid, but merely a mode of motion or vibration among the particles of "ponderable" matter. The new champion of the old doctrine as to the nature of heat was a very distinguished ...
— A History of Science, Volume 3(of 5) • Henry Smith Williams
... Novella, then, is as good a German Italian church as can be found; but, for the reasons stated, it is not particularly interesting as a piece of architecture. Its wealth is in its frescos. In the quadrangle of the cloister is a series of pictures by Paolo Uccello, who, by the introduction of linear perspective, of which he is esteemed the inventor, made a new epoch in art. In the "chapel of the Spaniards" is a famous collection of frescos by Giotto's scholars. ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... more nearly complete, neither do we always value him especially who has placed new scientific conquests at the disposal of art. Palma Vecchio painted by the side of Titian, but he is only a minor master; Botticelli remained of the generation before Leonardo, but he is one of the immortal great. Paolo Ucello, by his study of perspective, made a distinct advance in pictorial science, but his interest for us is purely historic; Fra Angelico made no advance whatever, but he practised consummately the current art as he found ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... paler. He wore his collar and orders, his blue ribbon and garter. He was a greater Prince than any there, though there was a reigning Duke and a Royal Highness, with their princesses, and near his Lordship was seated the beautiful Countess of Belladonna, nee de Glandier, whose husband (the Count Paolo della Belladonna), so well known for his brilliant entomological collections, had been long absent on a mission to ...
— Vanity Fair • William Makepeace Thackeray
... the guides began roping them together. 'The stout monsieur in front, next after me,' said the chief guide, knotting the rope soundly round Herbert Le Breton: 'then Kaspar; then you, monsieur,' to Harry Oswald, 'and finally Paolo, to bring up the rear. The thin monsieur is nervous, I think; it's best to place ...
— Philistia • Grant Allen
... master and pupil was probably concerned, in each succession, in the gradual loss of the substance of the old method. The possibility of learning to sing by imitation was only gradually lost to sight. This is well expressed by Paolo Guetta. "The aphorism 'listen and imitate,' which was the device of the ancient school, coming down by way of tradition, underwent the fate of all sane precepts passed along from generation to generation. Through elimination and individual adaptation, through assuming ...
— The Psychology of Singing - A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern • David C. Taylor
... while Leonardo still frequented the studio of Andrea del Verrocchio, who in 1479 was commissioned to execute the equestrian statue of Bartolommeo Colleoni, which was completed twenty years later and still adorns the Campo di San Giovanni e Paolo in Venice. ...
— Leonardo da Vinci • Maurice W. Brockwell
... somewhat by the compositions written for the instrument. Of these the earliest known is a "Romanesca per violone Solo e Basso se piaci," and some dances, by Biagio Marini, published in 1620. This contains the "shake." Then there is a "Toccata" for violin solo, by Paolo Quagliati, published in 1623, and a collection of violin pieces by Carlo Farina, published in 1627 at Dresden, in which the variety of bowing, double stopping, and chords shows a great advance in ...
— Famous Violinists of To-day and Yesterday • Henry C. Lahee
... Orso Paolo, one of the Vincenti family, gave it as his opinion that they should wear their surplices, alleging that to be ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... on the island of San Pietro, opposite the Arsenal. On the Grand Canal, close by the railway-station, is the Chiesa degli Scalzi, whose ceiling by Tiepolo, one of the master's greatest works, has suffered irreparable injury. Santi Giovanni e Paolo, next to St. Mark's the most famous church in Venice, has also been ...
— Italy at War and the Allies in the West • E. Alexander Powell
... the Chapel of the Palace had been given in 1414 to Simone d'Antonio and Antonio Paolo Martini, but they did not satisfy the public, so it was taken from them and given to Domenico di Nicolo, August 26, 1415. The tarsie are 21 in number, and represent the clauses of the apostles' creed and the symbols of the apostles. The unsuccessful work was given to ...
— Intarsia and Marquetry • F. Hamilton Jackson
... (1502), which, being a duodecimo, is the first edition of Dante in portable form. This Mark, and one or two others with very slight alterations which naturally occurred in the process of being re-engraved, was used up to the year 1546. In 1515 the original Aldus died, and as his son Paolo or Paulus was only three years of age, Andrea Torresano, adistinguished printer of Asola, into whose possession the "plant" of Jenson had passed in 1481, and whose daughter married the first Aldus, carried on the business of his deceased son-in-law, ...
— Printers' Marks - A Chapter in the History of Typography • William Roberts
... Stradivari five children: a daughter, who died at the age of twenty; a son, who died in infancy; a son, who died at twenty-four; a son, who became a priest and lasted seventy-seven years, and, finally, a son, Paolo, the only child of Stradivari that seems to have married, and certainly the only one who handed down the family name. How happy Antonia was with her husband, we do not know. "As rich as Stradivari," became ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Suddenly I became aware it was Aniela I was searching for. Of course, only her and always her. What could another life matter to me without her? I found her at last, and we roamed about together like the shadow of Paolo with the shadow of Francesca di Rimini. I write this down because I see in it an almost terrifying proof how far my whole being has been absorbed ...
— Without Dogma • Henryk Sienkiewicz
... in Verona and Venice are blended in Paolo Veronese. No artist ever enjoyed more the splendors of color, or combined them in more enchanting harmonies. Such gifts transform the commonest materials, and, though his Virgin is a very ordinary woman, she has undeniable charms. An oft-copied figure, in this picture, is ...
