"Athens" Quotes from Famous Books
... account, much less remunerate him for his time, and the fearful expense of nervous energy to which he was subjected. It was as much as she could do, she said, to keep him from shaving one side of his head, so that he couldn't go out, the way he used to do in Athens when he was afraid he would be invited out and couldn't scare up ... — The Pursuit of the House-Boat • John Kendrick Bangs
... Stanton painting the high lights and Mr. Pillsbury the deep darks. In fact, the new journal's real editors are Hope and Despair. Beaumont and Fletcher were intellectually something alike; but Mrs. Stanton and Mr. Pillsbury are totally different. The lady is a gay Greek, come forth from Athens; the gentleman is a sombre Hebrew, bound back to Jerusalem. We know of no two more striking, original, and piquant writers. What keen criticisms, what knife-blade repartees, what lacerating sarcasms we shall expect from the one! What solemn, reverberating, ... — The Life and Work of Susan B. Anthony (Volume 1 of 2) • Ida Husted Harper
... bitterly regretting that I had failed to get the bird, I watched him until he disappeared from sight in the distance, walking towards the suburb of Palermo; and a mystery he remains to this day, the one and only Argentine gentleman, a citizen of the Athens of South America, amusing himself by killing little birds with pebbles. But I do not know that it was an amusement. He had perhaps in some wild moment made a vow to kill so many siskins in that way, or a bet to prove his skill ... — Far Away and Long Ago • W. H. Hudson
... promise of Eden to have dominion over the earth on which he lives. Not that Israel is all heart, nor Greece all head, for in estimating the human value of the two races, intellect and science are found in Jerusalem and beauty and truth at Athens, ... — The Menorah Journal, Volume 1, 1915 • Various
... was alive to the special needs of an age when men were struggling for gain, and when 'progress' was measured by material riches. To him, if to few others, it seemed tragic that, in the wonderful development of industrial Britain, art, which had spoken so eloquently to citizens of Periclean Athens and to Florence in the Medicean age, should remain without expression or sign of life. For a moment our Government had seemed to hear the call, and the stimulus of the Westminster competitions had been of value; but the interest died ... — Victorian Worthies - Sixteen Biographies • George Henry Blore
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