FREE-TRANSLATOR.COM • More 'Melodic' Quotes from Famous Books

... crime. It is a memorable fact in the history of this opera, that on its first performance it was coldly received, and the Italian critics declared it had no vitality; though no opera was ever written in which such intense dramatic effect has been produced with simple melodic force, and no Italian opera score to-day is more living or more likely to last than ...

— The Standard Operas (12th edition) • George P. Upton

... in France. As Watteau found a Flemish school in France and left a French school stamped forever, so Foster found the United States a home for imitations of English, Irish, German and Italian songs, and left a native ballad form and melodic strain forever impressed upon it as ...

— Marse Henry, Complete - An Autobiography • Henry Watterson

... more accented syllables beginning with the same consonant or with a vowel: Von weissen Wolken umwogt, 59, 2—is used to enhance the rhythmic-melodic character of a poem, as is also assonance—the agreement of vowels in two or more accented syllables, 36. Often assonance is practically a form of impure rhyme, Grunde—verschwunden, 41, ...

— A Book Of German Lyrics • Various

... invention, beauty of form, and exactness of method, he has never been surpassed, and has but one or two rivals. The composer of three of the greatest operas in musical history, besides many of much more than ordinary excellence; of symphonies that rival Haydn's for symmetry and melodic affluence; of a great number of quartets, quintets, etc.; and of pianoforte sonatas which rank high among the best; of many masses that are standard in the service of the Catholic Church; of a great variety of beautiful songs—there ...

— The Great German Composers • George T. Ferris

... the trees as they brought refreshments to the troops; the red glow of the camp fires illuminating the eager and enthusiastic faces of the young officers grouped around the colonel; the snorting and stamping of the horses nearby; an occasional melodic outcry of a sentinel out in the night; all these things merging into an unforgettable scene of great romanticism and beauty. That night I lay for a long while stretched near the smoldering ashes of the camp fire, with my cape as a blanket, in a state of lassitude and somnolence, my ...

— Four Weeks in the Trenches - The War Story of a Violinist • Fritz Kreisler

... uniform group of rhymed lines. Alden defines it in his English Verse as "the largest unit of verse-measure ordinarily recognized. It is based not so much on rhythmical divisions as on periods either rhetorical or melodic; that is, a short stanza will roughly correspond to the period of a sentence, and a long one to that of a paragraph, while in lyrical verse the original idea was to conform the stanza to the melody for which it was written." "Normally, then," Alden adds in his Introduction to ...

— A Study of Poetry • Bliss Perry

... makes free use of another composer's melody, doubtless would defend his act with the argument that he is not writing "serious music," only melodies for the passing hour and therefore that he ought to be permitted the artistic license of weaving into his songs themes that are a part of the melodic life of the day. [1] But, although some song writers contend for the right of free use, they are usually the first to cry "stop thief" when another composer does the same thing to them. However, dismissing the ethics of this matter, right here there ...

— Writing for Vaudeville • Brett Page

... Jesus"? On its strains His spirit must have nightly floated free, Though still about his hands he felt his chains. Who heard great "Jordan roll"? Whose starward eye Saw chariot "swing low"? And who was he That breathed that comforting, melodic sigh, "Nobody knows de trouble ...

— The Upward Path - A Reader For Colored Children • Various

... there's one thing sweeter than love, it's the sadness that it can't last; she loved me once—and now she loves tout le monde! and that's a little sweet melodic sadness of mine that will never fail you, as long as there's a piano within your reach, and a friend who knows how to play me on it for you to hear. You shall revel in my sadness till you forget your own. Oh, the sorrow of my sweet pipings! ...

— The Martian • George Du Maurier

... the Chinese, known of this purely material fact for ages, and guarded it in esoteric silence? Here was music based on simple, natural sounds, the sounds of birds and air, the subtle sounds of silk. For centuries Europe had been on the wrong track with its melodic experimenting, its complex of harmonies. Illowski was indeed the saviour of music—and Neshevna, her great, green, luminous eyes upon ...

— Melomaniacs • James Huneker

... a botanist in examining a new flower would divide it in his mind's eye into its different parts. He would never mistake the calyx for a petal, and he would be able to determine at once the peculiarities of each part. In addition to the melodic phrases the pupil should be able to see the metrical divisions which underlie the form of the piece. He should be able to tell whether the composition is one of eight-measure sections or four-measure sections, or ...

— Great Pianists on Piano Playing • James Francis Cooke

... filled with flowers, the seats of the furniture covered with holland, the chandeliers draped with muslin, the windows open, and the venetians lowered, Mme. Jenkins is seated at the piano reading the new song of the fashionable musician; some melodic phrases accompanying exquisite verse, a melancholy Lied, unequally divided, which seems written for the tender gravities of her voice and the ...

— The Nabob • Alphonse Daudet

... condition, in a symphonic work, is the visual image, introduced by the psychic image, produced? In the event of a break in the melodic web (see my Psychologie dans l'Opera, pp. 119-120). Here are given, without orderly arrangement, some of the ideas that have come ...

— Essay on the Creative Imagination • Th. Ribot

... with the exception of intentionally rhapsodic utterances, begins with some group of notes of distinct rhythmic and melodic interest, which is the germ—the generative force—of the whole, and which is comparable to the text of a sermon or the subject of a drama. This introductory group of notes is called, technically, a motive or moving force and may be defined ...

— Music: An Art and a Language • Walter Raymond Spalding

... world. Rhythm and poetical expression are essential attributes of dramatic genius, but the original sign of race and mission is an instinctive modulation of man with the deeds he attempts or achieves. The man and the deed must be cognate and equal, and the melodic balance and blending are what first separate Homer and Hugo from the fabricators of singular adventures. In Scott leather jerkins, swords, horses, mountains, and castles harmonise completely and fully with food, fighting, words, and vision of ...

— Confessions of a Young Man • George Moore

... Chickering Hall, New York. Mr. H.E. Krehbiel, reviewing the work in the Tribune, praised the orchestration as "brilliant" ("though the models studied are rather more obvious than we like"), the melodic invention as "beautiful" and as having a poetical mood and characteristic outline. He considered that the music deserved repetition during the course of the season, and pronounced it "a finer work in every respect than the majority of the novelties which have ...

— Edward MacDowell • Lawrence Gilman

... former, the dance of the people, than in the latter, the dance of the aristocracy. In Chopin's mazurkas we meet not only with many of the most characteristic rhythms, but also with many equally characteristic melodic and harmonic traits of this chief of all ...

— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... above Siegfried's head we heard the beginning of the piece known in the concert room as "Forest Voices," the most exquisite sylvan picture ever done in music. A low rippling figure, or rather part-figure and part-melodic theme, is heard: it mounts higher, descends again, sways about, swells and dies away; other melodies are interwoven with it; it becomes more rapid in its motion, and grows louder until we feel the wind getting up and the leaves dancing, ...

— Richard Wagner - Composer of Operas • John F. Runciman

... most graceful melodies that I know in all music is the popular Chinese 'lily Song' which I recorded from a Chinese actor and which possesses the sheer beauty of outline and the firm delicacy of a Chinese drawing. Indeed, the melodic possibilities of the five-tone scale, containing a charm absolutely peculiar to that scale, instead of being limited, ...

— The Journal of Negro History, Volume 3, 1918 • Various