— The Madonna in Art • Estelle M. Hurll
... to approach it, they set a stout ring-fence of faggots, and burned it together with the sage. So ended Master judge's inquest on the death of hapless Pasquino, who with his Simona, swollen as they were, were buried by Stramba, Atticciato, Guccio Imbratta, and Malagevole in the church of San Paolo, of which, as it ...
— The Decameron, Volume I • Giovanni Boccaccio
... Paolo," he said, after inspecting Brian's face and lifting his nerveless hand; "and return with him ...
— Under False Pretences - A Novel • Adeline Sergeant
... the cathedral to join in the august solemnization; when, lo! just as he quitted the church, a way-worn and heated cavalier approached, bearing despatches; in whom the prince recognised a faithful attendant of his household, named Paolo Rinaldo, whom he had recently sent with instructions to Camille Du Mont, the general charged with the reduction of ...
— Blackwood's Edinburgh Magazine, No. CCCXLV. July, 1844. Vol. LVI. • Various
... Rome from the Via Ostiensis by the Porta San Paolo, the first object that meets the eye is a marble pyramid which stands close at ...
— Miscellanies • Oscar Wilde
... fanciullino, In qual pasco gita sia La vezzosa Egeria mia Ch'io pur cerco dal mattino? (Paolo A. Rolli)] ...
— Modern Spanish Lyrics • Various
... mountebank, I did but utter the truth that was in my heart. San Paolo be my witness that did ye but find the stout Count Leonardo in his cups, sheer from the castle's topmost battlements would he hurl ye all! Alack-a-day, the good Lord Luigi reigns not here in ...
— Innocents abroad • Mark Twain
... the Gisbornes to stay with her at the Baths. They arrived on August 25, but the circumstances seemed imperative for Mary to go to Este, and she left on the 31st with a servant, Paolo, as attendant. They were detained a day at Florence, and did not reach Este till poor little Clara was dangerously ill from dysentery, which reduced her to a state of fever and weakness. Mary endured the misery of an incompetent doctor at Este; neither had they ...
— Mrs. Shelley • Lucy M. Rossetti
... yet subject to the Florentines, but was ruled by its own counts, in the lands of Poppi, an important place in that valley through which runs the river Arno, and not far from its source, a son was born to a certain good man named Paolo, to whom he gave the name of Torello, and whom, when a suitable age, he not only taught to fear God, and to lead a Christian life, but sent to school, that he might learn the first principles of letters—which he soon did—and to avoid evil companions and imitate the good. The ...
— Legends That Every Child Should Know • Hamilton Wright Mabie
... immortal love-stories as Romeo and Juliet, Tristram and Isolde, and Paolo and Francesca, a love so mad in its wild impetus is pictured that it dashes itself against danger; and death for the lovers, we feel from the beginning, is the sure climax when the curtain shall fall on the ...
— Little Journeys to the Homes of the Great, Vol. 13 - Little Journeys to the Homes of Great Lovers • Elbert Hubbard
... young man, Nastagio degli Onesti by name, who by the death of his father and one of his uncles inherited immense wealth. Being without a wife, Nastagio, as 'tis the way with young men, became enamoured of a daughter of Messer Paolo Traversaro, a damsel of much higher birth than his, whose love he hoped to win by gifts and the like modes of courting, which, albeit they were excellent and fair and commendable, not only availed him not, but seemed rather to have the contrary effect, ...
— The Decameron, Vol. II. • Giovanni Boccaccio
... 15 Pleading, as I could guess, the devilish wrong Which prompted your unnatural parent's death. And he replied: 'Paolo Santa Croce Murdered his mother yester evening, And he is fled. Parricide grows so rife 20 That soon, for some just cause no doubt, the young Will strangle us all, dozing in our chairs. Authority, and power, and hoary hair Are grown crimes capital. You are my ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... and drank and laughed and chatted, the books around us were weaving their spells. Even before the invention of printing books were "love's purveyors." Was it not a book that sent Paolo and Francesca for ever wandering on that stormy wind of passion and of death? And nowadays the part played by books in human drama is greater than we perhaps realise. Apart from their serious influence as determining destinies ...
— The Quest of the Golden Girl • Richard le Gallienne
... devoted to her poets; there was no addition that I could see. Over it hung the fine photograph of Watts's "Hope," an ironic emblem, and elsewhere one of that intolerably sad picture, his "Paolo and Francesca": how I remembered the wet Sunday when Catherine took me to see the original in Melbury Road! The old piano which was never touched, the one which had been in St. Helena with Napoleon's doctor, there it stood to an inch where it had stood of old, a sort ...
— No Hero • E.W. Hornung
... won the most sympathy from the Italian public were those of Oreste in the tragedy of that name, Egisto in "Merope," Romeo in "Giulietta e Romeo," Paolo in "Francesca da Rimini," Rinaldo in "Pia di Tolommei," Lord Bonfield in "Pamela," Domingo in the "Suonatrice d 'Arpa," and Gian Galeazzo in "Lodovico il Moro." In all these my success was more pronounced than in other parts, and I received ...
— [19th Century Actor] Autobiographies • George Iles
... a better gardener had this book been available. Who can say? Perhaps he would not have had to give up the old farm and move away, had he had this Almanac to guide him. And then there are Hero and Leander, Paris and Helen, Abelard and Heloise, Paolo and Francesca, and so many, many others—how different it might all have been had we only published this little book a few thousand years ago! We are filled with regret. The one consoling thought is that we are better fitted for the ...
— Cupid's Almanac and Guide to Hearticulture for This Year and Next • John Cecil Clay
... the last of many days, Nor could we know when such days might be given Again—we read how Dante trod the ways Of utmost Hell, and how his heart was riven By sad Francesca, whose sin was forgiven So far that, on her Paolo fixing gaze, She supt on his again, and thought it Heaven, She knew her gentler fate ...
— Helen Redeemed and Other Poems • Maurice Hewlett
... to have acknowledged the justice of his sentence. He had never made any attempt to justify or defend himself, but frankly and at once avowed his guilt and made no attempt to escape from its penalties. His body was conveyed privately to the Church of St. Giovanni and St. Paolo, the great "Zanipolo"—with which all visitors to Venice are familiar—and was buried in secrecy and silence in the atrio of a little chapel behind the great church—where no doubt for centuries the pavement was ...
— The Great Events by Famous Historians, Volume 07 • Various
... undertaking. Absolutely fearless, quick-witted, and prompt in action, delighting in danger and adventure, and indomitable in perseverance, Vasco da Gama was a brave leader of men, and he had himself chosen two companions after his own heart, who were to command the other two ships—his brother, Paolo da Gama, and his friend, Nicolo Coello. On his knees the captain received from King Manoel the cross-marked flag on which he swore fidelity to his sovereign, and then, followed by the cheers and good wishes of all Lisbon, the good ships ...
— Chatterbox, 1906 • Various
... become more important than the theologians, engaged the council of Trent to fix the seal of their infallibility on all the books of Scripture contained in the Latin Vulgate, in the number of which the Apocalypse was fortunately included. (Fr. Paolo, Istoria del Concilio Tridentino, l. ii.) 3. The advantage of turning those mysterious prophecies against the See of Rome, inspired the Protestants with uncommon veneration for so useful an ally. See the ingenious and elegant discourses of ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon
... steps, mounting the splendid marble staircase upon which the masterpieces of Titian and of Paolo Veronese looked down. At the head of the stairs, there was a painted door, which he had but to open to find himself face to face with those who were still telling each other that ...
— Master Tales of Mystery, Volume 3 • Collected and Arranged by Francis J. Reynolds
... violated our course is clear. Neither custom nor convenience, neither distance of time nor difference of culture may excuse or even limit our condemnation. Murder is always murder, whether it be committed by populace or patricians, by councils or kings or popes. Had they had their dues, Paolo Sarpi would have been in Newgate and George I. would have ...
— The History of Freedom • John Emerich Edward Dalberg-Acton
... impurity he derived a large annual revenue, under the form of a license; besides which, the prices of absolution for the different violations of the seventh commandment are as regularly fixed as the value of beads, soul-masses, blessed water, and every other article of Popish manufacture. Paolo, Hist. Council de Trent. Book ...
— Awful Disclosures - Containing, Also, Many Incidents Never before Published • Maria Monk
... in a low voice, "The wicked Monsignor who has thee, my poor Paolo, in his clutches for debt, has just passed by and left evil tidings!—that beautiful girl who painted the famous pictures in Rome, has been murdered! Do you not remember seeing her once with her father ...
— The Master-Christian • Marie Corelli
... has been written, and she has been greatly maligned by some biographers. Her story formed the basis of Webster's drama, The Tragedy of Paolo Giordano Ursini (1612), and of Ludwig Tieck's novel, Vittoria Accoramboni (1840); it is told more accurately in D. Gnoli's volume, Vittoria Accoramboni (Florence, 1870), and an excellent sketch of her life is given in Countess E. Martinengo-Cesaresco's ...
— Project Gutenberg Encyclopedia
... the lovers after a striking scene in which, as he stands beneath the window of the room in which Pelleas and Melisande have secretly met, he is told what is passing within by a child whom he holds in his arms. The story is of course merely that of Paolo and Francesca retold, but placed in very different surroundings and accompanied by music that certainly could never have been written by an Italian, of ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... supplied its place more effectively. When d'Annunzio's "Francesca da Rimini" was put on the stage in Rome, a pot of basil was brought daily from Naples in order that it might be laid on the window-sill of the room in which Francesca and Paolo read of Lancelot and Guinevere. In an interview published in one of the English papers, d'Annunzio declared that he had all his stage decorations made in precious metal by fine craftsmen, and that he had done this for an artistic purpose, ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... libraries in Florence, and I had to hear his favourite passages from the Italian poets. And then there came the plots of Jules Verne's stories and marvellous narrations about l'uomo cavallo, l'uomo volante, l'uomo pesce. The last of these personages turned out to be Paolo Boynton (so pronounced), who had swam the Arno in his diving dress, passing the several bridges, and when he came to the great weir "allora tutti stare con bocca aperta." Meanwhile the storm grew serious, and our conversation changed. Francesco told me about the terrible sun-stricken sand shores ...
— New Italian sketches • John Addington Symonds
... it has been asserted by men who have written about Columbus that the most important event during his Lisbon days was his correspondence with a learned astronomer named Paolo Toscanelli. Columbus, they argue, having formed the plan of sailing west to discover a route to the Indies (which Columbus never thought of doing at that early day), wrote to ask Toscanelli's advice, and the ...
— Christopher Columbus • Mildred Stapley
... day M. d'Estrees drove out to San Paolo fuori le Mura, and caught a blast from the snowy Sabines coming back. In three days he was dead, and his well-provided widow had snatched the bulk of his fortune from the hands of his needy ...
— The Marriage of William Ashe • Mrs. Humphry Ward
... The poetic elements of the play consist in the beauty of atmosphere and the charm of the lines. Giovanni Malatesta, the ugly tyrant of Rimini, being at war when his marriage draws near, sends his young brother Paolo to escort Francesca to Rimini. On the journey Paolo and Francesca fall in love with each other. When Giovanni discovers this, his jealous hand slays them. To such a tragic climax, Phillips drives steadily onward from the first scene, thus focusing the interest ...
— Halleck's New English Literature • Reuben P. Halleck
... had to be placed in school and given a tutor. Before doing this I took him around the city, and we saw together some of the churches: S. Maria del Popolo, S. Giovanna dei Laterano, S. Angelo, S. Paolo. I took him to the Pantheon, the Coliseum, to St. Peter's, into the Vatican. Thus I gained my first impressions; and on these rounds I found the courier Serafino Maletesta, who became a source of so much ...
— Children of the Market Place • Edgar Lee Masters
... of ideas and theories, the rivalries of differing schools, the sweet devotion of Fra Angelico, the innovations of Masolino and Masaccio, the theory of perspective of Paolo Uccello, the varied works of Fabriano, Antonello da Messina, the Lippi, Botticelli, Ghirlandajo, the Bellini, and their contemporaries, culminated in the inimitable painting of the Cinquecento—in works still unsurpassed, ever challenging ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... the old Gothic method, there was little need for other cartoonists than the Italian, so infinitely able and prolific were they. Andrea del Sarto, Titian, Paolo Veronese, Giulio Romano, these are among the artists whose work went up to Brussels workshops and to other able looms of the day. We can fancy the fair face of Andrea's wife being lovingly caressed by the weaver's fingers ...
— The Tapestry Book • Helen Churchill Candee
... long time since we have heard anything about the opera on 'Mahomet'!" cried he, with a smile at Marianna. "Can it be that Paolo Gambara, wholly given up to domestic cares, absorbed by the charms of the chimney-corner, is neglecting his superhuman genius, leaving his talents to get cold and his imagination to ...
— Gambara • Honore de Balzac
... I walked as far as the gate of San Paolo, and, on approaching it, I saw the gray sharp pyramid of Caius Cestius pointing upward close to the two dark-brown, battlemented Gothic towers of the gateway, each of these very different pieces of ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... superficial, and Art to have declined from its ancient dignity. But see how they took hold of men, and what men they took hold of. In the midst of that bloody and shameless fifteenth century, when only force seems sacred, men hunted these shadows as if they were wealth and power. Paolo Uccello could not be got away from his drawing to his meals or his rest, and only replied to his wife's remonstrances, "Ah, this perspective is so delightful!" With what ardor Mantegna and Luca Signorelli seized upon a new trait or action! Leonardo da Vinci, "the first name of ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various
... almost idyllic atmosphere Patrick had infused into their life together. Sara recognized it as the outcome of a love and fidelity as beautiful and devoted as it is rare. Patrick's love for her mother had partaken of the enduring qualities of the great passions of history. Paolo and Francesca, Abelard and Heloise—even they could have known no deeper, no more lasting love than that of Patrick Lovell ...
— The Hermit of Far End • Margaret Pedler
... intent only to amuse, reflects with playful wit and skepticism the splendid luxury and joy of living in Renaissance court life. The care with which he chiselled each line proves that his real seriousness and conscience lay in his artistic purpose. Without Ariosto's wit, Paolo Veronese depicted a similar side in painting, though his Venetian birthright made him celebrate the glory of the Republic. Poet and painter alike expressed far more than either could know. If such a test be applied to the artists of the Renaissance, each in turn will respond to it,—just ...
— Thoughts on Art and Life • Leonardo da Vinci
... was intense curiosity about this young man. The landlady had told her story, which explained nothing. There was nobody to be questioned about him except his servant, an Italian, whose name was Paolo, but who to the village was ...
— A Mortal Antipathy • Oliver Wendell Holmes, Sr.
... good deal of use for some of it, thought Mrs. Severance whimsically. It had hardly been a Paolo and Francesca diner-a-deux—both had been much too frankly hungry when they came to it and Ted's most romantic remarks so far had been devoted to a vivid appreciation of Mrs. Severance's housekeeping. But all men are very much ...
— Young People's Pride • Stephen Vincent Benet
... co-chiefs of state: Captain Regent Piero Paolo GASPERONI and Captain Regent Pietro BUGLI (for the period 1 April-30 September 1996) were elected by the Great and General Council for a six-month term head of government: Secretary of State for Foreign and Political Affairs Gabriele GATTI (since NA July 1986) was elected for ...
— The 1996 CIA Factbook • United States. Central Intelligence Agency.
... that's the Princess di Sereno, don't you know, the only child of the California millionaire who died about ten years ago, so suddenly while his wife and little daughter were in Europe! The girl married that Roman prince, Paolo di Sereno, who used to make such a sensation going about in an aeroplane, and gambling high at Monte Carlo—awfully handsome man, a lot older than she. He must have been nearly forty, and she seventeen, ...
— The Port of Adventure • Charles Norris Williamson and Alice Muriel Williamson
... in Siena, and of the fountain at Perugia (in all of which Arnolfo probably helped), and the designer of many buildings all over Italy. Arnolfo's own unaided sculpture may be seen at its best in the ciborium in S. Paolo Fuori le Mura in Rome; but it is chiefly as an architect that he is now known. He had already given Florence her extended walls and some of her most beautiful buildings—the Or San Michele and the Badia—and simultaneously he designed S. Croce and the Palazzo Vecchio. Vasari ...
— A Wanderer in Florence • E. V. Lucas
... Hamlet is always represented as a thin, lean man, when the Hamlet of Shakspere was a fat, John Bull-kind of a man. But the best piece in the Gallery was "Dante meditating the episode of Francesca da Rimini and Paolo Malatesta, S'Inferno, Canto V." Our first interest for the great Italian poet was created by reading Lord Byron's poem, "The Lament of Dante." From that hour we felt like examining everything connected with ...
— Three Years in Europe - Places I Have Seen and People I Have Met • William Wells Brown
... together," he said. "Then Dr. Torrance and the Marchese di Morello may turn up at any minute. Torrance is an elderly man, a decent sort of chap, and deadly respectable. He'll do the heavy father well enough. Paolo di Morello is an Italian. I don't care for him; but the troublesome business about my ...
— The Second Latchkey • Charles Norris Williamson and Alice Muriel Williamson
... been brought to Florence; and Sirturus assures us that a Frenchman, calling himself a partner of the Dutch inventor, came to Milan in May 1609, and offered a telescope to the Count de Fuentes. In a letter from Lorenzo Pignoria to Paolo Gualdo, dated from Padua, on the 31st of August 1609, it is expressly said, that, at the re-election of the professors, Galileo had contrived to obtain 1000 florins for life, which was alleged to be on account ...
— The Martyrs of Science, or, The lives of Galileo, Tycho Brahe, and Kepler • David Brewster
... woman by Rubens, which I seemed to stumble upon as if by accident, and which was viewed by my guides with a sort of apathy. Mr. Lewis was half lost in extacies before a pretty little sketch by Paolo Veronese; when, on my observing to him that the time was running away fast, M. Klein spoke aloud in the English language—"Mister Louise, (repeating my words) teime fleis." He laughed heartily upon uttering it, and seemed to enjoy the joke full ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... Gianjacomo Trivulzi, and many other relatives and friends of the said Pope, in particular Caesar Borgia and his brother and sisters, with many talented men of those times. At Monte Oliveto in Naples, in the Chapel of Paolo Tolosa, there is a panel with an Assumption by the hand of Pinturicchio. This master made an infinite number of other works throughout all Italy, which, since they are of no great excellence, and wrought in a superficial manner, I will pass over in silence. Pinturicchio ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... fetched a cloak, and went down the dark stone staircase between the lichen-covered walls to the tall iron gate. The boat was lying by the outer steps. She got in and Paolo took ...
— The Woman With The Fan • Robert Hichens
... which she preserved toward him, he dressed himself as a citizen and continued his nocturnal excursions. He was not long in meeting what he sought. He saw under a beautiful moonlight the masked woman standing before the charming church of Santi Giovanni e Paolo. She seemed to contemplate with adoration the delicate ornaments which decorated its portal. The count silently and slowly approached her. She did not appear to notice him, and did not stir. The count, who had stopped a moment to see if he were discovered, moved on again and came ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various
... was destined to forestall his learned lady in the matter of poetry, for during his imprisonment at Milan in the year 1512, he composed a "Dialogo d'Amore" to send to his sorrowing wife at Ischia, a production which the learned Paolo Giovio, the historian and bishop of Nocera, pronounced as being "summae jucunditatis," though in reality it seems to have been feeble enough. But however halting and commonplace the warrior's verses, Pescara's composition had the immediate ...
— The Naples Riviera • Herbert M. Vaughan
... young as ever, Still unabashed by Paolo and Francesca, You long for plays with literary motives, Plots oft attempted ...
— Masques & Phases • Robert Ross
... their ardour is not a transient phenomenon which disturbs them, like that of the Shulamite, or the lover described by Sappho or Plato, but a chief business of their life, as in the case of Dante, of Petrarch, of Francesca and Paolo, or Tristram and Yseult. Indeed, it is difficult to guess whether this self-satisfied, self-glorifying quality, which distinguishes mediaeval passion from the passion (always regarded as an interlude, ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... front of a door. Pignana pulled a rope. A bell sounded, and the door was opened by a man in the costume Pignana wore. The three then crossed a long paved court, and through a vestibule entered a corridor leading into a vast hall, which had been the refectory of the monastery of San Paolo. A few torches lit up the room; around a table in the centre of which were thirty men all dressed like those we have described. They arose when Monte-Leone entered, and bowed with respect. The Count took his ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... continuing and completing the action of a play, as prologues in modern times have been converted into introductory chapters, explanatory of events to be presently exhibited upon the scene. Yet the interminable drama of "Marie Antoinette," by Signor Paolo Giacometti, in which Madame Ristori was wont to perform, presents an instance of this kind. "Marie Antoinette" is in five acts, with a prologue exhibiting the queen's life at Versailles, in 1786, ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... an aesthetic point of view, that could be done with Rome would be to destroy everything except St. Paolo fuori le Mure, of later ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... different enough from ours. They are traditionally romantic. But we are apt to disbelieve in the romance which we hear from those concerned. I cannot disbelieve, since I knew this sad, stern Italian woman. Can you disbelieve, who have seen Titian's, and Tintoretto's, and Paolo Veronese's portraits of Venetian women? You, who have floated about the ...
— Gifts of Genius - A Miscellany of Prose and Poetry by American Authors • Various
... St. Paul stood south of the city, outside the Porta Ostiensis which is still called Porta S. Paolo. ...
— Procopius - History of the Wars, Books V. and VI. • Procopius
... merry and alert little satyr at his feet furtively enjoys. He appears to be about seven years old, and the Bacchus eighteen.(25) The said Messer Iacopo desired also that he would carve him a little Cupid.(26) Both of these works may still be seen in the house of Messer Giuliano and Messer Paolo Galli, courteous and worthy gentlemen, with whom Michael Angelo has always retained a real and ...
— Michael Angelo Buonarroti • Charles Holroyd
... the castle, and 100 cavalry. The governor of Breda, Edward Lanzavecchia, was absent superintending the erection of new fortifications at Gertruydenberg, and in his absence the town was under the command of his son Paolo. ...
— By England's Aid • G. A. Henty
... whatever. At Nicosia the inhabitants, bare-headed and bare-foot, carried the crucifixes through all the wards of the town and scourged each other with iron whips. It was all in vain. Even the great St. Francis of Paolo himself, who annually performs the miracle of rain and is carried every spring through the market-gardens, either could not or would not help. Masses, vespers, concerts, illuminations, fire-works—nothing could move him. At last the peasants began to lose patience. Most ...
— The Golden Bough - A study of magic and religion • Sir James George Frazer
... of Guido da Polenta, lord of Ravenna, was given by her father in marriage to Lanciotto, son of Malatesta, lord of Rimini, a man of extraordinary courage, but deformed in his person. His brother Paolo, who unhappily possessed those graces which the husband of Francesca wanted, engaged her affections; and being taken in adultery, they were both put to death by the enraged Lanciotto. See Notes to Canto XXVII. v. 43 The whole of ...
— The Divine Comedy • Dante
... and what was wanted I furnished myself,) Mr. Kirkup did not afford me any assistance. At this stage of the business, I met indeed with a most valuable ally, without whom I believe I should have been beaten; and that was Paolo Feroni, a Florentine nobleman and artist, to whom I have before expressed and now repeat my best acknowledgments. At the end of this long contention against obstacles which often eluded my grasp, the Grand Duke, in consequence of ...
— The International Monthly Magazine, Volume 1, No. 1, August 1850 - of Literature, Science and Art. • Various
... by. I never knew him personally. I never even set eyes on him. And yet I seem to see him more clearly than many men, my brothers, for instance, with whom I passed my daily life for many years. He lives in my imagination with the distinctness of a Paolo Malatesta or a Romeo. But I daresay you have never read ...
— The Trembling of a Leaf - Little Stories of the South Sea Islands • William Somerset Maugham
... let us say, in one of the larger town-houses on the Caelian Hill, looking across the narrow valley towards the Palatine, somewhere near the modern church of SS. Giovanni e Paolo. It is before day-break that the loud bell has awakened the household slaves and set them to their work. In the road below and away in the city the carts, which are forbidden during the full daytime, are still rumbling with their loads of produce or building-material. ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker
... our Lord be again placed in the possession of the true believers.... In these things I marvel much at your incredulity, Signor Vespucci, seeing that you have often had opportunities of conversing with the learned physicist Paolo, your own countryman—peace to his ashes!—who in his lifetime so nearly coincided with ...
— Amerigo Vespucci • Frederick A. Ober
... Caryatides, is an age later.) Observe even the decoration lavished on the beautiful chimneys. Pierre Lescot was the architect of this earliest wing; the exquisite sculpture is by Jean Goujon, a Frenchman, and the Italian, Paolo Ponzio. Examine much of it. The crossed K's of certain panels stand for Catherine ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... her labours. On one of these occasions her donkey stumbled and fell, and the wood which he was carrying rolled to a considerable distance. Francesca was looking about her in considerable embarrassment, not able to lift it up again, when a Roman nobleman, Paolo Lelli Petrucci, a friend of her husband's, chanced to pass by. Astonished at seeing her in such a predicament, he hastened to her assistance; and she received it with as much serenity and composure as if her occupation had been the most ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... who was there was so charmed by the act that, finding the young man was poor and an orphan, he adopted him. Mr. Talbot was old, and lonely, and rich, and when he died, a year after, he left his name and fortune to this Paolo." ...
— The Mysterious Key And What It Opened • Louisa May Alcott
... pictures consisted of photographs or engravings of sacred subjects, all of Roman Catholic origin. There was a "Virgin and Child," by Botticelli, and another by Perugini; "Our Lady of the Cat," by Baroccio; the exquisite "Vision of St. Helena," by Paolo Veronese; Correggio's "Ecce Homo"; and others less well-known; with a ghastly Crucifixion too painful to be endured, especially by a young girl, had not custom dulled all genuine perception of the horror of it. The whole effect, ...
— The Heavenly Twins • Madame Sarah Grand
... meanwhile had already uncovered my piece; and observing that the Emperor had turned his eyes towards me with a very gracious look, I advanced at once and said: "Sacred Majesty, our most holy Father, Pope Paolo, sends this book of the Virgin as a present to your Majesty, the which is written in a fair clerk's hand, and illuminated by the greatest master who ever professed that art; and this rich cover of gold ...
— The Autobiography of Benvenuto Cellini • Benvenuto Cellini
... himself, is simply to absorb so completely the aspect and habit of things that the soul of them may take possession of us: that we may know by intuition the elan vital which the world expresses, just as Paolo, in Dante, knew by intuition the elan vital that ...
— Winds Of Doctrine - Studies in Contemporary Opinion • George Santayana
... England Carlo 2nd to allow His Prince Hans in Kelder eighty thousand Ducketts, which is his Mother's Estate, he Leaues Likewise to his Child and Mother Teresa 291 thousand Ducketts which hee calls Legacies. Hee was buried in the Church of St. Fran'co Di Paolo out of the Porta Capuana (for hee dyed of this Religion). He left 400 pounds for a Lapide to have his name and quality engrauen vpon it for hee called himself Don Jacopo Stuarto, and this is the end of that Princely Cheate or whatever ...
— The Valet's Tragedy and Other Stories • Andrew Lang
... the topaz light of evening, like daffodils half smothered in snowdrops, and among them, Diana, with the crescent on her forehead, is the fairest. Her dream-like beauty need fear no comparison with the Diana of the Camera di S. Paolo. Apollo and Bacchus are scarcely less lovely in their bloom of earliest manhood; honey-pale, as Greeks would say; like statues of living electron; realising Simaetha's picture of her lover ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... a painter's enthusiasm, so that to the latest day of his life he generally wrote in Italian, and loved to sign his name 'Pietro Paolo Rubens,' he had intended to return and settle in Mantua, but having been named court painter to the Governess of the Netherlands, Clara Eugenia, and her husband Albert, Rubens had sufficient patriotism and sufficient worldly foresight to induce ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... any date. I simply propose to give them a glimpse of Japan as it has appeared to Europeans since it was first "discovered" by three storm-tossed Portuguese sailors about the year 1542. I say "discovered" with full knowledge of the fact that Marco Paolo, as early as 1275, dictated to a friend when imprisoned at Genoa that stirring narrative, "Maravigliose Cose," which, by the way, was not printed for nearly two centuries later. That narrative was read by and, it is stated, so fired the imagination of Christopher Columbus as ...
— The Empire of the East • H. B. Montgomery
... they had taken it by storm, and had put its soldiers and inhabitants to the edge of the sword; on another side, Gilbert of Montpensier, who had been lighting up the sea-coast so as to keep open the communications between the French army and their fleet, had met with a detachment sent by Paolo Orsini to Sarzano, to reinforce the garrison there, and after an hour's fighting had cut it to pieces. No quarter had been granted to any of the prisoners; every man the French could get hold of they ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... second circle, where carnal sinners are punished, Dante sees, among others, Semiramis, Dido, Cleopatra, Helen, Achilles, Paris. The poet's attention is suddenly attracted by two spirits, who prove to be Francesca da Rimini and her lover, Paolo, murdered by her husband when Dante was twenty-four years old. The scandal of their illicit love and the penalty they paid by their lives must have been so generally known that Dante, though attached to her family by the memory of hospitality received from her nephew, Guido Novello da Polenta, ...
— Dante: "The Central Man of All the World" • John T. Slattery
... had not met you. Therefore I pray you hold me excused. In Italy, where your fame is at least as great as it is in England, we are proud to know you one of ourselves. Many generations have come and gone since Paolo Mario settled in the English county of Kent, but the olive of Italy proclaims itself in his descendant. No son of the North could have given to the world the beautiful Tarone called Francesca of the Lilies. The fire of the South ...
— The Orchard of Tears • Sax Rohmer
... pity on Gaston de Luynes, the nephew of that famous Albert de Luynes who had been Constable of France in the early days of the late king's reign; he had made me lieutenant of his guards and maitre d'armes to his nephews Andrea and Paolo de Mancini because he knew that a better blade than mine could not be found in France, and because he thought it well to have such swords as mine ...
— The Suitors of Yvonne • Raphael Sabatini
... contour of some object at another part of the composition, and although no actual line connects them, a unity is thus set up between them. (See diagrams, pages 166 and 168, illustrating line compositions of pictures by Botticelli and Paolo Veronese). This imaginary following through of contours across spaces in a composition should always be looked out for and sought after, as nothing serves to unite a picture like this relationship of remote parts. The flow of these lines will depend on the nature of the subject: ...
— The Practice and Science Of Drawing • Harold Speed
... basilicas (1) in the fact that they have always had the altar at the east, and the entrance at the west end; (2) by substituting, for a colonnaded atrium, a closed porch or narthex in front of the entrance of the building. In process of time, two of the greater Roman basilicas, San Paolo and San Lorenzo fuori le Mura, were enlarged in a westward direction, so that the positions of the altar and entrance were reversed; and, in several of the early basilicas at Rome, a space near the entrance of the nave was screened off, from which penitents and catechumens might ...
— The Ground Plan of the English Parish Church • A. Hamilton Thompson
... my wrath that I would never again speak to a woman outside my own immediate family. I tried in vain to hire men nurses, and I sympathized with Paolo Orsini, who slipped a cord around the neck of Isabella di Medici, and strangled her; I almost envied Curzon of Simopetra who had never seen a woman. But I soon found that this misanthropy was unjust, that I misjudged the pure depths of life's river by a little ...
— The Gentleman from Everywhere • James Henry Foss
... glad that I did not then lose any fact of the majesty, and beauty, and pathos of the great certain measures for the sake of that fourth dimension of the poem which is not yet made palpable or visible. I took my sad heart's fill of the sad story of "Paolo and Francesca," which I already knew in Leigh Hunt's adorable dilution, and most of the lines read themselves into my memory, where they linger yet. I supped on the horrors of Ugolino's fate with the strong gust of youth, which finds ...
— Henry James, Jr. • William Dean Howells
... that Daniel left Oxford without a degree because "his geny" was "more prone to easier and smoother studies than in pecking and hewing at logic," and we may believe that Italian was one of these smoother studies. His translation of Paolo Giovi's work on Emblems, which was published in 1585, was doubtless one fruit of this study, a work that since it took him into the very realm of the concetti, was to be a potent influence upon his mental growth. The main theme, the cruelty of the ...
— Elizabethan Sonnet-Cycles - Delia - Diana • Samuel Daniel and Henry Constable
... have arrived at the conclusion that much of the world remained undiscovered, and step by step to have conceived that design of reaching Asia by sailing west which was to result in the discovery of America. In 1474 we find him expounding his views to Paolo Toscanelli, the Florentine physician and cosmographer, and receiving the ...
— Christopher Columbus and His Monument Columbia • Various
... with me, Excellency. In the village I am generally called Maestro Paolo. I had a surname once, though a very equivocal one; and I have forgotten THAT since I retired from ...
— Zanoni • Edward Bulwer Lytton
... Robert Wauchope, doctor of Sorbonne, by Leslie, bishop of Ross, in the 10th book of his History; by Labens, a Jesuit, in the 14th tome of his Chronicles; by Cardinal Pallavicino, in the 6th book of his Hist. Conc. Trid.; by Fra Paolo Sarpi, in his Hist. Conc. Trid. Archbishop Spottiswood says that he died in Paris in the year 1551, "much lamented of all the university," on his return home from one ...
— Notes and Queries, Number 188, June 4, 1853 • Various
... fact that d'Annunzio's name was "Rapagnetto"—a purely personal contribution to the legend. Yet, the plain fact, as proven by his birth certificate, is that the author of "The Child of Pleasure" was born at Pescara, on the 12th of March, 1863, the son of Francesco Paolo d'Annunzio and Luisa de Benedictis. Il Piacere, to give this novel its Italian name, was published when d'Annunzio was only twenty-six years of age, and except for an unimportant and imitative volume of short stories, it was his first sustained prose work. It is the book which at once made the ...
— The Child of Pleasure • Gabriele D'Annunzio
... the axe of justice; there is for me no hope of mercy. 'Tis well, act as you please; but ere you sit in judgment over ME, signors, I shall take the liberty of passing sentence upon some few of YOU. Now mark me, you see in me the murderer of Conari, the murderer of Paolo Manfrone, the murderer of Lomellino. I deny it not. But would you know the illustrious persons who paid me for ...
— The Bravo of Venice - A Romance • M. G. Lewis
... refused to form a Cabinet, and a similar refusal having been made by Paolo Carcano, the King asks Salandra to resume the Premiership; Salandra consents; the people and press are furious with Giolitti; the country is on the verge of revolt; troops save the ...
— New York Times Current History; The European War, Vol 2, No. 4, July, 1915 - April-September, 1915 • Various
... artist-figures who—in the tradition of Tintoret's picture—support this "Golden Calf" of Venice, Tintoret himself is the one specially Venetian. Giorgione was of Castel Franco; Titian came from the mountains of Cadore; Paolo from Verona. But Jacopo Robusti, the "little dyer," the Tintoretto, was born, lived, and died in Venice. His works, rare elsewhere, crowd its churches, its palaces, its galleries. Its greatest art-building is the shrine of his faith. The school ...
— Stray Studies from England and Italy • John Richard Green
... at once," said the Greek. "Paolo, do you remain on board till I send for you, and let not a man quit the vessel on any excuse," he whispered. "Such provisions as they require, the boatman can bring off for them, and I will ...
— The Pirate of the Mediterranean - A Tale of the Sea • W.H.G. Kingston
... equable maternity of soul, good, bad, and indifferent alike, rather than to art, distinguishing, rejecting, refining. Commission and omission! sins of the former surely had the natural preference. And how would Paolo and Francesca have read this lesson? How would Henry, and Margaret of the "Memoirs," and other susceptible persons then present, read it, especially if the opposition between practical good and evil traversed diametrically another distinction, the "opposed points" of which, to Gaston for instance, ...
— Gaston de Latour: an unfinished romance • Walter Horatio Pater
... that the Prince Boccari, chief of a redoubtable secret society, in despair at seeing his friends accuse him of treachery, in consequence of suspicions excited in their minds by Fra Paolo himself, has ...
— The Wandering Jew, Complete • Eugene Sue
... Franck, in analogy with his German contemporaries, an etherealized kind of "Tristan and Isolde,"—a "Paolo and Francesca" in a world of shades. Compared with his followers the quality of stereotype in Franck is merely general; there is no ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... groove in it two fingers wide, had the guide show him the Pope's crown, the tiara, which, he thought, cost more money than all the princes of Germany possessed, was perplexed at finding the heads and bodies of Peter and Paul assigned to different places, at the Lateran Church and at San Paolo Fuori, mounted the Scala Santa—Pilate's staircase—on his knees, passed with awe the relief picture in one of the streets which the popular legend declared to be that of the female Pope Johanna and her child, saw the ancient pagan deities of Rome depicted in Santa Maria ...
— Luther Examined and Reexamined - A Review of Catholic Criticism and a Plea for Revaluation • W. H. T. Dau
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